{"id":22415,"date":"2024-01-22T19:11:30","date_gmt":"2024-01-22T16:11:30","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=22415"},"modified":"2024-01-22T19:40:48","modified_gmt":"2024-01-22T16:40:48","slug":"psikoloji-tutkunlarinin-izlemesi-gereken-7-film","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2024\/01\/22\/psikoloji-tutkunlarinin-izlemesi-gereken-7-film\/","title":{"rendered":"Psikoloji Tutkunlar\u0131n\u0131n \u0130zlemesi Gereken 7 Film"},"content":{"rendered":"\n

Haber: Zeynep R\u00fcmeysa G\u00f6kg\u00f6z <\/strong><\/p>\n\n\n\n

Edit\u00f6r: Ay\u015feg\u00fcl Ni\u015fli <\/strong><\/p>\n\n\n\n

1.Where Do We Go Now? (\u015eimdi Nereye Gidece\u011fiz?) 2011 – 7.4\/10<\/h1>\n\n\n
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L\u00fcbnanl\u0131 y\u00f6netmen Nadine Labaki\u2019nin 2011 yap\u0131m\u0131 \u2018\u2019Where Do We Go Now?\u2019\u2019 adl\u0131 filminde sava\u015f kar\u015f\u0131t\u0131 bir tutum sergilenmi\u015ftir. Erkeklerin s\u00fcrd\u00fcrd\u00fc\u011f\u00fc sava\u015f d\u00fczenine kar\u015f\u0131 k\u00f6y\u00fcn Hristiyan ve M\u00fcsl\u00fcman kad\u0131nlar\u0131n\u0131n verdi\u011fi m\u00fccadele i\u015flenmektedir. Egemen sinema anlay\u0131\u015f\u0131na kar\u015f\u0131, bar\u0131\u015f\u0131n erkek kahramanlar taraf\u0131ndan getirilmeyece\u011fi, aksine kad\u0131nlar\u0131n m\u00fccadelesiyle m\u00fcmk\u00fcn oldu\u011fu anlat\u0131lmaktad\u0131r. Filmde kad\u0131nlar, farkl\u0131l\u0131klar\u0131 bir kenara b\u0131rak\u0131p bar\u0131\u015f\u0131 sa\u011flamak i\u00e7in b\u00fcy\u00fck bir m\u00fccadeleye giri\u015fmektedir. Karakterlerin filmde \u00f6teki olmay\u0131 se\u00e7mesi, bar\u0131\u015f\u0131n da \u00f6teki olmay\u0131 anlamakla sa\u011flanaca\u011f\u0131 mesaj\u0131n\u0131 vermi\u015ftir.<\/p>\n\n\n\n

2.La haine (Protesto) 1995 – 8.1\/10<\/h1>\n\n\n
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Mathieu Kassovitz\u2019in y\u00f6netmenli\u011fini yapt\u0131\u011f\u0131 \u201cProtesto\u201d filmi, Fransa\u2019da sosyal s\u0131n\u0131f farkl\u0131l\u0131\u011f\u0131n\u0131n gerilimleri doru\u011fa ula\u015ft\u0131rd\u0131\u011f\u0131 d\u00f6nemi ele alm\u0131\u015ft\u0131r. Film, farkl\u0131 etnik k\u00f6kene sahip \u00fc\u00e7 arkada\u015f\u0131n 24 saatlik ya\u015fam\u0131n\u0131 g\u00f6stermektedir. Filmi \u00e7ekti\u011finde 25 ya\u015f\u0131nda olan y\u00f6netmen, o d\u00f6nemde \u015fahit oldu\u011fu olaylara tepkisini film \u00fczerinden anlatm\u0131\u015ft\u0131r. Ayr\u0131ca bu film, ona Cannes Film Festivali\u2019nde En \u0130yi Y\u00f6netmen \u00d6d\u00fcl\u00fcn\u00fc kazand\u0131rm\u0131\u015ft\u0131r. \u00c7ekim teknikleri, d\u00f6nemin Fransa\u2019s\u0131n\u0131 ele al\u0131\u015f bi\u00e7imi, filmde bahsedilen mekanlar ve karakterlerin nefret duygusu filmin tart\u0131\u015fmal\u0131 y\u00f6nleridir.<\/p>\n\n\n\n

