{"id":16332,"date":"2021-12-07T11:01:48","date_gmt":"2021-12-07T08:01:48","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=16332"},"modified":"2021-12-07T11:01:50","modified_gmt":"2021-12-07T08:01:50","slug":"ara-gulerin-tarihe-biraktigi-izleri-surduk","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2021\/12\/07\/ara-gulerin-tarihe-biraktigi-izleri-surduk\/","title":{"rendered":"Ara G\u00fcler’in tarihe b\u0131rakt\u0131\u011f\u0131 izleri s\u00fcrd\u00fck"},"content":{"rendered":"\n

Foto-Haber<\/strong>: Eyl\u00fcl Giriftino\u011flu \u2013 Asude H\u00fcda<\/p>\n\n\n\n

Kendini \u201cD\u00fcnyan\u0131n Foto Muhabiriyim\u201d diye nitelendiren Ara G\u00fcler, k\u00fclt\u00fcr tarihimizin en \u00f6nemli isimlerinden biri.<\/p>\n\n\n\n

\u0130stanbul tarihine foto\u011fraflar\u0131yla tan\u0131kl\u0131k eden G\u00fcler’in, 30 Ekim’de Galataport \u0130stanbul\u2019da a\u00e7\u0131lan ve i\u00e7inde daha \u00f6nce g\u00f6r\u00fclmemi\u015f foto\u011fraflar\u0131n\u0131n da bulundu\u011fu yeni sergisini rotam\u0131za ekleyerek \u0130stanbul\u2019da miras\u0131n\u0131n izlerini s\u00fcrd\u00fck.<\/p>\n\n\n\n

Ara G\u00fcler\u2019in izlerini arad\u0131\u011f\u0131m\u0131z gezimizde ilk dura\u011f\u0131m\u0131z Ara Kafe oldu. At\u00f6lyesinin zemin kat\u0131n\u0131 kafeye \u00e7eviren Ara G\u00fcler, Ara kafeyi 2001 y\u0131l\u0131nda a\u00e7m\u0131\u015ft\u0131. \u015eimdilerde Beyo\u011flu\u2019nun kalabal\u0131\u011f\u0131ndan ka\u00e7anlar arad\u0131klar\u0131 nostaljik sakinli\u011fi burada buluyor. <\/p>\n\n\n\n

\"\"
Ara Kafe – Taksim<\/figcaption><\/figure>\n\n\n\n

Kafenin bulundu\u011fu soka\u011fa girdi\u011finiz andan itibaren Ara G\u00fcler\u2019in foto\u011fraflar\u0131 sizi kar\u015f\u0131l\u0131yor. Kafenin ve at\u00f6lyenin bulundu\u011fu sokak daha sonralarda Ara G\u00fcler Soka\u011f\u0131 ad\u0131n\u0131 ald\u0131. Foto\u011fraflar\u0131ndan sonra Ara G\u00fcler\u2019in \u0130stanbul\u2019a b\u0131rakt\u0131\u011f\u0131 miraslardan birinin bu kafe oldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcyor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

G\u00fcler\u2019in Ger\u00e7ek Karanl\u0131k Odas\u0131<\/strong><\/p>\n\n\n\n

\u0130kinci dura\u011f\u0131m\u0131z Ara G\u00fcler\u2019in 90. ya\u015f g\u00fcn\u00fcnde a\u00e7\u0131lan Ara G\u00fcler M\u00fczesi oldu. M\u00fcze, Do\u011fu\u015f Grubu ortakl\u0131\u011f\u0131yla 2018 y\u0131l\u0131nda \u015ei\u015fli\u2019de a\u00e7\u0131ld\u0131. M\u00fcze Ara G\u00fcler\u2019in 70 y\u0131ll\u0131k ar\u015fivine ev sahipli\u011fi yap\u0131yor. Ziyaret\u00e7iler, m\u00fczede foto\u011fraf ar\u015fivinin yan\u0131 s\u0131ra Ara G\u00fcler\u2019in \u00f6zel notlar\u0131n\u0131, ki\u015fisel e\u015fyalar\u0131n\u0131, foto\u011fraf makinelerini ve Ara G\u00fcler\u2019in ger\u00e7ek karanl\u0131k odas\u0131n\u0131 g\u00f6rme \u015fans\u0131 buluyor.<\/p>\n\n\n\n

\n
\n

<\/p>\n<\/div><\/div>\n\n\n\n

\"\"
Ara G\u00fcler’in karanl\u0131k odas\u0131<\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div><\/div>\n\n\n\n

