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D\u00f6nemin \u00f6nemli m\u00fczisyenleri, m\u00fczik ele\u015ftirmenleri, \u00c7etin\u2019in ve \u00c7apl\u0131\u2019n\u0131n yak\u0131nlar\u0131 bu dahi iki m\u00fczisyenin i\u00e7 d\u00fcnyas\u0131n\u0131 anlatmaya \u00e7al\u0131\u015f\u0131yorlar belgeselde. \u00c7al\u0131\u015f\u0131yorlar, \u00e7\u00fcnk\u00fc her iki m\u00fczisyenin zihinleri ve varolu\u015flar\u0131 \u2018\u2019normal\u2019\u2019 ak\u0131\u015f\u0131nda giden hayat\u0131n i\u00e7inde de\u011fil. \u00c7etin, Bo\u011fazi\u00e7i \u00a0K\u00f6pr\u00fcs\u00fc\u2019nde atlay\u0131p intihar etti\u011finde man\u015fetler \u2018\u2019M\u00fczi\u011fin Alt\u0131n \u00c7ocu\u011fu\u2019\u2019 olarak ondan bahsediyorlar. \u00c7apl\u0131, beyninde varolan bir rahats\u0131zl\u0131k nedeniyle \u00f6ld\u00fc\u011f\u00fcnde \u2018\u2019T\u00fcrk Rock Tarihi\u2019nden \u00c7apl\u0131 Ge\u00e7ti\u2019\u2019 deniliyor. Onlar, daha farkl\u0131, daha ba\u015fka ve daha sanat\u00e7\u0131 olarak g\u00f6r\u00fcl\u00fcyorlar. Ya\u015fad\u0131klar\u0131 hezeyanlar,\u00a0 m\u00fczi\u011fe duyduklar\u0131 heyecan iki m\u00fczisyenin de ba\u015fka g\u00f6zlerle ve kulaklarla, izlenilmesine ve dinlenilmesine yol a\u00e7\u0131yor. Blues\u2019un tam olarak anla\u015f\u0131lamad\u0131\u011f\u0131 bir \u00fclkede, \u00c7etin gitar\u0131ndan \u00e7\u0131kan t\u0131n\u0131larla m\u00fczi\u011fin dehlizlerinde yol al\u0131rken \u00fclkesinin m\u00fczik tarihinde nas\u0131l yer edece\u011fini bile bilemiyordu belki. \u00c7apl\u0131, davulunu \u00e7al\u0131p kendinden ge\u00e7erken ve davulun ritmiyle birlikte \u015fark\u0131ya e\u015flik ederken ortaya \u00e7\u0131kard\u0131\u011f\u0131 \u00fcretimin ne denli sars\u0131c\u0131 oldu\u011funu anlamland\u0131ramam\u0131\u015ft\u0131 belki de. Belki de diyorum, \u00e7\u00fcnk\u00fc belgeselin de izleyiciye sundu\u011fu, iki m\u00fczisyenin de kendine \u00f6zg\u00fc m\u00fczik anlay\u0131\u015f\u0131nda, kendine has m\u00fctevaz\u0131l\u0131klar\u0131n\u0131n da olduk\u00e7a dikkat \u00e7ekici oldu\u011fuydu. \u00a0Erkan O\u011fur\u2019un konu\u015famay\u0131p y\u00fcz\u00fcn\u00fc gitar\u0131yla saklad\u0131\u011f\u0131 sahnede san\u0131yorum ki 90\u2019lar\u0131 derin derin an\u0131msayan her m\u00fczikseverin ve o d\u00f6nemi “ya\u015fayan” herkesin g\u00f6zleri dolmu\u015ftur.<\/p>\n\n\n\n
