{"id":20213,"date":"2023-01-13T11:54:04","date_gmt":"2023-01-13T08:54:04","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=20213"},"modified":"2023-01-13T11:54:04","modified_gmt":"2023-01-13T08:54:04","slug":"psikocografya-ve-turk-sinemasi-kadin-karakterler-istanbulda","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2023\/01\/13\/psikocografya-ve-turk-sinemasi-kadin-karakterler-istanbulda\/","title":{"rendered":"Psikoco\u011frafya ve T\u00fcrk Sinemas\u0131: Kad\u0131n Karakterler \u0130stanbul\u2019da"},"content":{"rendered":"\n

Do\u00e7. Dr. Berceste G\u00fcl\u00e7in \u00d6zdemir<\/em><\/strong><\/p>\n\n\n\n

Bu yaz\u0131, \u2018\u2019Psikoco\u011frafya ve T\u00fcrk Sinemas\u0131: Kad\u0131n Karakterler \u0130stanbul\u2019da\u2019\u2019 (2022) \u00a0makalesine referansla yaz\u0131lm\u0131\u015f k\u0131sa bir metindir. Psikoco\u011frafya kavram\u0131n\u0131, filmlerle birlikte detayl\u0131 anlamland\u0131rabilmek ad\u0131na \u00e7al\u0131\u015fman\u0131n tamam\u0131n\u0131n okunmas\u0131 \u00f6nerilir.<\/em><\/strong><\/p>\n\n\n\n

\u00c7al\u0131\u015fmay\u0131 detayl\u0131 okumak i\u00e7in buraya t\u0131klayarak yazar\u0131n \u00e7al\u0131\u015fmas\u0131na eri\u015febilirsiniz.<\/a><\/p>\n\n\n\n

TOZ BEZ\u0130 F\u0130LM\u0130NE DA\u0130R:<\/strong><\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

Toz Bezi\u2019nin Sildi\u011fi Kad\u0131nlar<\/strong><\/p>\n\n\n\n

Psikoco\u011frafya, bireylerin zihinlerinde olu\u015fturduklar\u0131 bili\u015fsel haritalarla \u015fehirlere i\u00e7kin olmalar\u0131n\u0131n yolunu a\u00e7ar. T\u00fcrk Sinemas\u0131\u2019nda \u0130stanbul \u015fehrini izleyici \u00e7ok kez g\u00f6rm\u00fc\u015f ve \u015fehrin sokaklar\u0131nda iz s\u00fcrm\u00fc\u015ft\u00fcr. \u0130zleyici, bazen \u015fehrin bilinmeyen caddelerini ar\u015f\u0131nlayan bir g\u00f6zetlemeci, bazen \u015fehre tepeden bakan bir panoptik g\u00f6z, bazen de karakterin bak\u0131\u015f a\u00e7\u0131s\u0131ndan alanlar\u0131 al\u0131mlayan olmu\u015ftur. T\u00fcrk Sinemas\u0131\u2019n\u0131n ba\u015flang\u0131c\u0131ndan bug\u00fcne dek y\u00fczlerce filmde izleyici kar\u015f\u0131s\u0131na \u00e7\u0131kan \u0130stanbul, psikoco\u011frafik bak\u0131\u015f\u0131n \u015fehre i\u00e7kinli\u011finin anlamland\u0131r\u0131lmas\u0131 sa\u011flamaktad\u0131r. Bu k\u0131sa metin, \u0130stanbul\u2019un psikoco\u011frafik bak\u0131\u015f a\u00e7\u0131s\u0131yla tekrar d\u00fc\u015f\u00fcn\u00fclmesinin \u00f6n\u00fcn\u00fc a\u00e7maktad\u0131r.<\/p>\n\n\n\n

Toz Bezi filminde izleyici Maltepe semtinin G\u00fclsuyu Mahallesi\u2019nde \u0130stanbul\u2019da yolculu\u011fa \u00e7\u0131kar. O mahallede ya\u015fayan g\u00fcndelik\u00e7i iki kad\u0131n karakterin g\u00f6z\u00fcnden \u0130stanbul\u2019a bak\u0131l\u0131rken g\u00fcndeli\u011fe gittikleri, Moda ve Caddebostan semtleri g\u00f6r\u00fcl\u00fcr. Nesrin, Asl\u0131\u2019ya g\u00fcndeli\u011fe gider, Hatun da Ayten\u2019e g\u00fcndeli\u011fe gider. Nesrin ve Hatun, gittikleri evlerden kendi ya\u015fant\u0131lar\u0131na bakarlar. Onlar\u0131n dilekleri refah i\u00e7inde ya\u015famaktad\u0131r, ancak metropol\u00fcn pahal\u0131l\u0131\u011f\u0131 buna izin vermez. Bu nedenle de sigortas\u0131 olmayan ve i\u015f g\u00fcvenli\u011fi bulunmayan i\u015fte \u00e7al\u0131\u015fmaya devam ederler. G\u00f6r\u00fcn\u00fcr k\u0131l\u0131nmayan emeklerin g\u00f6r\u00fcn\u00fcr olamayan emek\u00e7ileridir onlar.<\/p>\n\n\n\n

