{"id":22697,"date":"2024-02-29T12:00:00","date_gmt":"2024-02-29T09:00:00","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=22697"},"modified":"2024-02-29T12:10:17","modified_gmt":"2024-02-29T09:10:17","slug":"gazeteci-yasar-kemal-soylesisi-gerceklestirildi","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2024\/02\/29\/gazeteci-yasar-kemal-soylesisi-gerceklestirildi\/","title":{"rendered":"\u201cGazeteci Ya\u015far Kemal\u201d S\u00f6yle\u015fisi Ger\u00e7ekle\u015ftirildi"},"content":{"rendered":"\n

Muhabir: Ay\u015feg\u00fcl Ni\u015fli<\/strong><\/p>\n\n\n\n

Foto Muhabir: Gaye Ak\u0131n, Zeynep G\u00fclnihal Tu\u011frul<\/strong><\/p>\n\n\n\n

Ya\u015far Kemal\u2019in dokuzuncu \u00f6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fc an\u0131s\u0131na \u201cGazeteci Ya\u015far Kemal\u201d ba\u015fl\u0131kl\u0131 s\u00f6yle\u015fi d\u00fczenlendi. 28 \u015eubat \u00c7ar\u015famba g\u00fcn\u00fc Yap\u0131 Kredi K\u00fclt\u00fcr Sanat Loca\u2019da ger\u00e7ekle\u015ftirilen programda Prof. Dr. Yasemin Giritli \u0130nceo\u011flu, Vahap Munyar, Derya Sazak ve Feridun Anda\u00e7 konu\u015fmac\u0131 olarak yer ald\u0131.<\/strong><\/p>\n\n\n\n

S\u00f6yle\u015fi yazar Feridun Anda\u00e7\u2019\u0131n konu\u015fmas\u0131yla ba\u015flad\u0131. Anda\u00e7, \u201cYa\u015far Kemal\u2019in yazma iste\u011fi, yazma arzusu, 1951\u2019den 1963\u2019e kadar 12 y\u0131l Bab\u0131ali\u2019de \u00f6zellikle bir r\u00f6portaj yazar\u0131 olarak deyim yerindeyse parlamas\u0131n\u0131 sa\u011flad\u0131. R\u00f6portaj anlat\u0131c\u0131l\u0131\u011f\u0131nda o d\u0131\u015fta de\u011fil hep i\u00e7tedir asl\u0131nda, i\u00e7eriden bakan biridir. Orada g\u00f6zlemci, kavrayan, ya\u015fayan biridir. Not tutmaz, \u2018Zihnimde onu ya\u015fat\u0131r\u0131m.\u2019 der. Ya\u015fatt\u0131ktan sonra ancak k\u0131vam\u0131na gelince yaz\u0131lmaya de\u011fer oldu\u011funu s\u00f6yler.\u201d ifadelerinde bulundu.<\/p>\n\n\n\n

\u201cYa\u015far Kemal\u2019in gazetecili\u011fi bence bir okuldur.\u201d<\/strong><\/p>\n\n\n\n

Bir yazar ve gazeteci olarak Ya\u015far Kemal\u2019in \u00fcslubunun \u00f6rnek al\u0131nmas\u0131 gerekti\u011finin alt\u0131n\u0131 \u00e7izen Anda\u00e7, bunu \u015fu s\u00f6zlerle dile getirdi: \u201cOnun edebi \u00fcslubu e\u011fer yazmak, r\u00f6portaj yapmak istiyorsan\u0131z nereye bakman\u0131z, nereyi g\u00f6rmeniz gerekti\u011fini \u00f6\u011fretiyor. Gazeteci olmak isteyen biri i\u00e7in Ya\u015far Kemal\u2019in gazetecili\u011fi bence bir okuldur. Bir bak\u0131ma da r\u00f6portaj yazar\u0131n\u0131n d\u00fcnyay\u0131 okuma bilinci olmas\u0131 gerekti\u011fini hat\u0131rlat\u0131yor bizlere. Anadolu insan\u0131n\u0131n sorunlar\u0131n\u0131 g\u00fcndeme getirmesiyle namuslu, ahlakl\u0131, vicdanl\u0131 gazetecili\u011fin nas\u0131l yap\u0131lmas\u0131 gerekti\u011fini r\u00f6portajlar\u0131yla bize anlat\u0131yor.\u201d<\/p>\n\n\n\n

Anda\u00e7, konu\u015fmas\u0131n\u0131 Ya\u015far Kemal\u2019le olan bir diyalo\u011funu aktararak sonland\u0131rd\u0131: \u201cBir g\u00fcn kendisine sormu\u015ftum \u201920. y\u00fczy\u0131l edebiyat\u0131na Ya\u015far Kemal ne getirdi?\u2019 diye, \u2018Hi\u00e7bir \u015fey getirmediysem do\u011fan\u0131n nas\u0131l anlat\u0131labilece\u011fini getirdim.\u2019 dedi.\u201d <\/p>\n\n\n\n

