{"id":14733,"date":"2021-03-04T02:06:06","date_gmt":"2021-03-03T23:06:06","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=14733"},"modified":"2021-03-15T10:58:12","modified_gmt":"2021-03-15T07:58:12","slug":"altin-kurede-zhao-nomadland-gocebeyurdu-mcdormand","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2021\/03\/04\/altin-kurede-zhao-nomadland-gocebeyurdu-mcdormand\/","title":{"rendered":"Alt\u0131n K\u00fcre\u2019de \u201cZhao-Nomadland (G\u00f6\u00e7ebeyurdu)-McDormand\u201d"},"content":{"rendered":"\n<p>Prof. Dr. Murat \u0130ri<\/p>\n\n\n\n<p>Chloe Zhao 1982&#8217;de Pekin\/\u00c7in\u2019de do\u011fdu. New York \u00dcniversitesi\u2019nde film yap\u0131m\u0131 okudu. \u00c7\u0131k\u0131\u015f filmi <em>Songs My Brothers Taught Me\/Erkek Karde\u015flerimin \u00d6\u011fretti\u011fi \u015eark\u0131lar<\/em> (2015) ilk g\u00f6sterimini Sundance Film Festivali\u2019nde yapt\u0131. \u0130kinci uzun metraj filmi <em>The Rider\/Binici<\/em> (2017) kayda de\u011fer \u00f6vg\u00fcler ve adayl\u0131klar ald\u0131. 2020 yap\u0131m\u0131 <em>Nomadland\/G\u00f6\u00e7ebeyurdu<\/em> filmi ile ABD Kaliforniya merkezli uluslararas\u0131 gazeteciler taraf\u0131ndan belirlenen Alt\u0131n K\u00fcre \u00f6d\u00fcllerinin 78\u2019incisinde drama dal\u0131nda en iyi film ve y\u00f6netmen \u00f6d\u00fcllerini havaya kald\u0131rd\u0131. B\u00f6ylece 1984\u2019te <em>Yentl<\/em> (1983) filmi ile bir kad\u0131n olarak ilk Alt\u0131n K\u00fcre \u00f6d\u00fcl\u00fc alan Barbra Streisand\u2019\u0131n yan\u0131nda kendine yer a\u00e7t\u0131.<\/p>\n\n\n\n<p>En erken zamanlar\u0131ndan bu yana sinema hareket eden insanlar\u0131 mercek alt\u0131na ald\u0131. <em>Sirk <\/em>(1928) filminde \u015earlo ya da \u201c<em>Five Easy Pieces-Be\u015f Basit Par\u00e7a<\/em>\u201d (Bob Rafelson\/1970) filminde Jack Nicholson devaml\u0131 hareket halindeydi. <em>G\u00f6\u00e7ebeyurdu<\/em> filmi de konu i\u00e7inde yerini buldu. Film, iflas eden Birle\u015fik Devletler Al\u00e7\u0131ta\u015f\u0131 fabrikas\u0131n\u0131n sahip oldu\u011fu ama 2011\u2019de kapanan sanayi kenti Empire (Nevada)\u2019da ba\u015flar. Dul kad\u0131n Fern (Frances McDormand) ad\u0131n\u0131 Vanguard (Karavanmuhaf\u0131z\u0131) koydu\u011fu beyaz karavan\u0131nda \u00f6nceki hayat\u0131ndan birka\u00e7 yadigar e\u015fya ile uyur, yemek yapar, otoban \u00fczerinde hayat\u0131n\u0131 s\u00fcrer. Fern, spor e\u015fyalar\u0131 satan ma\u011fazada tan\u0131d\u0131k bir aileye rastlad\u0131\u011f\u0131nda ailenin annesi, sanki kimse bunu uzun s\u00fcre yapamazm\u0131\u015f gibi Fern\u2019e sorar \u201csen hala karavanda m\u0131s\u0131n?\u201d. \u201cAnnem senin evsiz oldu\u011funu s\u00f6yl\u00fcyor, bu do\u011fru mu?\u201d der ailenin k\u0131z\u0131. Fern tela\u015fs\u0131zca cevaplar, \u201cben sadece konutsuzum, ayn\u0131 \u015fey de\u011fil, di mi?