Nesrin ve Hatun\u2019un psikoco\u011frafyalar\u0131, evleri ile g\u00fcndeli\u011fe gittikleri semtler aras\u0131nda b\u00f6l\u00fcnm\u00fc\u015ft\u00fcr. Bu b\u00f6l\u00fcnme, \u015fehrin gelir gruplar\u0131na g\u00f6re ayr\u0131mla\u015fan, sosyo-k\u00fclt\u00fcrel ve sosyo-ekonomik yap\u0131s\u0131 hakk\u0131nda izleyiciye fikir vermektedir. Film seyri s\u0131ras\u0131nda izleyici, \u015fehri bili\u015fsel haritas\u0131nda hat\u0131rlamaya \u00e7al\u0131\u015f\u0131rken \u015fehrin ayr\u0131ma g\u00f6t\u00fcrd\u00fc\u011f\u00fc semtleri de zihinlerinde b\u00f6l\u00fcmleme ba\u015flar. Keza, filmde kar\u015f\u0131la\u015ft\u0131rma yap\u0131lacak semt say\u0131s\u0131 azd\u0131r, ancak film mekanlar\u0131ndan m\u00fctevellit kad\u0131nlar\u0131n kamusal alanda ve \u00f6zel alandaki konumland\u0131r\u0131lmalar\u0131 hakk\u0131nda fikir sahibi olunabilinmektedir.<\/p>\n\n\n\n

Asl\u0131, Caddebostan\u2019da oturur, psikologtur ve evindeki kitaplar izleyiciyi, onun okumay\u0131 seven, entelekt\u00fcel bir kad\u0131n oldu\u011fu \u00e7\u0131kar\u0131m\u0131na g\u00f6t\u00fcrebilir. Nesrin\u2019i dinler, ona s\u0131cak davran\u0131r ve onunla empati kurmaya \u00e7al\u0131\u015f\u0131r. Kamusal alanda var olabilen Asl\u0131, \u00f6zel alan\u0131yla ili\u015fkili konularda Nesrin ile dertle\u015fir de.<\/p>\n\n\n\n

Moda\u2019da oturan Ayten, orta ya\u015f\u0131n\u0131 biraz ge\u00e7mi\u015f, \u015fehirde b\u00fcy\u00fcm\u00fc\u015f, sosyal refah d\u00fczeyi iyi oldu\u011fu anla\u015f\u0131lan bir karakterdir. Onun Hatun ile ili\u015fkisi, Nesrin ve Asl\u0131\u2019n\u0131n ili\u015fkisine g\u00f6re daha mesafelidir. Nesrin ve Hatun evin i\u00e7inde de denetlenenlerdir, Ayten ve Asl\u0131 taraf\u0131ndan. \u00d6zellikle Ayten, Hatun\u2019un emek verdi\u011fi her detaya ele\u015ftirel g\u00f6zle bakar. \u00d6zel alan\u0131n i\u00e7inde uygulanan denetim mekanizmas\u0131, evden eve do\u011fru yol al\u0131r. Evlerinden \u00e7\u0131k\u0131p, ba\u015fka evlere ge\u00e7en ve orada yine temizlik yapan Nesrin ve Hatun i\u00e7in \u0130stanbul\u2019u gezmek, g\u00f6rmek, bakmak ve anlamak zaten m\u00fcmk\u00fcn de\u011fildir. Onlar\u0131n psikoco\u011frafyalar\u0131 ev ve i\u015fleri aras\u0131nda s\u0131n\u0131rland\u0131r\u0131ld\u0131\u011f\u0131 i\u00e7in ancak hayatlar\u0131n\u0131 nas\u0131l idame edeceklerini d\u00fc\u015f\u00fcnd\u00fckleri i\u00e7in k\u0131s\u0131tlamalarla \u00e7evrilidir. Y\u00f6netmenin g\u00fcndelik\u00e7i kad\u0131n karakterleri, bu s\u0131n\u0131rlanm\u0131\u015fl\u0131klar i\u00e7inde sunumu ger\u00e7ek\u00e7i oldu\u011fu kadar bu  ger\u00e7ekli\u011fi g\u00f6remeyen izleyici i\u00e7in sars\u0131c\u0131d\u0131r da.<\/p>\n\n\n\n