\u201cUstan\u0131n \u00e7ok severek yapt\u0131\u011f\u0131 bir zanaat\u201d<\/strong><\/p>\n\n\n\n

Ard\u0131ndan s\u00f6z\u00fc ileti\u015fim bilimci Prof. Dr. Yasemin Giritli \u0130nceo\u011flu ald\u0131. Konu\u015fmas\u0131na Ya\u015far Kemal\u2019in edebi gazetecili\u011finden bahsederek ba\u015flayan \u0130nceo\u011flu, \u201cYa\u015far Kemal r\u00f6portaj\u0131 olaylar\u0131n ger\u00e7e\u011fine inebilmek oldu\u011funu, ger\u00e7e\u011fine inebilmenin de ancak o d\u00fcnyay\u0131 ya\u015fayarak, sonras\u0131nda da yaratarak m\u00fcmk\u00fcn oldu\u011funu ifade eder. R\u00f6portaj da hikaye gibi, roman gibi, adeta bir sanat yap\u0131t\u0131 gibi bir yaratmad\u0131r. Ustan\u0131n \u00e7ok severek yapt\u0131\u011f\u0131 bir zanaat r\u00f6portaj gazetecili\u011fi. Bilindi\u011fi \u00fczere kuramsal, teorik ve analitik ba\u011flamda geleneksel gazetecilikten edebi gazetecilik olan r\u00f6portaj gazetecili\u011fini ayr\u0131 tutuyor. Objektifli\u011fe kar\u015f\u0131; ne, neden, nas\u0131l, ni\u00e7in, nerede ve kim sorular\u0131n\u0131n bir \u00e7\u0131ta \u00f6tesine ta\u015f\u0131yarak, i\u00e7inde bulundu\u011fu zaman\u0131 betimlemesiyle \u00fcstat geleneksel gazetecilikten ayr\u0131l\u0131yor.\u201d \u015feklinde konu\u015ftu.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

\u0130nceo\u011flu, Ya\u015far Kemal\u2019in edebi gazetecilikte kulland\u0131\u011f\u0131 tekniklerden de bahsetti. \u201cDerinlemesine ara\u015ft\u0131rma ve g\u00f6r\u00fc\u015fmeyle dramatik hikaye anlat\u0131m teknikleri kullanarak okuyucunun d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fc de geli\u015ftirmi\u015f oluyor.\u201d diyen \u0130nceo\u011flu, Ya\u015far Kemal\u2019in ayn\u0131 zamanda \u201croman ve kurgu anlat\u0131 tekniklerinden yararland\u0131\u011f\u0131na, konuyu ve olay\u0131 canland\u0131rd\u0131\u011f\u0131 dramatizasyon arac\u0131l\u0131\u011f\u0131yla olay \u00f6rg\u00fcs\u00fcn\u00fc olu\u015fturdu\u011funa\u201d de\u011findi ve ekledi: \u201cHatta yapt\u0131\u011f\u0131 incelemelerde kendi g\u00f6r\u00fc\u015flerini katarak yazmas\u0131 adeta r\u00f6portajlar\u0131n\u0131 belge niteli\u011fine b\u00fcr\u00fcyor, say\u0131sal veriler ve foto\u011fraflarla da destekleyerek okurun bilgisine sunuyor.\u201d<\/p>\n\n\n\n

D\u00fcnyay\u0131 Anadolu \u0130\u00e7erisinden Okumak<\/strong><\/p>\n\n\n\n

Ya\u015far Kemal\u2019in yaz\u0131lar\u0131ndaki toplumsal ger\u00e7ekli\u011fe dikkat \u00e7eken \u0130nceo\u011flu, \u201cOnun r\u00f6portajlar\u0131 insanl\u0131k dramlar\u0131n\u0131, \u015fehirlerin yoksullu\u011funu, insanlar\u0131n yoksunlu\u011funu, insan\u0131n do\u011fayla olan sava\u015f\u0131n\u0131, b\u00fct\u00fcn duygu ve d\u00fc\u015f\u00fcncelerinin yans\u0131mas\u0131n\u0131 anlat\u0131yor. Bunca ac\u0131ya ra\u011fmen asla umudunu yitirmedi\u011fini g\u00f6r\u00fcyoruz. Ba\u015fka bir d\u00fcnya m\u00fcmk\u00fcn slogan\u0131n\u0131n onun edebi gazetecili\u011fine \u00e7ok da g\u00fczel yans\u0131d\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Bu mottonun i\u00e7erisinde yaln\u0131z bir umut yok, ayn\u0131 zamanda protesto da var. D\u00fcnyay\u0131 esas\u0131nda Anadolu i\u00e7erisinden okudu\u011funda dair bir saptama yapmak bence \u00e7ok do\u011fru olacakt\u0131r.\u201d dedi.<\/p>\n\n\n\n