M\u00fczede \u015fu s\u0131ralarda sergilenen \u201cAyn\u0131 R\u00fcyan\u0131n \u0130\u00e7inde\u201d sergisi ziyaret\u00e7ilere \u015fair Ahmet Hamdi Tanp\u0131nar\u2019\u0131n yaz\u0131l\u0131 eserlerinden al\u0131nt\u0131lar sunarak Ara G\u00fcler\u2019in foto\u011fraflar\u0131 e\u015fli\u011finde k\u0131sa bir \u0130stanbul gezisine \u00e7\u0131kar\u0131yor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Galataport \u0130stanbul\u2019da bulunan Ara G\u00fcler\u2019in daha \u00f6nce yay\u0131nlanmam\u0131\u015f 41 foto\u011fraf\u0131n\u0131n yer ald\u0131\u011f\u0131 \u201cDenize \u0130nen Yol\u201d sergisiyle gezimizi noktal\u0131yoruz. 31 Aral\u0131k\u2019a kadar a\u00e7\u0131k olacak sergide, G\u00fcler\u2019in Beyo\u011flu\u2019na dair izler ta\u015f\u0131d\u0131\u011f\u0131 foto\u011fraflar sergileniyor. Ara G\u00fcler\u2019in sergide yer alan video odas\u0131nda  1970\u2019li y\u0131llarda \u00e7ekmi\u015f oldu\u011fu Yavuz Z\u0131rhl\u0131s\u0131\u2019n\u0131n s\u00f6k\u00fcm\u00fcn\u00fc konu alan 17 dakikal\u0131k \u201cKahraman\u0131n Sonu\u201d adl\u0131 belgesel de g\u00f6steriliyor.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Sergide, G\u00fcler\u2019in \u201cGalata R\u0131ht\u0131m\u0131nda Ayr\u0131l\u0131k\u201d adl\u0131 foto\u011fraf\u0131 ziyaret\u00e7ilerin ilgi oda\u011f\u0131 oldu.  Ara G\u00fcler, foto\u011fraf\u0131n\u0131n alt\u0131na \u015f\u00f6yle bir dipnot ekliyor: \u201cR\u0131ht\u0131mda bir kad\u0131n lombozdan bakan bir denizciye bir \u015fey veriyor. Sahne ayr\u0131l\u0131k m\u0131, haber g\u00f6nderme mi onu anlamak foto\u011frafa bakana ait. Hayat ya bir a\u015fkt\u0131r ya bir tesad\u00fcf belki de bir hat\u0131rad\u0131r. Ama ne olursa olsun iyidir, g\u00fczeldir. Merhaba hayat:\u201d<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Ara G\u00fcler Kimdir?<\/strong><\/p>\n\n\n\n

16 A\u011fustos 1928’de \u0130stanbul’da do\u011fdu. Lisedeyken film st\u00fcdyolar\u0131nda sinemac\u0131l\u0131\u011f\u0131n her dal\u0131nda \u00e7al\u0131\u015f\u0131rken Muhsin Ertu\u011frul’un Tiyatro Kurslar\u0131na devam etti; \u00e7\u00fcnk\u00fc y\u00f6netmen veya oyun yazar\u0131 olmak istiyordu.<\/p>\n\n\n\n

\"\"
Ara G\u00fcler<\/figcaption><\/figure>\n\n\n\n

1950’de Yeni \u0130stanbul Gazetesi’nde gazetecili\u011fe ba\u015flarken ayn\u0131 zamanda \u0130stanbul \u00dcniversitesi \u0130ktisat Fak\u00fcltesi’ne devam etti.<\/p>\n\n\n\n

1958’de Time-Life, Paris-Match ve Der Stern dergilerinin yak\u0131n do\u011fu foto-muhabirli\u011fi g\u00f6revlerini \u00fcstlendi. 1954’de Hayat Dergisi’nde foto\u011fraf b\u00f6l\u00fcm \u015fefi olarak \u00e7al\u0131\u015fmaya ba\u015flad\u0131.<\/p>\n\n\n\n

1953’de Henri Cartier Bresson ile tan\u0131\u015farak Paris Magnum Ajans\u0131’na kat\u0131ld\u0131 ve \u0130ngiltere’de yay\u0131mlanan “Photography Annual Antalojisi” onu d\u00fcnyan\u0131n en iyi 7 foto\u011fraf\u00e7\u0131s\u0131ndan biri olarak tan\u0131mlad\u0131. Ayn\u0131 y\u0131l ASMP’ye (Amerikan Dergi Foto\u011fraf\u00e7\u0131lar\u0131 Derne\u011fi) tek T\u00fcrk \u00fcye olarak kabul edildi.<\/p>\n\n\n\n