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1990\u2019lar T\u00fcrk m\u00fczik tarihinde ba\u015fka alanlar a\u00e7t\u0131 m\u00fczisyenlere de m\u00fczikseverlere de. Her t\u00fcr m\u00fczi\u011fin dinlenebilece\u011fi mekanlar, konserler, bunlar\u0131n yan\u0131 s\u0131ra \u00e7e\u015fitli t\u00fcrleri sunmaya \u00e7al\u0131\u015fan amat\u00f6r gruplar ve organizasyonlar vard\u0131 90\u2019larda. Benim de bire bir m\u00fczikle daha yak\u0131n ba\u011f kurmam 12 ya\u015f\u0131nda gitar dersi e\u011fitimi almamla ba\u015flam\u0131\u015ft\u0131. Ne kadar fazla m\u00fczik hakk\u0131nda bilgi sahibi olursam, daha iyi \u00e7alaca\u011f\u0131m\u0131, daha geni\u015f perspektiften duyaca\u011f\u0131m\u0131 hep d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fcm. D\u00f6nemin m\u00fczik dergilerini takip eder, hatta yar\u0131 Amerikal\u0131 T\u00fcrk arkada\u015f\u0131m\u0131n anneannesinin Amerika\u2019dan yollad\u0131\u011f\u0131 m\u00fczik dergilerinden de bilmedi\u011fimiz gruplar\u0131 \u00f6\u011frenmeye \u00e7al\u0131\u015f\u0131rd\u0131k. \u0130yi bir m\u00fczisyen olmak, saatlerini emek harcad\u0131\u011f\u0131n enstr\u00fcmanla ge\u00e7irmek demekti. Gen\u00e7 e\u011fitmenim, g\u00fcnde en az 6, 7 saat \u00e7al\u0131\u015fmal\u0131s\u0131n ki iyi bir m\u00fczisyen olabilmesin dedi\u011finde, benden ancak iyi bir m\u00fcziksever olaca\u011f\u0131n\u0131 anlam\u0131\u015ft\u0131m. Konserlere gitmeye devam ettim, m\u00fczik dergilerini takip ettim, sevdi\u011fim sanat\u00e7\u0131lar\u0131n biyografilerini detayl\u0131 olarak ara\u015ft\u0131r\u0131p kimsenin bilmedi\u011fi bilgileri zevkle payla\u015ft\u0131m. 90\u2019lar t\u00fcm bu s\u00fcre\u00e7 i\u00e7inde bana ve benim gibi m\u00fczikseverlere \u00e7ok fazla olanak sa\u011flad\u0131. Walkmenlerimizde, discmanlerimizde dinledi\u011fimiz kasetlerden, cdlerden \u00e7\u0131kan seslerin sahiplerini g\u00f6rme f\u0131rsat\u0131m\u0131z oldu. Stadyum konserlerine Metallica\u2019n\u0131n ka\u00e7 tonluk ara\u00e7la geldi\u011fi, ka\u00e7 t\u0131rla gitti\u011fi bilgisi, Michael Jackson\u2019\u0131n ger\u00e7ek Jackson olup olmad\u0131\u011f\u0131 sorunsallar\u0131 bizlerin derdiydi. Sadece dinlemiyorduk, anlamaya ve anlamland\u0131rmaya da \u00e7al\u0131\u015f\u0131yorduk m\u00fczi\u011fin i\u00e7inden ge\u00e7en hayat\u0131. Birbirinde farkl\u0131 ve rengarenk imajlardan kimin hangi t\u00fcr m\u00fczik dinledi\u011fini anlar ve bu noktadan ba\u015flayan s\u00fcre\u00e7le entelekt\u00fcel sohbetler geli\u015ftirirdik aram\u0131zda. 90\u2019larda T\u00fcrkiye\u2019de geli\u015fen, d\u00f6n\u00fc\u015fen, farkl\u0131y\u0131 sunmaya \u00e7al\u0131\u015fan m\u00fczi\u011fi anlamaya \u00e7al\u0131\u015fan ku\u015fak, m\u00fczi\u011fin derinli\u011fini, hayat\u0131, zaman\u0131 ve\u00a0 bunlar\u0131n i\u00e7inden ge\u00e7en mekanlar\u0131 i\u00e7selle\u015ftirmi\u015fti.<\/p>\n\n\n\n
