{"id":24070,"date":"2024-11-21T18:23:46","date_gmt":"2024-11-21T15:23:46","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=24070"},"modified":"2024-11-21T18:23:47","modified_gmt":"2024-11-21T15:23:47","slug":"yapay-zeka-ve-vr-teknolojisi-sinemayi-donusturuyor","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2024\/11\/21\/yapay-zeka-ve-vr-teknolojisi-sinemayi-donusturuyor\/","title":{"rendered":"Yapay Zeka ve VR Teknolojisi Sinemay\u0131 D\u00f6n\u00fc\u015ft\u00fcr\u00fcyor"},"content":{"rendered":"\n

Muhabir: Hatice Beyza \u00c7akmak, Medine Yavuz<\/strong><\/p>\n\n\n\n

\u0130stanbul- (\u0130\u00dc Haber Merkezi)<\/strong><\/p>\n\n\n\n

\u0130stanbul \u00dcniversitesi(\u0130\u00dc) \u0130leti\u015fim Fak\u00fcltesi\u2019nin ilk T\u00dcB\u0130TAK 3005 destekli \u201cSinema Alan\u0131nda Seyir Deneyimlerine \u0130li\u015fkin Medya De\u011fi\u015fimi ve Gelece\u011fe \u0130li\u015fkin Tahminler, Stratejiler ve \u00c7\u00f6z\u00fcmlemeler\u201d projesi kapsam\u0131nda \u00e7al\u0131\u015ftay d\u00fczenlendi.<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\u0130stanbul \u00dcniversitesi\u2019nin ikinci ve \u0130leti\u015fim Fak\u00fcltesi\u2019nin ilk T\u00dcB\u0130TAK 3005 destekli projesi kapsam\u0131nda 16 Kas\u0131m\u2019da iki grup olmak \u00fczere \u0130\u00dc \u0130leti\u015fim Fak\u00fcltesi\u2019nde \u00e7al\u0131\u015ftay ger\u00e7ekle\u015ftirildi. Yapay zek\u00e2 ve VR (Virtual Reality-Sanal Ger\u00e7eklik) teknolojileri \u00fczerinden ba\u015fta sinema olacak \u015fekilde; e\u011fitim bilimleri, ileti\u015fim, psikoloji alanlar\u0131yla birlikte disiplinleraras\u0131 bir \u00e7al\u0131\u015fma ile projenin konular\u0131 ve bulgular\u0131 bilimsel tart\u0131\u015fmaya a\u00e7\u0131ld\u0131.<\/p>\n\n\n