1962’de Almanya’da \u00e7ok az foto\u011fraf\u00e7\u0131ya verilen “Master of Leica” \u00fcnvan\u0131n\u0131 kazand\u0131. \u0130svi\u00e7re’de \u00e7\u0131kan Camera dergisinde kendisine \u00f6zel bir say\u0131 ay\u0131rd\u0131. 1964’de Mariana Noris’in ABD’de bas\u0131lan “Young Turkey” adl\u0131 yap\u0131t\u0131nda foto\u011fraflar\u0131 kullan\u0131ld\u0131.1967’de Japonya’da \u00e7\u0131kan “Photography of the World” antolojisinde Richard Avedon ile birlikte bir dizi foto\u011fraf\u0131 yay\u0131nland\u0131. 1967’de Kanada’da a\u00e7\u0131lan “\u0130nsanlar\u0131n D\u00fcnyas\u0131na Bak\u0131\u015flar” sergisinde, 1968’de New York Modern Sanatlar Galerisi’nde d\u00fczenlenen “Renkli Foto\u011fraf\u011f\u0131n On Ustas\u0131” adl\u0131 sergide; ayn\u0131 y\u0131l Almanya’da, K\u00f6ln’de Fotokina Fuar\u0131’nda yap\u0131tlar\u0131 sergilendi.1970’de “T\u00fcrkei” ad\u0131nda foto\u011fraf alb\u00fcm\u00fc Almanya’da yay\u0131mland\u0131. Sanat ve sanat tarihi konular\u0131ndaki foto\u011fraflar\u0131 ABD’de Time-Life, Horizon ve Nesweek kitap b\u00f6l\u00fcmlerince ve \u0130svi\u00e7re’de Skira Yay\u0131nevi taraf\u0131ndan kullan\u0131ld\u0131.1971’de Lord Kinross’un “Hagia-Sophia” (Ayasofya) kitab\u0131n\u0131n foto\u011fraflar\u0131n\u0131 \u00e7ekti.<\/p>\n\n\n\n

Yine Skira yay\u0131nevince Picasso’nun 90. ya\u015f g\u00fcn\u00fc i\u00e7in yay\u0131mlanan “Picasso Metamorphose et unite” adl\u0131 kitap i\u00e7in Picasso’nun foto-r\u00f6portaj\u0131n\u0131 yapt\u0131. 1972’de Paris Ulusal Kitapl\u0131kta sergisi a\u00e7\u0131ld\u0131.1975’de ABD’ne davet edildi ve bir\u00e7ok \u00fcnl\u00fc Amerikal\u0131n\u0131n foto\u011fraflar\u0131n\u0131 \u00e7ektikten sonra “Yarat\u0131c\u0131 Amerikal\u0131lar” adl\u0131 sergisini d\u00fcnyan\u0131n bir\u00e7ok kentinde sergiledi. Yine ayn\u0131 y\u0131l Yavuz z\u0131rhl\u0131s\u0131n\u0131n s\u00f6k\u00fclmesini konu alan “Kahraman\u0131n Sonu” adl\u0131 bir belgesel film \u00e7ekti.1979’da T\u00fcrkiye Gazeteciler Cemiyeti’nin “Foto Muhabirli\u011fi” dal\u0131ndaki birincilik \u00f6d\u00fcl\u00fcn\u00fc ald\u0131. 1980’de foto\u011fraflar\u0131n\u0131n bir k\u0131sm\u0131 Karacan Yay\u0131nc\u0131l\u0131\u011f\u0131n bast\u0131\u011f\u0131 “Foto\u011fraflar” adl\u0131 kitab\u0131nda bas\u0131ld\u0131.1986’da H\u00fcrriyet Vakf\u0131’nca bas\u0131lan Prof. Abdullah Kuran’\u0131n yazd\u0131\u011f\u0131 “Mimar Sinan” kitab\u0131n\u0131 foto\u011fraflad\u0131. Ayn\u0131 kitap 1987’de “Institute of Turkish Studies” taraf\u0131ndan Ingilizce olarak yay\u0131nland\u0131.1989’da “Ara G\u00fcler’in Sinemac\u0131lar\u0131” kitab\u0131 bas\u0131ld\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"

Foto-Haber: Eyl\u00fcl Giriftino\u011flu \u2013 Asude H\u00fcda Kendini \u201cD\u00fcnyan\u0131n Foto Muhabiriyim\u201d diye nitelendiren Ara G\u00fcler, k\u00fclt\u00fcr tarihimizin en \u00f6nemli isimlerinden biri. \u0130stanbul tarihine foto\u011fraflar\u0131yla tan\u0131kl\u0131k eden G\u00fcler’in, 30 Ekim’de Galataport \u0130stanbul\u2019da a\u00e7\u0131lan ve i\u00e7inde daha \u00f6nce g\u00f6r\u00fclmemi\u015f foto\u011fraflar\u0131n\u0131n da bulundu\u011fu yeni sergisini rotam\u0131za ekleyerek \u0130stanbul\u2019da miras\u0131n\u0131n izlerini s\u00fcrd\u00fck. Ara G\u00fcler\u2019in izlerini arad\u0131\u011f\u0131m\u0131z gezimizde ilk dura\u011f\u0131m\u0131z Ara […]<\/p>\n","protected":false},"author":14,"featured_media":16335,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1],"tags":[1664,1862,1861],"class_list":["post-16332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","tag-ara-guler","tag-ara-kafe","tag-galataport-istanbul"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/16332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=16332"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/16332\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/16335"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=16332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=16332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=16332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}