Film anlat\u0131s\u0131yla sadece kad\u0131n karakterlerin i\u00e7sel d\u00fcnyas\u0131na seyir yolculu\u011fu yap\u0131lmaz, karakterlerin oturduklar\u0131 semtlerle kurduklar\u0131 ili\u015fkiler ba\u011flam\u0131nda \u015fehrin g\u00f6r\u00fcn\u00fcr ayr\u0131mlar\u0131 da hat\u0131rlat\u0131l\u0131r. Nesrin ve  Hatun, oturduklar\u0131 semtten \u00e7\u0131karak ba\u015fka semtlere yolculuk ederken farkl\u0131 co\u011frafyalar\u0131n kodlar\u0131n\u0131 adeta \u00f6\u011frenirler. Gelir da\u011f\u0131l\u0131m\u0131ndaki e\u015fitsizlik, \u015fehrin antropolojisiyle b\u00fct\u00fcnle\u015fir. Nesrin ve Hatun, \u00f6\u011frenilmi\u015f \u00e7aresizlikleriyle, g\u00fc\u00e7l\u00fc durmakta direnerek atonal g\u00fcr\u00fclt\u00fcs\u00fcyle zihni kurcalayan \u015fehrin emek\u00e7ileri olarak sunulurlar.<\/p>\n\n\n\n

Ayten\u2019in, Asl\u0131\u2019n\u0131n, Nesrin\u2019in, Hatun\u2019un psikoco\u011fraflar\u0131 farkl\u0131 i\u015fler. G\u00fcndelik ya\u015fam prati\u011finin kad\u0131nlara sundu\u011fu olanaklar ve olanaks\u0131zl\u0131klar, onlar\u0131n \u015fehri alg\u0131lamas\u0131 ve anlamland\u0131rmas\u0131 y\u00f6n\u00fcnde bir yol haritas\u0131 \u00e7izer. Her kad\u0131n karakterin psikoco\u011frafyas\u0131na dair detaylar, izleyicinin de \u015fehri tekrar anlamland\u0131rma s\u00fcrecindeki haritaland\u0131rmas\u0131na arac\u0131l\u0131k eder.<\/p>\n\n\n\n

Herkesin psikoco\u011frafyas\u0131 kendinedir\u2026<\/p>\n\n\n

\n
\"\"
Nesrin ve Hatun karakterleri<\/em><\/figcaption><\/figure><\/div>\n\n\n

2000\u2019li y\u0131llarda \u00fcretilen filmlerde, kad\u0131n karakterlerin kamusal alanlarda rahat\u00e7a gezebildi\u011fi, ancak her zaman var olan erkek \u015fiddetinin hissedilebilir oldu\u011fu olgusu izleyiciye hissettirilmektedir. Denetimin g\u00fcc\u00fcn\u00fcn her zaman, her yerde hissedildi\u011fi \u0130stanbul\u2019da, kad\u0131nlar, bu denetimin g\u00f6r\u00fcnmez varl\u0131klar\u0131 olarak zuhur etmekteler. Panoptik mek\u00e2nlar\u0131n varl\u0131\u011f\u0131, kad\u0131nlar\u0131n g\u00f6zetlenmesini m\u00fcmk\u00fcn k\u0131lman\u0131n yan\u0131nda onlar\u0131 \u00e7ok daha fazla bask\u0131layabilmenin yollar\u0131n\u0131 giderek geni\u015fletmektedir. Bu ba\u011flamda, cinsiyetlendirilmi\u015f mek\u00e2nlar\u0131n metropollerde giderek \u00e7o\u011falmaya ba\u015flamas\u0131, g\u00f6zetimin ve denetimin i\u015flevselli\u011fini artt\u0131ran bir mek\u00e2n politikas\u0131 s\u00f6ylemi olarak okunabilir. Ve incelenen filmlerdeki t\u00fcm kad\u0131n karakterler, \u2018\u2019\u00f6zne (s)nele\u015ftirilmi\u015f karakterler\u2019\u20192 olarak \u015fehri deneyimleyenler temsil edilirler (\u00d6zdemir, 2019: 179). Onlar\u0131n \u00f6znelikleri, kamusal alan\u0131n eril kurallar dizgesiyle s\u0131n\u0131rland\u0131r\u0131lmaya \u00e7al\u0131\u015f\u0131lmakta ve nesnele\u015ftirilmelerine y\u00f6nelik \u00e7\u0131kmaz sokaklar sunmaktad\u0131r (\u00d6zdemir, 2022: 56- 57).<\/p>\n\n\n\n

