{"id":16304,"date":"2021-12-04T13:01:44","date_gmt":"2021-12-04T10:01:44","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=16304"},"modified":"2021-12-05T12:59:49","modified_gmt":"2021-12-05T09:59:49","slug":"milyonlarca-hayat-icerisinden-birine-tanik-edildigimiz-bir-film-ahlat-agaci","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2021\/12\/04\/milyonlarca-hayat-icerisinden-birine-tanik-edildigimiz-bir-film-ahlat-agaci\/","title":{"rendered":"Milyonlarca hayat i\u00e7erisinden birine tan\u0131k edildi\u011fimiz bir film: Ahlat A\u011fac\u0131"},"content":{"rendered":"\n

Rukiye K\u00fcrek<\/strong><\/p>\n\n\n\n

Ahlat A\u011fac\u0131, bir Nuri Bilge Ceylan filmi. Peki Nuri Bilge Ceylan kimdir? Nuri Bilge Ceylan, Alt\u0131n Palmiye \u00f6d\u00fcll\u00fc T\u00fcrk film y\u00f6netmeni, senarist ve\u00a0 foto\u011fraf sanat\u00e7\u0131s\u0131.<\/p>\n\n\n\n

Sekizinci filmi olan Ahlat A\u011fac\u0131 filmiyle, 2018’de festival filmlerinin konu\u015fulan y\u00f6netmeni olma \u015fans\u0131n\u0131 elde etti. Ahlat A\u011fac\u0131’n\u0131n i\u00e7eri\u011fine gelmeden \u00f6nce k\u00fcnyesi hakk\u0131nda bilgi verelim.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Ahlat A\u011fac\u0131; 2018 yap\u0131m\u0131, 3 saat 9 dakika s\u00fcresi olan drama kategorisinde bir festival filmi. Y\u00f6netmenli\u011fini Nuri Bilge Ceylan’ \u0131n yapt\u0131\u011f\u0131, senaryosunu Nuri Bilge Ceylan, Ebru Ceylan ve Ak\u0131n Aksu’nun yazd\u0131\u011f\u0131 bir\u00e7ok \u00f6d\u00fcle aday g\u00f6sterilen filmin ilk g\u00f6sterimi 2018 Cannes Film Festivali’nde ger\u00e7ekle\u015ftirildi. Yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 T\u00fcrkiye’de Zeynep \u00d6zbatur Atakan, yurtd\u0131\u015f\u0131nda ise Alexandre Mallet-Guy \u00fcstlenmi\u015ftir. Ba\u015far\u0131s\u0131n\u0131 1.7 milyon dolar bilet gi\u015fesiyle g\u00f6steren film, \u0130MDb’den ald\u0131\u011f\u0131 8,1’lik oyla da ba\u015far\u0131s\u0131n\u0131 bir kez daha g\u00f6zler \u00f6n\u00fcne serdi.<\/p>\n\n\n\n

Filmin i\u00e7eri\u011fine gelince; Sinan s\u0131n\u0131f \u00f6\u011fretmenli\u011fi b\u00f6l\u00fcm\u00fcn\u00fc bitirmi\u015f, kasabas\u0131na d\u00f6nm\u00fc\u015ft\u00fcr. Hayali, yazd\u0131\u011f\u0131 kitab\u0131 bast\u0131rmakt\u0131r.\u00a0 Ama babas\u0131n\u0131n ge\u00e7mi\u015fte yapt\u0131\u011f\u0131 bor\u00e7larla kar\u015f\u0131la\u015f\u0131r. Sinan, kitap bas\u0131m\u0131na engel olan maddi s\u0131k\u0131nt\u0131lar\u0131 a\u015fmak i\u00e7in babas\u0131n\u0131n \u00e7ok sevdi\u011fi k\u00f6pe\u011fi satar. Baba-o\u011ful \u00e7at\u0131\u015fmas\u0131n\u0131 yans\u0131tan film asl\u0131nda bir T\u00fcrkiye portresidir.<\/p>\n\n\n\n

“O cesareti g\u00f6steremeyenler varolmay\u0131 de\u011fil kul olmay\u0131 tercih ediyor”; bu c\u00fcmle, filmin ilerleyen sahnelerinde k\u00f6y imam\u0131 Veysel efendi ve Sinan aras\u0131nda ge\u00e7en diyalo\u011fun k\u00fc\u00e7\u00fck bir par\u00e7as\u0131d\u0131r. Bu c\u00fcmleyi gen\u00e7, dinamik bir o kadar da zay\u0131f olan Sinan’dan duyuyoruz. C\u00fcmleyi sadece din a\u00e7\u0131s\u0131ndan yorumlamak ne kadar s\u0131\u011f ise bir o kadar da hayat\u0131n t\u00fcm ger\u00e7ekli\u011fini tek bir arg\u00fcmana s\u0131\u011fd\u0131rmaya \u00e7al\u0131\u015fmakt\u0131r. Nas\u0131l m\u0131? Hayallerinde, hedeflerinde, ilahi aray\u0131\u015fta, “ben” olabilmekte cesaret g\u00f6steremeyenler, ba\u015fkalar\u0131n\u0131n kendisi i\u00e7in \u00e7izdi\u011fi hayat \u00e7emberinin i\u00e7inde, iradesi olmadan ya\u015famaya mahkum ve s\u0131\u011f bir kulluk i\u00e7erisindedir.\u00a0<\/p>\n\n\n\n