\u201d. \u00a0Fern, Karavanmuhaf\u0131z\u0131 ile bir karavan cemiyetine dahil olur -gezgin Amerikal\u0131lar\u0131n vas\u0131talar\u0131 ile ABD s\u0131n\u0131rlar\u0131 i\u00e7inde olu\u015fturduklar\u0131 bir g\u00f6\u00e7ebe alt k\u00fclt\u00fcr\u00fcd\u00fcr bu cemiyet.<\/p>\n\n\n\n<p>Filmde, ABD\u2019de Fern gibi bir k\u0131s\u0131m orta ya\u015fl\u0131 ve ya\u015fl\u0131, alt-orta s\u0131n\u0131f insanlar\u0131n 2008 y\u0131l\u0131nda (\u00fclkemizi te\u011fet ge\u00e7erek) d\u00fcnyada vuku bulan kapitalist ekonomik durgunluk y\u00fcz\u00fcnden yollara vurmalar\u0131 anlat\u0131l\u0131r. Yerle\u015fik olmak onlar i\u00e7in \u00e7ok zor, \u00e7ok pahal\u0131d\u0131r. &nbsp;\u0130\u015fsizlik, biten evlilikler, daralan gayri menkul piyasas\u0131 e\u015fli\u011finde Fern ve arkada\u015flar\u0131 k\u0131\u015f tatili d\u00f6nemlerinde saatlerce Amazon depolar\u0131nda, yaz aylar\u0131nda da ulusal parklarda \u00e7ok d\u00fc\u015f\u00fck \u00fccretle para kazanmaya \u00e7al\u0131\u015f\u0131rlar. \u00d6zg\u00fcr ama ayn\u0131 zamanda \u00e7aresiz, y\u00fckselen e\u015fitsizli\u011fin i\u00e7inde ve y\u0131pranm\u0131\u015f g\u00fcvenlik a\u011f\u0131nda s\u0131k\u0131\u015f\u0131p kalm\u0131\u015flard\u0131r.<\/p>\n\n\n\n<p>Y\u00f6netmen Zhao, Fern\u2019in hayat\u0131n\u0131n yo\u011funluk ve b\u0131kk\u0131nl\u0131\u011f\u0131n\u0131 gayet iyi yakalar. Saatlerce araba s\u00fcren, bazen bir i\u015fte \u00e7al\u0131\u015fan, hava \u015fartlar\u0131n\u0131n neden oldu\u011fu aksakl\u0131klara g\u00f6\u011f\u00fcs geren, ki\u015filer aras\u0131 ili\u015fki ya da karavan\u0131n sorunlar\u0131 ile yuvarlan\u0131p giden Fern\u2019i tela\u015flanmadan anlat\u0131r. Film sab\u0131rl\u0131d\u0131r, a\u00e7\u0131kt\u0131r ve merhametlidir. Yarg\u0131lamak ya da a\u00e7\u0131klamaktan \u00e7ok \u00e7evreyi dola\u015f\u0131r, g\u00f6zlemler. Fern\u2019in bireysel tercihine sayg\u0131 duyar.<\/p>\n\n\n\n<p><em>G\u00f6\u00e7ebeyurdu<\/em> asl\u0131nda bir protesto de\u011fil. Kad\u0131n kahraman\u0131n g\u00f6zlerindeki bak\u0131\u015f gibi, Bat\u0131 (ABD) toplumunda insana dair art\u0131k \u00f6lmeye ba\u015flam\u0131\u015f her \u015feye k\u0131zg\u0131n bir \u00fcz\u00fcnt\u00fc i\u00e7inde bak\u0131yor. Tam da bu y\u00fczden Zhao, genelde g\u00fcn\u0131\u015f\u0131\u011f\u0131n\u0131n zay\u0131f anlar\u0131nda \u00e7ekimler yapm\u0131\u015f. Mor ve k\u0131z\u0131l g\u00f6ky\u00fcz\u00fc alt\u0131nda ge\u00e7en \u00f6yk\u00fc seyirci ile, t\u0131pk\u0131 John Ford\u2019un 80 y\u0131l \u00f6nce <em>Gazap \u00dcz\u00fcmleri<\/em> (1940) filminde yapt\u0131\u011f\u0131 gibi konu\u015fuyor. Fern\u2019in ihtiya\u00e7lar\u0131 ve haklar\u0131, Joad ailesininkiler kadar basit. Tom Joad \u201carkada\u015f\u0131n kendi ruhu yok, onda sadece, b\u00fcy\u00fck bir ruhun k\u00fc\u00e7\u00fck