![\"Kovan](\"http:\/\/tr.web.img4.acsta.net\/pictures\/19\/09\/05\/14\/38\/0188065.jpg\")
<\/figure><\/div>\n\n\n\nAy\u015fe (Meryem Uzerli), Almanya\u2019daki kent ya\u015fam\u0131n\u0131 b\u0131rakarak kuzeydo\u011fu T\u00fcrkiye\u2019deki \u00e7ocuklu\u011funun da\u011flar\u0131na, \u00f6l\u00fcm d\u00f6\u015fe\u011findeki annesini g\u00f6rmek \u00fczere geri d\u00f6ner. \u00d6len annesinin son iste\u011fini onurland\u0131r\u0131p onun sevgili ar\u0131lar\u0131na sahip \u00e7\u0131kar. Yerel ar\u0131c\u0131 Ahmet ile \u00e7al\u0131\u015fmaya ba\u015flad\u0131ktan k\u0131sa s\u00fcre sonra sorunlar ba\u015f g\u00f6sterir. Dahas\u0131 bir ay\u0131, kovanlara ve insan hayat\u0131na zarar vermeye ba\u015flar. Ay\u015fe, ar\u0131lar ve onlardan daha b\u00fcy\u00fck bir bela olarak ay\u0131 ile m\u00fccadeleye tutu\u015fur.<\/p>\n\n\n\n
Filmdeki do\u011fa-k\u00fclt\u00fcr \u00e7at\u0131\u015fmas\u0131, geleneksel-modern-postmodern ya da yerel-ulusal-k\u00fcresel \u00e7at\u0131\u015fmalar\u0131 aras\u0131ndaki gerilime ko\u015futtur. Annesinin geleneksel y\u00f6ntemlerle ar\u0131c\u0131l\u0131ktan kazanarak g\u00f6nderdi\u011fi para ile Almanya\u2019da modern bat\u0131l\u0131 e\u011fitimi alan Ay\u015fe internetten ar\u0131c\u0131l\u0131k ara\u015ft\u0131rmas\u0131 yap\u0131p, kitaplar okuyarak i\u015fi \u00f6\u011frenir. Her bilim ayn\u0131 zamanda bir d\u00fczene sokma, bir sadele\u015ftirme, sindirilemeyecek olan\u0131 ak\u0131l i\u00e7in sindirilir duruma getirme \u00e7abas\u0131d\u0131r. Gen\u00e7lerin g\u00f6revi, ya\u015fl\u0131lar\u0131 hakl\u0131 bulup onaylamak de\u011fil, kendilerini kan\u0131tlamak, k\u00fcresel d\u00fcnyaya engel olu\u015fturan t\u00fcm nesnelerden, al\u0131\u015fkanl\u0131klardan kendilerini \u00f6zg\u00fcr k\u0131lmakt\u0131r. Modern kimlik \u00f6tekine g\u00f6re tan\u0131mlan\u0131rken, post modern kimlik geleneksel ile i\u015fbirli\u011fi yaparak \u00f6tekinin kabul\u00fcn\u00fc sa\u011flar, dolay\u0131s\u0131yla daha ilericidir. Ya\u011fmurda g\u00f6rebildi\u011fi i\u00e7in anl\u0131k iklim ko\u015fullar\u0131nda bal yapabilecek -Ay\u015fe\u2019nin deyimiyle- \u0130ngiltere krali\u00e7esi \u201c\u00f6teki\u201d ar\u0131 mevcut geni bozmakla su\u00e7lansa da, Kafkas ar\u0131lar\u0131 ile beraber sonunda do\u011faya tutunur. Ve bu yeni ya\u015fam formu yerel cemaatin besmelesiyle buyur edilerek kabullenilir.<\/p>\n\n\n\n