Kaynak\u00e7a:<\/strong><\/p>\n\n\n\n

\u00d6zdemir, B., G. (2019). T\u00fcrk Sinemas\u0131nda Kad\u0131n Y\u00f6netmenler ve \u00d6zne(s)nele\u015ftirilmi\u015f Kad\u0131n\u0131n Mekanda Temsili. Ankara, Nobel Yay\u0131nlar\u0131.<\/p>\n\n\n\n

\u00d6zdemir, B. G. (2022). Psikoco\u011frafya ve T\u00fcrk Sinemas\u0131 Kad\u0131n Karakterler \u0130stanbul\u2019da, Sosyal Bilimlerde Yeni Ara\u015ft\u0131rmalar-VI, Do\u00e7. Dr. Ayla O\u011fuz,Dr. Yasemin Ulut\u00fcrk Sakarya, Edit\u00f6r, Berikan Yay\u0131nevi, Ankara, ss.43-58.<\/p>\n\n\n\n

Filmin K\u00fcnyesi:<\/p>\n\n\n\n

G\u00f6sterime giri\u015f tarihi: Eyl\u00fcl 2015<\/p>\n\n\n\n

Y\u00f6netmen: Ahu \u00d6zt\u00fcrk<\/p>\n\n\n\n

Yap\u0131mc\u0131lar: \u00c7i\u011fdem Mater, Nesra G\u00fcrb\u00fcz, Stefan Gieren<\/p>\n\n\n\n

Senaryo: Ahu \u00d6zt\u00fcrk<\/p>\n\n\n\n

Sinematografi: Meryem Yavuz<\/p>\n\n\n\n

Sanat y\u00f6netmeni: Asl\u0131 Dabak; Bar\u0131\u015f Y\u0131k\u0131lmaz<\/p>\n\n\n\n

                                                                                         Do\u00e7. Dr. Berceste G\u00fcl\u00e7in \u00d6zdemir<\/strong><\/p>\n\n\n\n

                                                                                             Sinema Anabilim Dal\u0131<\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Do\u00e7. Dr. Berceste G\u00fcl\u00e7in \u00d6zdemir Bu yaz\u0131, \u2018\u2019Psikoco\u011frafya ve T\u00fcrk Sinemas\u0131: Kad\u0131n Karakterler \u0130stanbul\u2019da\u2019\u2019 (2022) \u00a0makalesine referansla yaz\u0131lm\u0131\u015f k\u0131sa bir metindir. Psikoco\u011frafya kavram\u0131n\u0131, filmlerle birlikte detayl\u0131 anlamland\u0131rabilmek ad\u0131na \u00e7al\u0131\u015fman\u0131n tamam\u0131n\u0131n okunmas\u0131 \u00f6nerilir. \u00c7al\u0131\u015fmay\u0131 detayl\u0131 okumak i\u00e7in buraya t\u0131klayarak yazar\u0131n \u00e7al\u0131\u015fmas\u0131na eri\u015febilirsiniz. TOZ BEZ\u0130 F\u0130LM\u0130NE DA\u0130R: Toz Bezi\u2019nin Sildi\u011fi Kad\u0131nlar Psikoco\u011frafya, bireylerin zihinlerinde olu\u015fturduklar\u0131 bili\u015fsel haritalarla […]<\/p>\n","protected":false},"author":14,"featured_media":20218,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","video":"","gallery":"","source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"double-sidebar","sidebar":"single-left","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"1"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":"","disable_ad":"0"},"jnews_primary_category":{"id":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1,30,2085],"tags":[2527,2528,2526,2525],"class_list":["post-20213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-kultur-sanat","category-manset-haber","tag-doc-dr-berceste-gulcin-ozdemir","tag-kadin-karakterler-istanbulda","tag-psikocografya-ve-turk-sinemasi","tag-toz-bezi"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/20213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=20213"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/20213\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/20218"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=20213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=20213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=20213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}