bir par\u00e7as\u0131 var\u201d der ve devam eder \u201cherkese ait bir tek b\u00fcy\u00fck ruh istiyoruz\u201d, biraz umut. Fern\u2019in, di\u015f f\u0131r\u00e7as\u0131 ve tavuk sulu eri\u015ftesi e\u015fli\u011finde, karavan\u0131na t\u0131ka basa doldurulmu\u015f kendi ruhu var. Ve her an \u00e7ekip gidebilir. \u00a0\u00a0<\/p>\n\n\n\n<p>Bu \u00e7ekip gitmedeki en b\u00fcy\u00fck pay tabii Frances McDormand\u2019\u0131n her sahneye demir atan g\u00fc\u00e7l\u00fc oyunculu\u011fudur. <em>Fargo<\/em> (Coen Karde\u015fler\/1996), <em>Moonrise Kingdom\/Y\u00fckselen Ay Krall\u0131\u011f\u0131<\/em> (Wes Anderson\/2012), <em>Promised Land\/Vadedilmi\u015f Topraklar<\/em> (Gus Van Sant\/2012) gibi filmlerle hat\u0131rlanabilecek McDormand\u2019\u0131n buradaki performans\u0131 kariyerinin en n\u00fckteli ve zarif olanlar\u0131ndan. \u00a0Hayata \u201ckaravan-bedeni\u201d ile adeta meydan okuyor. So\u011fuk bir g\u00fcnde, hi\u00e7bir yerin ortas\u0131na tuvaletini yapt\u0131\u011f\u0131 sahne ise, sinema tarihindeki yerini \u00e7oktan ald\u0131 bile.\u00a0<\/p>\n\n\n\n<p><strong>Kaynak\u00e7a<\/strong><\/p>\n\n\n\n<p>Lane, A., \u201c<em>Economic ruthlessness on the open road in Nomadland<\/em>\u201d, 27 Kas\u0131m 2020, <strong>The New Yorker<\/strong><\/p>\n\n\n\n<p>Scott, A.O., \u2018<em>Nomadland\u2019 review: The unsettled Americans<\/em>. 18 \u015eubat 2021, <strong>The New York Times<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prof. Dr. Murat \u0130ri Chloe Zhao 1982&#8217;de Pekin\/\u00c7in\u2019de do\u011fdu. New York \u00dcniversitesi\u2019nde film yap\u0131m\u0131 okudu. \u00c7\u0131k\u0131\u015f filmi Songs My Brothers Taught Me\/Erkek Karde\u015flerimin \u00d6\u011fretti\u011fi \u015eark\u0131lar (2015) ilk g\u00f6sterimini Sundance Film Festivali\u2019nde yapt\u0131. \u0130kinci uzun metraj filmi The Rider\/Binici (2017) kayda de\u011fer \u00f6vg\u00fcler ve adayl\u0131klar ald\u0131. 2020 yap\u0131m\u0131 Nomadland\/G\u00f6\u00e7ebeyurdu filmi ile ABD Kaliforniya merkezli uluslararas\u0131 gazeteciler [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":14678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1515,35],"tags":[1499,1502,1503,1498,1501,1500],"class_list":["post-14733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kose-yazilari","category-yasam","tag-altin-kure","tag-gocebeyurdu","tag-mcdormand","tag-murat-iri","tag-nomadland","tag-zhao"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=14733"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14733\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/14678"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=14733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=14733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=14733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}