Sonras\u0131nda konu\u015fan gazeteci Derya Sazak, H\u00fcrriyet gazetesinde Ya\u015far Kemal\u2019in \u0130nce Memed II roman\u0131n\u0131n tefrika edildi\u011fi d\u00f6nemi anlatt\u0131. Sazak, roman hakk\u0131nda, \u201c\u0130nce Memed Ya\u015far Kemal\u2019in yaratt\u0131\u011f\u0131 bir karakter ama y\u00fczlerce y\u0131l o bask\u0131lardan s\u00fcz\u00fclerek gelen \u00f6yle epik bir \u015fey var ki, o Ya\u015far Kemal\u2019e yaslad\u0131\u011f\u0131nda veya Ya\u015far Kemal \u00e7a\u011f\u0131n o iklimini soludu\u011funda bu \u0130nce Memed olarak ondan \u00e7\u0131k\u0131yor.\u201d \u015feklinde konu\u015ftu.<\/p>\n\n\n\n

Sazak, \u201cYa\u015far Kemal bar\u0131\u015f\u00e7\u0131d\u0131r, sava\u015f kar\u015f\u0131t\u0131d\u0131r, do\u011fac\u0131d\u0131r. Bunlarla senelerce dalga ge\u00e7tik, \u015fimdi k\u00fcresel \u0131s\u0131nma, iklim de\u011fi\u015fikli\u011fi konu\u015fuyoruz. O bunu seneler \u00f6nceden yazd\u0131. Orman yang\u0131nlar\u0131 oldu, orman yang\u0131lar\u0131 hakk\u0131nda cilt cilt kitaplar\u0131 var. Birazc\u0131k duyarl\u0131 olabilseydik o miras\u0131 bug\u00fcne devrolurdu.\u201d ifadelerinde bulundu.<\/p>\n\n\n\n

S\u00f6yle\u015finin son konu\u015fmac\u0131s\u0131 T\u00fcrkiye Gazeteciler Cemiyeti Ba\u015fkan\u0131 Vahap Munyar, \u201cO zaman bir g\u00f6rsellik yoktu, foto\u011fraf teknolojisi o kadar geli\u015fmemi\u015fti. Ama Ya\u015far Kemal bize tek tek foto\u011fraf karesi sunuyordu. Bunu anlat\u0131m\u0131yla, yaz\u0131s\u0131yla yap\u0131yordu. Ya\u015far Kemal\u2019in en b\u00fcy\u00fck ustal\u0131\u011f\u0131 g\u00f6rsellik olmadan size o ortam\u0131 oldu\u011fu gibi ya\u015fatmakt\u0131r.\u201d dedi. Ya\u015far Kemal\u2019in T\u00fcrkiye Gazeteciler Cemiyeti\u2019nin \u00f6nemli bir \u00fcyesi oldu\u011funu s\u00f6yleyen Munyar, \u201cToplant\u0131lar\u0131m\u0131za, y\u00fcr\u00fcy\u00fc\u015flerimize hep kat\u0131ld\u0131 ve destekledi. Gazetecili\u011fin \u00f6rg\u00fctl\u00fc yan\u0131na da \u00e7ok \u00f6nem verdi, bize kendisini \u00f6rnek alma \u015fans\u0131 verdi.\u201d ifadeleriyle s\u00f6zlerini noktalad\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"

Muhabir: Ay\u015feg\u00fcl Ni\u015fli Foto Muhabir: Gaye Ak\u0131n, Zeynep G\u00fclnihal Tu\u011frul Ya\u015far Kemal\u2019in dokuzuncu \u00f6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fc an\u0131s\u0131na \u201cGazeteci Ya\u015far Kemal\u201d ba\u015fl\u0131kl\u0131 s\u00f6yle\u015fi d\u00fczenlendi. 28 \u015eubat \u00c7ar\u015famba g\u00fcn\u00fc Yap\u0131 Kredi K\u00fclt\u00fcr Sanat Loca\u2019da ger\u00e7ekle\u015ftirilen programda Prof. Dr. Yasemin Giritli \u0130nceo\u011flu, Vahap Munyar, Derya Sazak ve Feridun Anda\u00e7 konu\u015fmac\u0131 olarak yer ald\u0131. S\u00f6yle\u015fi yazar Feridun Anda\u00e7\u2019\u0131n konu\u015fmas\u0131yla ba\u015flad\u0131. […]<\/p>\n","protected":false},"author":14,"featured_media":22698,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","video":"","gallery":"","source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"double-sidebar","sidebar":"single-left","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"1","show_popup_post":"1","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"1"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":"","disable_ad":"0"},"jnews_primary_category":{"id":"","hide":""},"jnews_social_meta":{"fb_title":"","fb_description":"","fb_image":"","twitter_title":"","twitter_description":"","twitter_image":""},"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1,30,2085],"tags":[2944,2946,1196,2943,1929,2698,2947,1456],"class_list":["post-22697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-kultur-sanat","category-manset-haber","tag-derya-sazak","tag-feridun-andac","tag-gazetecilik","tag-prof-dr-yasemin-giritli-inceoglu","tag-roportaj","tag-tgc","tag-vahap-munyar","tag-yasar-kemal"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/22697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=22697"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/22697\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/22698"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=22697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=22697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=22697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}