Yaban hayat\u0131 koruma derne\u011finden \u0130lker bilimi, \u00e7evreci k\u00fcreseli temsil eder, yereli ya\u015fat\u0131r. Ay\u015fe ile hem\u015fehirlidir, iyi anla\u015f\u0131rlar. Soyu t\u00fckenmekte olan boz ay\u0131lar\u0131 g\u00f6zetim alt\u0131nda tutar, ancak ay\u0131, sadece ay\u0131 de\u011fildir, ayn\u0131 zamanda ya\u011fmac\u0131 ataerkiye g\u00f6ndermede bulunur. Rengarenk ar\u0131 kovanlar\u0131n\u0131 ya\u011fmalar, kurald\u0131r, hayvanlar aleminde g\u00fc\u00e7l\u00fc olan \u00f6ld\u00fcr\u00fcr. Ama bir eko-feminist oldu\u011fu rahatl\u0131kla s\u00f6ylenebilecek Ay\u015fe duruma el koyar. \u201cAr\u0131c\u0131l\u0131k erkek i\u015fidir\u201d \u00f6nermesine kar\u015f\u0131 \u201calakas\u0131 yok annemden \u00f6\u011frendim\u201d diye itiraz eder. \u201cKad\u0131nlar daha titizdir, ar\u0131lar da titizdir, her \u015feyi zaman\u0131nda yaparlar. D\u00fcnyada ar\u0131lar yok oluyor, ar\u0131c\u0131l\u0131k art\u0131k en \u00f6nemli mesleklerden\u201d diye devam eder. Manevi bak\u0131\u015f a\u00e7\u0131s\u0131 vard\u0131r Ay\u015fe\u2019nin ve ye\u015fil politikan\u0131n hem \u015fefkatli hem de y\u0131k\u0131c\u0131 taraf\u0131d\u0131r. \u00c7evreciler ayn\u0131 anda hem yerelci hem de k\u00fcreselcidir; zaman\u0131n y\u00f6netiminde k\u00fcreselci, mekan\u0131n savunulmas\u0131nda yerelci. Evrimci d\u00fc\u015f\u00fcnce ve politikalar k\u00fcresel bir perspektif gerektirir, insanlar\u0131n \u00e7evreleriyle uyumu yerel cemaatlerinde ba\u015flar. Bu sosyo-biyolojik kimlik \u00e7ok y\u00f6nl\u00fc, tarihsel gelenekler, diller ve k\u00fclt\u00fcrel sembollerle ba\u011fda\u015ft\u0131r\u0131labilir. Tarihsel k\u00fclt\u00fcrler reddedilmez. \u0130ktidar, a\u011f toplumu i\u00e7inde k\u00fcreselle\u015ftik\u00e7e zenginlik ve bilgi yo\u011funlu\u011fu ile \u00f6rg\u00fctlenirken olabildi\u011fince payla\u015f\u0131l\u0131r. \u00c7evrecilik bilime dayal\u0131 bir harekettir. Do\u011faya, insanlara ne oldu\u011funu anlamaya soyunur. Bilimin hayat \u00fczerindeki egemenli\u011fini ele\u015ftirirken hayat ad\u0131na, bilime kar\u015f\u0131 bilimi kullan\u0131r. Bilgi eksikli\u011fi de\u011fil bilgi \u00fcst\u00fcnl\u00fc\u011f\u00fc savunulur. Merkezsiz, \u00e7ok bi\u00e7imli, a\u011fa odakl\u0131, yay\u0131lmac\u0131 yeni bir toplumsal hareket bi\u00e7imidir. \u00c7evreci hareket olarak ekofeminizme g\u00f6re kad\u0131nlar, do\u011fan\u0131n maruz kald\u0131\u011f\u0131 ayn\u0131 ataerkil \u015fiddetin kurban\u0131d\u0131r. Maneviyat\u00e7\u0131 feminizm ve yeni-paganc\u0131l\u0131k aras\u0131nda, cad\u0131 olmakla da ifade edilebilecek ba\u011flant\u0131 kurulabilir. Ar\u0131lar\u0131n geri d\u00f6nmesi, ormanda Cemile annenin \u201car\u0131lar\u0131ma iyi bak\u201d f\u0131s\u0131lt\u0131s\u0131n\u0131 duymas\u0131, r\u00fcyalar\u0131nda do\u011fa ve hayvanlarla ileti\u015fim kurmas\u0131, bitkilere, a\u011fa\u00e7lara, suya dokunarak ruhunu sa\u011faltmas\u0131 ile Ay\u015fe\u2019nin \u201ccad\u0131l\u0131\u011f\u0131\u201d onaylan\u0131r.<\/p>\n\n\n\n