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Projenin konusu, amac\u0131 ve bulgular\u0131 proje y\u00fcr\u00fct\u00fcc\u00fcs\u00fc Do\u00e7. Dr. Berceste G\u00fcl\u00e7in \u00d6zdemir taraf\u0131ndan \u00e7al\u0131\u015ftaya kat\u0131lan akademisyenlere ve sahadan uzman ki\u015filere anlat\u0131ld\u0131. \u00d6zdemir, sinema alan\u0131na ili\u015fkin gelece\u011fe y\u00f6nelik sorgulamalar\u0131n proje \u00e7\u0131kt\u0131s\u0131 olacak yay\u0131nlarla birlikte kamuoyuna sunulaca\u011f\u0131ndan bahsetti. Projenin toplumsal faydas\u0131n\u0131n ve yayg\u0131n etkisinin g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fc a\u00e7\u0131s\u0131ndan bir ders tasarlad\u0131\u011f\u0131ndan bahseden \u00d6zdemir, \u0130leti\u015fim Fak\u00fcltesi\u2019nde Sinema anabilim dal\u0131 alt\u0131nda yer alan y\u00fcksek lisans program\u0131nda bir ders a\u00e7\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6yledi. Sinema ve Sanal Ger\u00e7eklik Teknolojisi isimli derste, sineman\u0131n yeni ileti\u015fim teknolojileriyle birlikte nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc teoride ve pratikte \u00f6\u011frencilerle payla\u015faca\u011f\u0131ndan bahseden \u00d6zdemir, e\u011fitim alan\u0131nda g\u00fcncel teknolojilerin m\u00fcfredatta yer almas\u0131 gerekti\u011fi \u00fczerinde durdu. Bu proje d\u00e2hilinde \u2018\u2019Susuzluk\u2019\u2019 adl\u0131 kurmaca-k\u0131sa metraj bir belgesel de \u00e7eken \u00d6zdemir, filmin i\u00e7eri\u011finin iklim krizine odakland\u0131\u011f\u0131n\u0131 ve bu filmin kamuyla payla\u015f\u0131ld\u0131\u011f\u0131nda projenin toplumsal yarar etkisinin de ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 belirtti. 360 derece kamerayla \u00e7ekilen kurmaca-belgesel film; sanatla, bilimin sentez bir bi\u00e7imde bulu\u015ftu\u011fu somut bir \u00e7\u0131kt\u0131 olarak de\u011ferlendirildi. Bilim insanlar\u0131n\u0131n kat\u0131ld\u0131klar\u0131 bir \u00e7al\u0131\u015ftay ile proje konular\u0131n\u0131n tekrar g\u00fcndeme gelmesi ve proje konular\u0131yla ili\u015fkili farkl\u0131 konular\u0131n da tart\u0131\u015fmaya a\u00e7\u0131lmas\u0131 projenin bilimsel ba\u011flamda g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fc ve alana dair geli\u015fen yeni teorilerin ortaya \u00e7\u0131kmas\u0131 a\u00e7\u0131s\u0131ndan kat\u0131l\u0131mc\u0131lar\u0131n d\u00fc\u015f\u00fcnceleri ba\u011flam\u0131nda \u00f6nemli g\u00f6r\u00fcld\u00fc.<\/p>\n\n\n

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Yapay Zeka ve VR insanlar\u0131 yaln\u0131zla\u015ft\u0131r\u0131yor<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00c7al\u0131\u015ftayda ba\u015fta sinema olmak \u00fczere teknolojik de\u011fi\u015fimlerin ard\u0131ndan e\u011fitim bilimleri, ileti\u015fim ve psikoloji alan\u0131n nereye evirilebilece\u011fi ve bunun sonucu olan olumlu ve olumsuz k\u0131smi bulgular payla\u015f\u0131ld\u0131. \u0130\u00e7inde bulundu\u011fumuz ve insanlar\u0131n giderek yaln\u0131zla\u015ft\u0131\u011f\u0131 postmodern d\u00f6nemde sinema gibi kolektif aktivitelerin, VR ve Yapay zek\u00e2 gibi teknolojilerle daha da bireyselle\u015ferek ki\u015finin yaln\u0131z bir ya\u015fama maruz kalabilece\u011fi \u00fczerinde duruldu. Bildi\u011fimiz anlamdaki sinema ontolojisinin de\u011fi\u015fmekte oldu\u011funu fakat buna ra\u011fmen klasik \u00f6\u011frenme bi\u00e7imleri gibi sineman\u0131n da varl\u0131\u011f\u0131n\u0131n devam edecek olmas\u0131na ra\u011fmen kodlar\u0131nda ve \u015feklinde yap\u0131sal de\u011fi\u015fimler olaca\u011f\u0131 ifade edildi. VR g\u00f6zl\u00fckler yoluyla deneyimlenebilecek olan filmlerin s\u00fcresi, konusu, temas\u0131 ve hangi hedef kitleye nas\u0131l izletilece\u011fine kadar geni\u015f bir parametrede \u00e7al\u0131\u015fma yap\u0131lmas\u0131 gerekti\u011fi belirtildi. Etik, \u00e7al\u0131\u015ftaydaki en \u00f6nemli ba\u015fl\u0131klardan biri olarak yer ald\u0131. B\u00fct\u00fcn bu geli\u015fmelerde ger\u00e7eklik alg\u0131s\u0131n\u0131n manip\u00fcle edilebilirli\u011fi ve izleyici ya\u015f grubuna g\u00f6re i\u00e7eri\u011fin b\u0131rakaca\u011f\u0131 etkininin de\u011fi\u015ftirilebilirli\u011fi g\u00fcndeme geldi.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Seyirciler izleyiciden deneyimleyicilere d\u00f6n\u00fc\u015f\u00fcyor<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