3.4 Months, 3 Weeks and 2 Days (4 ay, 3 hafta, 2 g\u00fcn) 2007 – 7.9\/10<\/h1>\n\n\n
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Romanyal\u0131 y\u00f6netmen Cristian Mungiu\u2019nin \u2018\u20194 Ay, 3 Hafta ve 2 G\u00fcn\u2019\u2019 adl\u0131 filmi, k\u00fcrtaj\u0131n yasak oldu\u011fu \u00c7avu\u015fesku Romanya\u2019s\u0131nda hamile kalan bir k\u0131z\u0131n endi\u015fe dolu hikayesini anlatmaktad\u0131r. Sadece konusuyla ve verdi\u011fi mesajla de\u011fil, ayn\u0131 zamanda k\u00fc\u00e7\u00fck b\u00fct\u00e7eli bir yap\u0131m olmas\u0131yla ve s\u0131radan oyuncular\u0131yla da dikkat \u00e7ekmektedir.<\/p>\n\n\n\n

4.Persona 1966 – 8.1\/10<\/h1>\n\n\n
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Ingmar Bergman\u2019n\u0131n y\u00f6netmenli\u011fini yapt\u0131\u011f\u0131 \u201cPersona\u201d, 7 \u00f6d\u00fcle sahip bir dram filmidir. Filmde bir hem\u015firenin, hi\u00e7bir psikolojik rahats\u0131zl\u0131\u011f\u0131 olmamas\u0131na ra\u011fmen \u00e7evresiyle ileti\u015fimi kesmi\u015f bir aktrisin bak\u0131m\u0131n\u0131 \u00fcstlenmesini konu edinilmektedir. Herkesten izole bir bi\u00e7imde yazl\u0131kta zaman ge\u00e7iren aktris, k\u0131\u015fk\u0131rt\u0131c\u0131 sessizli\u011fi nedeniyle hem\u015firenin b\u00fct\u00fcn s\u0131rlar\u0131n\u0131 a\u00e7\u0131k etmesine neden olmaktad\u0131r. Hem\u015fire, aktrisin benli\u011fi kar\u015f\u0131s\u0131nda kendi benli\u011fini yitirme tehdidiyle burun buruna gelmektedir.<\/p>\n\n\n\n

5.One Flew Over the Cuckoo\u2019s Nest (Guguk Ku\u015fu) 1975 – 8.7\/10<\/h1>\n\n\n
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Y\u00f6netmenli\u011fini Milos Forman\u2019\u0131n \u00fcstlendi\u011fi \u201cGuguk Ku\u015fu\u201d filminde sosyal ele\u015ftiriler metaforik \u015fekilde aktar\u0131lm\u0131\u015ft\u0131r. Ayn\u0131 isimdeki kitaptan uyarlanan bu film, ak\u0131l hastas\u0131 rol\u00fc yaparak ak\u0131l hastanesine sevk edilen mahkumun ya\u015fad\u0131klar\u0131n\u0131 konu alm\u0131\u015ft\u0131r. G\u00fcvenlik \u00f6nlemleri di\u011fer kurumlardan daha az olan ak\u0131l hastanesi, mahkumun ka\u00e7\u0131\u015f plan\u0131 i\u00e7in uygun bir mekan olmu\u015ftur. Mahkumun di\u011fer hastalara k\u00f6t\u00fc \u00f6rnek oldu\u011funu d\u00fc\u015f\u00fcnen ba\u015fhem\u015fire ile mahkum aras\u0131nda da \u00e7at\u0131\u015fmalar ya\u015fanmaktad\u0131r. \u201cIMDb En \u0130yi 250 Film \u201c aras\u0131nda yer alan bu film, 1976 y\u0131l\u0131nda En \u0130yi Film Oscar\u2019\u0131 alm\u0131\u015f, farkl\u0131 kategorilerde de \u00e7e\u015fitli \u00f6d\u00fcllere lay\u0131k g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. <\/p>\n\n\n\n

6.Taxi Driver (Taksi \u015eof\u00f6r\u00fc) 1976 – 8.4\/10<\/h1>\n\n\n
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\"\"<\/figure><\/div>\n\n\n