Yeni kovanlardaki ya\u015f a\u011fa\u00e7larda yar\u0131klar a\u00e7\u0131lm\u0131\u015f, buna ba\u011fl\u0131 olarak ar\u0131lar di\u011fer kovanlardaki bal kokusunu duyup sava\u015f \u00e7\u0131karm\u0131\u015f, b\u00fcy\u00fck ya\u011fmalama sonucu \u00e7o\u011fu birbirini \u00f6ld\u00fcrerek telef olmu\u015ftur. \u00dcz\u00fcnt\u00fc denizindeki Ay\u015fe\u2019ye kamera bel-boy plandan daha fazla yakla\u015fmaz. Fondaki y\u00fcce da\u011flar-g\u00fcrlemi\u015f a\u011fa\u00e7lar-par\u00e7al\u0131 bulutlu g\u00f6kkubbe alan derinli\u011fi ile g\u00f6r\u00fcnt\u00fclenerek sonsuzluk hissi uyand\u0131r\u0131l\u0131r, b\u00f6ylece insan\u0131n\/k\u00fclt\u00fcr\u00fcn bi\u00e7areli\u011fi, yaln\u0131zl\u0131\u011f\u0131 verilir. Filmde belli aral\u0131klarla y\u00fcce da\u011flar ve orman i\u00e7inde uzaktan k\u00fc\u00e7\u00fcc\u00fck g\u00f6r\u00fcnt\u00fclenen insanlar, arabalar, evler, elektrik direkleri, do\u011fa kar\u015f\u0131s\u0131ndaki bu \u00e7aresizli\u011fin, \u00e7\u0131k\u0131\u015fs\u0131zl\u0131\u011f\u0131n alt\u0131n\u0131 \u00e7izer.<\/p>\n\n\n\n
\u00d6l\u00fc ar\u0131lar\u0131n yak\u0131lma t\u00f6reni gerilim m\u00fczi\u011fi e\u015fli\u011finde y\u00fcrek burkan bir merasimdir. Ay\u015fe ve Ahmet, Ahmet\u2019in evinde pencerenin \u00f6n\u00fcnde ak\u015fam vakti oturup dertle\u015fir. Y\u00fczleri \u0131\u015f\u0131kla ayd\u0131nlat\u0131lm\u0131\u015f halde d\u0131\u015far\u0131ya, do\u011faya d\u00f6n\u00fckt\u00fcr. Cama vuran ya\u011fmur damlalar\u0131n\u0131n g\u00f6lgesi y\u00fczlerine yans\u0131r. Omuz plan g\u00f6r\u00fcnt\u00fclenirken g\u00f6kg\u00fcr\u00fclt\u00fclerine, \u015fim\u015feklere, sa\u011fanak ya\u011fmurlara, tabiata itirafta bulunurlar. Adeta g\u00fcnah \u00e7\u0131kar\u0131rlar. G\u00fcnah \u00e7\u0131karma kabul edildi\u011finde ise yeni krali\u00e7e o\u011ful verecek, Ay\u015fe\u2019nin \u00f6ld\u00fcrd\u00fc\u011f\u00fc ay\u0131n\u0131n yavrular\u0131ndan biri hayatta kalarak \u201cumudu\u201d devam ettirecektir. Do\u011fa ba\u011f\u0131\u015flay\u0131c\u0131d\u0131r.<\/p>\n\n\n\n