Filmde T\u00fcrkiye’nin fikirsel iklimi, \u00f6rfsel ya\u015fant\u0131s\u0131 ve en \u00f6nemlisi de hayat dinamizmi t\u00fcm ger\u00e7ekliyle baba-o\u011ful \u00e7at\u0131\u015fmas\u0131 i\u00e7erisinde bize sunulmu\u015f. Bir yanda in\u015fa edilmeye \u00e7al\u0131\u015f\u0131lan gelecek bir yanda da reddedili\u015flerle, nedensellikleriyle bo\u011fu\u015fan bir gencin babas\u0131na d\u00f6n\u00fc\u015fme ser\u00fcveni seyircinin idrakine b\u0131rak\u0131lm\u0131\u015f.<\/p>\n\n\n\n

Sinan’\u0131n var olma d\u00f6ng\u00fcselli\u011fi, yazar S\u00fcleyman’la giri\u015fti\u011fi fikirsel ve t\u00fcm duygusal z\u0131tl\u0131\u011f\u0131yla savundu\u011fu, sorgulad\u0131\u011f\u0131 ve reddetti\u011fi \u00e7at\u0131\u015fma,\u00a0mekansal ve konu ge\u00e7i\u015fleriyle hayattan bir perdeyi ba\u015far\u0131l\u0131 bir \u015fekilde yans\u0131tm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Asl\u0131nda ba\u015f karakterimiz Sinan’\u0131n annesi, babas\u0131, yazar S\u00fcleyman, imamlarla ve lise arkada\u015f\u0131 Hatice ile girdi\u011fi diyaloglar hepimizin hayat\u0131nda bir par\u00e7a dahi olsa yer bulmu\u015f ve sorgulanm\u0131\u015f olgulard\u0131r. Ya da hi\u00e7 a\u00e7\u0131lmam\u0131\u015f, a\u00e7\u0131lmaya f\u0131rsat bile bulmam\u0131\u015f ger\u00e7ekli\u011fimizdir. \u0130zleyen herkesin kendinden bir par\u00e7a bulmas\u0131n\u0131n m\u00fcmk\u00fcn oldu\u011fu bir film Ahlat A\u011fac\u0131.<\/p>\n\n\n\n

Konu\u015furken y\u0131k\u0131c\u0131 olup kendi i\u00e7imizde \u00e7\u00fcr\u00fctemedi\u011fimiz bir ba\u015fkala\u015f\u0131m olan ya\u015fam \u00f6rg\u00fcm\u00fcz, bizi istemedi\u011fimiz bir d\u00f6n\u00fc\u015f\u00fcme s\u00fcr\u00fcklerken kendimizden, olaca\u011f\u0131m\u0131z “ben” den nefret ettirirken olu\u015fumunu tamamlam\u0131\u015f olacakt\u0131r. T\u0131pk\u0131 Sinan ve babas\u0131 \u0130dris’te g\u00f6rd\u00fc\u011f\u00fcm\u00fcz birbirine sirayet edi\u015f gibi.<\/p>\n\n\n\n

Peki imamlar\u0131n dine bak\u0131\u015f a\u00e7\u0131lar\u0131ndaki farkl\u0131l\u0131k ve birbirini inkar eden inan\u00e7 \u00e7at\u0131\u015fmas\u0131; “de\u011fi\u015ftirmemek i\u00e7in de\u011fi\u015ftirmeme konusunda \u0131srar var”\u00a0 “de\u011fi\u015ftirmi\u015f olmak i\u00e7in de\u011fi\u015ftirmekte \u0131srar yok mu sizinkinde”\u00a0 \u015feklinde geli\u015fen konu\u015fmaya biraz geni\u015f bir perspektiften bakt\u0131\u011f\u0131m\u0131z da hayat\u0131m\u0131zda iyi-k\u00f6t\u00fc ve duygusal d\u00fczlemde, in\u015fa edi\u015f ve y\u0131k\u0131\u015fta her \u015feyi iki u\u00e7 aras\u0131nda ya\u015f\u0131yoruz. Bunu daha da a\u00e7acak olursak T\u00fcrkiye ger\u00e7ekli\u011fini yans\u0131tm\u0131\u015f, daha do\u011frusu bunun \u00fczerine tasarlanm\u0131\u015f bu film Nuri Bilge Ceylan’\u0131n kadraj\u0131yla bize ayna olmu\u015ftur.<\/p>\n\n\n\n

\u00c7anakkale’nin Yenice ve \u00c7an il\u00e7elerinde \u00e7ekimleri yap\u0131lan film, Anadolu’nun ekonomik, iklimsel \u015fartlar\u0131 iyi kullan\u0131lm\u0131\u015f. B\u00f6lgesel ve toplumsal anlay\u0131\u015f\u0131n kayna\u015fmas\u0131na tan\u0131k oldu\u011fumuz bu ya\u015fam kurgusu i\u00e7erisinde insan\u0131n topra\u011fa d\u00f6n\u00fc\u015f\u00fcn\u00fc ve toprakla olan ba\u011f\u0131n\u0131 bir kez daha \u00f6z\u00fcms\u00fcyor ve hat\u0131rl\u0131yoruz.<\/p>\n\n\n\n