Martin Scorsese\u2019nin y\u00f6netmenli\u011fini \u00fcstlendi\u011fi \u2018\u2019Taksi \u015eof\u00f6r\u00fc\u2019\u2019, Vietnam sava\u015f\u0131n\u0131n izlerini atlatamayan bir askerin, taksi \u015fof\u00f6rl\u00fc\u011f\u00fc yaparken adaletsiz d\u00fcnyaya uyum sa\u011flamay\u0131 reddetme hikayesini anlatmaktad\u0131r. Robert De Niro\u2019nun canland\u0131rd\u0131\u011f\u0131 taksi \u015fof\u00f6r\u00fc Travis, sosyal hayat\u0131ndaki ba\u015far\u0131s\u0131zl\u0131\u011f\u0131n\u0131 tersine d\u00f6nd\u00fcrmeye \u00e7al\u0131\u015fsa da bekledi\u011fi kar\u015f\u0131l\u0131\u011f\u0131 bulamam\u0131\u015ft\u0131r. Bu k\u0131r\u0131lma an\u0131ndan sonra bir silah al\u0131p \u201csokaklar\u0131n pisli\u011fini temizlemeye\u201d karar vermi\u015ftir.<\/p>\n\n\n\n

7.Memento (Ak\u0131l Defteri) – 2001 – 8.5\/10<\/h1>\n\n\n
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\"\"<\/figure><\/div>\n\n\n

Christopher Nolan taraf\u0131ndan yaz\u0131l\u0131p y\u00f6netilen \u201cMemento\u201d, k\u0131sa s\u00fcreli haf\u0131za kayb\u0131 olan bir adam\u0131n kar\u0131s\u0131n\u0131n katillerini bulma \u00e7abas\u0131n\u0131 konu edinmektedir. Jonathan Nolan taraf\u0131ndan yaz\u0131lm\u0131\u015f “Memento Mori” adl\u0131 k\u0131sa hikayeden uyarlanm\u0131\u015f bu film, IMDb’de T\u00fcm Zamanlar\u0131n En \u0130yi Filmleri aras\u0131nda yer almaktad\u0131r. Filmin sondan ba\u015fa do\u011fru ilerleyen kurgusu, anlat\u0131c\u0131n\u0131n ger\u00e7ek zamanl\u0131 hik\u00e2yesiyle i\u00e7 i\u00e7e ge\u00e7irmektedir. Nolan, bu kurguyla izleyiciyi haf\u0131za sorunu olan ana karakterin koltu\u011funa oturtmay\u0131 ama\u00e7lam\u0131\u015ft\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

Haber: Zeynep R\u00fcmeysa G\u00f6kg\u00f6z Edit\u00f6r: Ay\u015feg\u00fcl Ni\u015fli 1.Where Do We Go Now? (\u015eimdi Nereye Gidece\u011fiz?) 2011 – 7.4\/10 L\u00fcbnanl\u0131 y\u00f6netmen Nadine Labaki\u2019nin 2011 yap\u0131m\u0131 \u2018\u2019Where Do We Go Now?\u2019\u2019 adl\u0131 filminde sava\u015f kar\u015f\u0131t\u0131 bir tutum sergilenmi\u015ftir. Erkeklerin s\u00fcrd\u00fcrd\u00fc\u011f\u00fc sava\u015f d\u00fczenine kar\u015f\u0131 k\u00f6y\u00fcn Hristiyan ve M\u00fcsl\u00fcman kad\u0131nlar\u0131n\u0131n verdi\u011fi m\u00fccadele i\u015flenmektedir. Egemen sinema anlay\u0131\u015f\u0131na kar\u015f\u0131, bar\u0131\u015f\u0131n erkek […]<\/p>\n","protected":false},"author":14,"featured_media":22426,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","video":"","gallery":"","source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"double-sidebar","sidebar":"single-left","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"1"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":"","disable_ad":"0"},"jnews_primary_category":{"id":"","hide":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1,30,2085],"tags":[2881,918,2879,2880,2789,1288,189,2878],"class_list":["post-22415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-kultur-sanat","category-manset-haber","tag-chritopher-nolan","tag-film","tag-la-haine","tag-momento","tag-persona","tag-psikoloji","tag-sinema","tag-where-do-we-go-now"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/22415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=22415"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/22415\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/22426"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=22415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=22415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=22415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}