Alman filozof Leibniz k\u00fclt\u00fcr\u00fc \u201cge\u00e7mi\u015fle y\u00fckl\u00fc, gelece\u011fe gebe\u201d olarak tan\u0131mlar. \u0130nsan do\u011fada bir \u015feyler \u00fcretir ve bunlar\u0131 do\u011faya h\u00fckmetmek i\u00e7in kulland\u0131\u011f\u0131nda k\u00fclt\u00fcr\u00fc yarat\u0131r. Birinci a\u015fama Vah\u015fi do\u011fa olarak adland\u0131r\u0131l\u0131rken art\u0131k g\u00fcn\u00fcm\u00fczde Olu\u015fturulmu\u015f do\u011fadan s\u00f6z edilir. Gelenekten (yerelden) moderne (ulusala) aktar\u0131lan bilgi, postmodernin (k\u00fcreselin) yani Olu\u015fturulmu\u015f do\u011fan\u0131n kurulmas\u0131ndaki yard\u0131m elidir. Bu yard\u0131m elinin gereklili\u011fini, Ay\u015fe ve \u0130lker\u2019in antika de\u011ferinde eski bir radyodan dinledikleri ve Cemile annenin yaz\u0131n\u0131n ba\u015fl\u0131\u011f\u0131ndaki s\u00f6z\u00fcn\u00fcn yan anlamlar\u0131ndan biri olabilecek \u015fark\u0131 anlat\u0131r; \u201chep sonradan gelir akl\u0131m ba\u015f\u0131ma, hep sonradan…\u201d<\/p>\n\n\n\n
Kaynak\u00e7a<\/strong><\/p>\n\n\n\n Castells, M. (2006). Enformasyon \u00c7a\u011f\u0131: Ekonomi, Toplum ve K\u00fclt\u00fcr. \u0130kinci Cilt (Kimli\u011fin G\u00fcc\u00fc)<\/strong>. \u00c7ev. Ebru K\u0131l\u0131\u00e7. \u0130stanbul Bilgi \u00dcniversitesi Yay\u0131nlar\u0131: \u0130stanbul. <\/p>\n\n\n\n Hesse, H. (2019). \u0130nan\u00e7 da Sevgi de Akl\u0131n Yolunu \u0130zlemez<\/strong>. \u00c7ev. Kamuran \u015eipal. Yap\u0131 Kredi Yay\u0131nlar\u0131: \u0130stanbul.<\/p>\n","protected":false},"excerpt":{"rendered":" Kovan (Eylem Kaftan\/2020), Ay\u015fe\u2019nin annesi Cemile\u2019nin bu s\u00f6z\u00fcn\u00fcn temel anlam\u0131 ve yan anlamlar\u0131 \u00fczerine kurulur. Ay\u015fe (Meryem Uzerli), Almanya\u2019daki kent ya\u015fam\u0131n\u0131 b\u0131rakarak kuzeydo\u011fu T\u00fcrkiye\u2019deki \u00e7ocuklu\u011funun da\u011flar\u0131na, \u00f6l\u00fcm d\u00f6\u015fe\u011findeki annesini g\u00f6rmek \u00fczere geri d\u00f6ner. \u00d6len annesinin son iste\u011fini onurland\u0131r\u0131p onun sevgili ar\u0131lar\u0131na sahip \u00e7\u0131kar. Yerel ar\u0131c\u0131 Ahmet ile \u00e7al\u0131\u015fmaya ba\u015flad\u0131ktan k\u0131sa s\u00fcre sonra sorunlar ba\u015f g\u00f6sterir. […]<\/p>\n","protected":false},"author":24,"featured_media":14678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[35],"tags":[1530,1529,1498,189],"class_list":["post-14916","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yasam","tag-film-elestirisi","tag-kovan","tag-murat-iri","tag-sinema"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=14916"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14916\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/14678"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=14916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=14916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=14916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}