B\u00fct\u00fcn s\u00fcre\u00e7 i\u00e7erisinde beyaz perde ba\u011flam\u0131nda sineman\u0131n art\u0131k izlenen bir i\u00e7erikten, deneyimlenebilen bir i\u00e7eri\u011fe ge\u00e7mesinin farklar\u0131ndan bahsedildi. Proje ara\u015ft\u0131rmas\u0131nda izleyici- deneyimleyici ikilemine ula\u015f\u0131ld\u0131\u011f\u0131n\u0131 ifade eden Do\u00e7. Dr. Derya G\u00fcl, aktif bir \u015fekilde filmde yer alma iste\u011finin seyirleri ba\u011flamlar\u0131ndan kopar\u0131p oyun kategorisine alabilece\u011fini ve bu noktadaki ayr\u0131m\u0131n iyi yap\u0131lmas\u0131 gerekti\u011finin alt\u0131n\u0131 \u00e7izdi. Ayn\u0131 anda iki farkl\u0131 salonda ger\u00e7ekle\u015fen \u00e7al\u0131\u015ftay, 2 sorunun \u00fczerinden cevap ve bunlara y\u00f6nelik etik kodlar\u0131 tart\u0131\u015f\u0131rken ikinci salonda yarat\u0131c\u0131l\u0131k kriterinin de\u011fer kazanaca\u011f\u0131 \u00fczerinde \u00f6zellikle duruldu. T\u00fcm bu de\u011fi\u015fim ve d\u00f6n\u00fc\u015f\u00fcm s\u00fcrecinde e\u011fitim ba\u015fl\u0131\u011f\u0131 alt\u0131nda \u00e7ok\u00e7a tart\u0131\u015f\u0131lan yapay zeka ve VR uygulamalar\u0131n\u0131n destekleyici olmas\u0131 gerekti\u011finin alt\u0131 \u00e7izildi.<\/p>\n\n\n

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\u00c7al\u0131\u015ftay, Seminer Salonu 4\u2019te t\u00fcm kat\u0131l\u0131mc\u0131lar\u0131n toplanmas\u0131 ve sonuca ba\u011flanmas\u0131yla tamamland\u0131. Rapor tutularak kat\u0131l\u0131mc\u0131lar\u0131n s\u00f6ylemleri, d\u00fc\u015f\u00fcnceleri Do\u00e7. Dr. \u00d6zdemir taraf\u0131ndan kat\u0131l\u0131mc\u0131lara aktar\u0131ld\u0131. Bu \u00e7al\u0131\u015ftayda tart\u0131\u015f\u0131lan konularla ili\u015fkili bir yay\u0131n\u0131n sunulaca\u011f\u0131 da belirtildi.<\/p>\n\n\n

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Eyl\u00fcl 2023\u2019de Do\u00e7. Dr. Berceste G\u00fcl\u00e7in \u00d6zdemir\u2019in proje y\u00fcr\u00fct\u00fcc\u00fcl\u00fc\u011f\u00fc ile ba\u015flayan \u00e7al\u0131\u015fmada proje ara\u015ft\u0131rmac\u0131lar\u0131 olarak Prof. Dr. Behiye Ak\u00e7ay, Do\u00e7. Dr. Derya G\u00fcl \u00dcnl\u00fc, Do\u00e7. Dr. \u00d6zlem Arda, Do\u00e7. Dr. \u00d6zge G\u00fcrsoy Atar, Dr. \u00d6\u011fr. \u00dcyesi Simge \u015ei\u015fman Bal ve proje bursiyeri doktorant Aziz Bark\u0131n Kad\u0131o\u011flu yer ald\u0131.<\/p>\n\n\n\n