Bir\u00e7ok konser mekan\u0131, haf\u0131za mekan\u0131yd\u0131. Dinlenen m\u00fczikle zihinde \u00e7\u0131k\u0131lan yol, derin ve felsefikti. Sanat\u0131n i\u00e7inden ge\u00e7erek hayat\u0131 anlamak, anlamaya \u00e7al\u0131\u015fmak bir ama\u00e7t\u0131. Blue belgeseli 90\u2019lara dair an\u0131lar\u0131, mekanlar\u0131, insanlar\u0131, ve m\u00fczi\u011fin derinli\u011fini tekrar izleyiciye hat\u0131rlat\u0131yor. M\u00fczi\u011fin i\u00e7inden tutkuyla ge\u00e7meden, hakiki bir sanat\u00e7\u0131 olmadan sanat yapamaman\u0131n da ger\u00e7ekli\u011fini sunuyor. Mesele, \u00c7etin\u2019in ve \u00c7apl\u0131\u2019n\u0131n “dahi” olmas\u0131 de\u011fil sadece, en \u00a0\u00f6nemlisi \u00a0kendilerine\u00a0 g\u00f6stergeler \u00a0y\u00fcklemeden, kodlarla ba\u011f kurmadan, \u00e7ok \u00e7al\u0131\u015farak ve emek vererek bir \u015feyler \u00fcretiyor olmalar\u0131,\u00a0 ve bunu yaparken i\u015flerini hem \u00e7ok ciddiye almalar\u0131, hem de bir o kadar \u2018\u2019biz ne yapt\u0131k ki?\u2019\u2019 diyecek kadar m\u00fctevaz\u0131 olmalar\u0131. Belgesel, 90\u2019lar\u0131n T\u00fcrkiye\u2019deki sosyo-k\u00fclt\u00fcrel yap\u0131s\u0131n\u0131 ve\u00a0 ruhunu yans\u0131tmas\u0131 ba\u011flam\u0131nda, oda\u011fa ald\u0131\u011f\u0131 m\u00fczisyenlerin eserleriyle ve d\u00fcnyayla kurduklar\u0131 ili\u015fkileri temelinde \u00f6nemli ve derin referanslar i\u00e7eriyor. Belgeselde\u00a0 kimlerle r\u00f6portaj yap\u0131ld\u0131\u011f\u0131na dair: Ak\u0131n Eldes, Ayhan Say\u0131ner, Aylin Asl\u0131m, Bar\u0131\u015f \u00d6zgen \u015eensoy, Batu Mutlugil, Batur Yurtsever, Bobby Dick, Burak G\u00fcng\u00f6rm\u00fc\u015f, B\u00fclent \u00d6zdemir, Cenap O\u011fuz, Cenk Taner, \u00c7a\u011flan Tekil, Defne Halman, Demirhan Baylan, Deniz Arcak, Didem Berkes, Dom DoMieri, Ekrem \u00d6zkarpat, Emre Noyan, Ercan Saat\u00e7i, Erc\u00fcment Vural, Erkan O\u011fur, Esra Uygun, Fethi Taner, Galip Tekin, Gerhard Joost, G\u00f6ksel, G\u00fcltekin Ka\u00e7ar, G\u00fcr Akad, G\u00fcven Erkin Erkal, \u0130skender Payda\u015f, Jake Gerber, Mehmet Demirdelen, Melis Dani\u015fmend, Metin Kala\u00e7, Mine Erkaya, Murat Be\u015fer, Murat Meri\u00e7, Nejat \u0130\u015fler, \u00d6mer Ahunbay, \u00d6zlem Kumrular, Perin Konyal\u0131o\u011flu Erk, Selim \u00d6zt\u00fcrk, Sunay \u00d6zg\u00fcr, Sururi Demirta\u015f, Taner \u00d6ng\u00fcr, Tanju Eksek, Tarkan Mumkule, Taylan Dedeo\u011flu, Teoman, Volkan Ba\u015faran, Volkan \u00d6ktem, Zafer Yal\u00e7\u0131np\u0131nar, Zafer \u015eanl\u0131.\u00a0 Pop\u00fcler isimlerin de i\u00e7inde yer ald\u0131\u011f\u0131 uzun listede \u00c7etin ve \u00c7apl\u0131\u2019ya dair d\u00fc\u015f\u00fcncelerle 90\u2019lar\u0131n evreninde gezineceksiniz. Ar\u015fiv g\u00f6r\u00fcnt\u00fcleri ve tan\u0131kl\u0131klar izleyiciyi hem belgeselin \u00f6z\u00fcn\u00fc hissettirmekte, hem de belgeselin o \u2018\u2019didaktik\u2019\u2019 yap\u0131s\u0131n\u0131n i\u00e7indeki ger\u00e7ekli\u011fe samimiyetle g\u00f6t\u00fcrmekte.<\/p>\n\n\n\n