Do\u011fan\u0131n, insan\u0131n, nesnenin ve en \u00f6nemlisi de hayat\u0131n sesinin k\u0131s\u0131lmamas\u0131yla, \u00f6rtbas edilmemesiyle filmi hayat\u0131m\u0131z\u0131n bir kesitinde ya\u015fayabiliyoruz.<\/p>\n\n\n\n

\u0130nsana kendine tan\u0131k olma \u015fans\u0131n\u0131, sadece senaryosuyla de\u011fil mekanlar\u0131yla, karakterleri ve sorunlar\u0131 elen alan kurgusuyla\u00a0 “ya\u015fam\u0131na tan\u0131k ol” \u015feklinde veriyor film.<\/p>\n\n\n\n

\u0130nsan\u0131n ka\u00e7\u0131\u015f\u0131n\u0131 ve geriye d\u00f6n\u00fc\u015f\u00fcn\u00fc, Sinan’\u0131n ilham alarak kitab\u0131n\u0131 yazd\u0131\u011f\u0131 ve babas\u0131na itiraf etti\u011fi \u015fu c\u00fcmleden anl\u0131yoruz; \u2018\u2019Yama\u00e7ta bir ahlat vard\u0131. Okulun kar\u015f\u0131s\u0131nda, ona bakarak anlatm\u0131\u015ft\u0131n. Seni de, kendimi de hatta baz\u0131 a\u00e7\u0131lardan dedemi de bu ahlata benzetti\u011fim oluyor bazen. Ne bileyim uyumsuz, yaln\u0131z, \u015fekilsiz\u2026\u2019\u2019 Kendisini, babas\u0131n\u0131\u00a0hatta dedesini de tek objede toplad\u0131\u011f\u0131 ahlat a\u011fac\u0131, hayat\u0131n \u00f6zeti olabilir mi? Sinan’\u0131n babas\u0131 \u0130dris Karasu’nun diyalo\u011funu aktard\u0131\u011f\u0131m\u0131zda d\u00fc\u011f\u00fcm\u00fc \u00e7\u00f6zmek i\u00e7in ilk ve son hamleyi yapm\u0131\u015f olaca\u011f\u0131z. \u0130dris Karasu; “Ee herkesin bir tabiat\u0131 var tabi, ondan ka\u00e7\u0131\u015f yok. \u0130\u015f bunu kabullenip sevebilmekte. Ahlat\u0131n meyvesi de \u015fekilsizdir mesela. Ama bazen onunla kahvalt\u0131 ediyorum burada ve o kadar g\u00fczel geliyor ki!” Kendinden bir ba\u015fkas\u0131na yahut da bir hi\u00e7li\u011fe ka\u00e7amazs\u0131n. Ger\u00e7ekli\u011finle y\u00fczle\u015f, m\u00fccadele et ama reddetme. Kendini anlad\u0131\u011f\u0131nda “ben” olabilme meyvesine eri\u015feceksin. \u0130\u015fte hayat\u0131n, \u00f6zelde de T\u00fcrkiye’nin ger\u00e7ekli\u011fi budur. Unutulanlar\u0131n hat\u0131rlat\u0131ld\u0131\u011f\u0131, g\u00f6rmezden gelinenlerin apa\u00e7\u0131k \u00f6n\u00fcm\u00fcze konuldu\u011fu milyonlarca hayat i\u00e7erisinden birine tan\u0131k edildi\u011fimiz ahlat a\u011fac\u0131, eksikleri ve fazlal\u0131klar\u0131yla T\u00fcrkiye’nin kendisidir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rukiye K\u00fcrek Ahlat A\u011fac\u0131, bir Nuri Bilge Ceylan filmi. Peki Nuri Bilge Ceylan kimdir? Nuri Bilge Ceylan, Alt\u0131n Palmiye \u00f6d\u00fcll\u00fc T\u00fcrk film y\u00f6netmeni, senarist ve\u00a0 foto\u011fraf sanat\u00e7\u0131s\u0131. Sekizinci filmi olan Ahlat A\u011fac\u0131 filmiyle, 2018’de festival filmlerinin konu\u015fulan y\u00f6netmeni olma \u015fans\u0131n\u0131 elde etti. Ahlat A\u011fac\u0131’n\u0131n i\u00e7eri\u011fine gelmeden \u00f6nce k\u00fcnyesi hakk\u0131nda bilgi verelim. Ahlat A\u011fac\u0131; 2018 yap\u0131m\u0131, […]<\/p>\n","protected":false},"author":14,"featured_media":16307,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1,30],"tags":[1860,1452],"class_list":["post-16304","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-kultur-sanat","tag-ahlat-agaci","tag-nuri-bilge-ceylan"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/16304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=16304"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/16304\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/16307"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=16304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=16304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=16304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}