<\/p>\n\n\n\n

T\u00dcB\u0130TAK \u00c7al\u0131\u015ftay\u0131nda 20\u2019den fazla akademisyen ve sahadan uzman yer ald\u0131<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00c7al\u0131\u015ftayda sanat, teknoloji ve bilim alan\u0131nda uzman isimler kat\u0131ld\u0131. \u00c7al\u0131\u015ftayda Mezo Digital Art Kurucusu\/ Yapay Zeka Uzman\u0131 Nabat Garakhanova, HK Medya\/ 360 VR Turkey Kurucusu\/ VR Prod\u00fckt\u00f6r\u00fc Hakan Korkmaz, Y\u00f6netmen ve Multimedya Sanat\u00e7\u0131s\u0131 Deniz Tortum, Prof. Dr. Aykut Ar\u0131kan, Prof. Dr. Behiye Ak\u00e7ay, Prof. Dr. Deniz Yengin, Prof. Dr. Erkan Saka, Prof. Dr. Nazl\u0131 Eda Noyan, Prof. Dr. Nil\u00fcfer Timisi, Do\u00e7. Dr. \u015eebnem \u00d6zdemir, Do\u00e7. Dr. Tamer Bayrak, Do\u00e7. Dr. Derya G\u00fcl \u00dcnl\u00fc, Do\u00e7. Dr. Berceste G\u00fcl\u00e7in \u00d6zdemir, Do\u00e7. Dr. Y\u00fcksel Balaban, Do\u00e7. Dr. \u00d6zlem Arda, Do\u00e7. Dr. \u00d6zge G\u00fcrsoy, Do\u00e7. Dr. G\u00fclin Terek \u00dcnal, Dr. Simge \u015ei\u015fman Bal, Dr. Elif Karako\u00e7, Aziz Bark\u0131n Kad\u0131o\u011flu bulundu.<\/p>\n\n\n

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\"\"<\/figure><\/div>","protected":false},"excerpt":{"rendered":"

Muhabir: Hatice Beyza \u00c7akmak, Medine Yavuz \u0130stanbul- (\u0130\u00dc Haber Merkezi) \u0130stanbul \u00dcniversitesi(\u0130\u00dc) \u0130leti\u015fim Fak\u00fcltesi\u2019nin ilk T\u00dcB\u0130TAK 3005 destekli \u201cSinema Alan\u0131nda Seyir Deneyimlerine \u0130li\u015fkin Medya De\u011fi\u015fimi ve Gelece\u011fe \u0130li\u015fkin Tahminler, Stratejiler ve \u00c7\u00f6z\u00fcmlemeler\u201d projesi kapsam\u0131nda \u00e7al\u0131\u015ftay d\u00fczenlendi. \u0130stanbul \u00dcniversitesi\u2019nin ikinci ve \u0130leti\u015fim Fak\u00fcltesi\u2019nin ilk T\u00dcB\u0130TAK 3005 destekli projesi kapsam\u0131nda 16 Kas\u0131m\u2019da iki grup olmak \u00fczere \u0130\u00dc […]<\/p>\n","protected":false},"author":14,"featured_media":24072,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[24,25,1,34,178,2085,2348,31],"tags":[40,410,43,52,3174,189,389,1993,3170],"class_list":["post-24070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bilim","category-egitim","category-genel","category-universite","category-fakultemizden","category-manset-haber","category-manset-yani","category-teknoloji","tag-iletisim-fakultesi","tag-istanbul","tag-istanbul-universitesi","tag-iu-iletisim-fakultesi","tag-medineyavuz","tag-sinema","tag-teknoloji","tag-vr","tag-yapayzeka"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/24070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=24070"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/24070\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/24072"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=24070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=24070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=24070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}