\u0130\u015fini i\u015f olarak g\u00f6rmeyip, hayat\u0131n\u0131n a\u015fk\u0131 olarak tutkuyla i\u015fine ba\u011flanan, m\u00fczik tarihimize katk\u0131lar\u0131 olan iki \u00f6nemli insan\u0131 \u00f6zetliyor belgesel. \u00c7e\u015fitli konu\u015fmac\u0131lar, belge g\u00f6r\u00fcnt\u00fcler, haf\u0131za mekanlar\u0131, 90\u2019lar ve m\u00fczik, Blue belgeseli, m\u00fczi\u011fi derinden hissedenlerin izlemesi gereken bir belgesel.<\/p>\n\n\n\n
Ne kadar ba\u011flanmal\u0131 hayata ve yapt\u0131\u011f\u0131m\u0131za diye ba\u015flad\u0131 yaz\u0131 Y\u00fccel ile ve tekrar Ba\u011flanmayacaks\u0131n \u015fiirinin son dizeleriyle sorgulayarak bitirelim:<\/p>\n\n\n\n
\u2018\u2019 \u2026 Hem her an avu\u00e7lar\u0131ndan kay\u0131p gidecekmi\u015f gibi,<\/p>\n\n\n\n
Hem de hep senin kalacakm\u0131\u015f gibi hayat.<\/p>\n\n\n\n
\u0130li\u015fik ya\u015fayacaks\u0131n. Ucundan tutarak…\u2019\u2019\u2019<\/p>\n\n\n\n
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Do\u00e7. Dr. Berceste G\u00fcl\u00e7in \u00d6zdemir \u2018\u2019\u2026Ba\u011flanmayacaks\u0131n bir \u015feye, \u00f6yle k\u00f6r\u00fc k\u00f6r\u00fcne. \u201cO olmazsa ya\u015fayamam\u201d demeyeceksin. Demeyeceksin i\u015fte. Ya\u015fars\u0131n \u00e7\u00fcnk\u00fc\u2026\u2019\u2019 (Can Y\u00fccel, Ba\u011flanmayacaks\u0131n \u015fiirinden) Blue belgeseli (M. Sertan \u00dcnver-2017) \u00a0beni m\u00fcziksever olarak 1990\u2019lar\u0131n T\u00fcrk rock k\u00fclt\u00fcr\u00fcne ait zamanlar\u0131na, mekanlar\u0131na ve an\u0131lar\u0131na \u0131\u015f\u0131nlad\u0131. Blue Blues Band grubunun (1991 y\u0131l\u0131nda Yavuz \u00c7etin ve Batu Mutlugil taraf\u0131ndan kurulan grup) […]<\/p>\n","protected":false},"author":18,"featured_media":14556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1515,35],"tags":[1128,1537,1539,1538],"class_list":["post-14947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kose-yazilari","category-yasam","tag-berceste-gulcin-ozdemir","tag-blues-belgeseli","tag-kerim-capli","tag-yavuz-cetin"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=14947"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/14947\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/14556"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=14947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=14947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=14947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}