{"id":24431,"date":"2025-01-01T14:25:21","date_gmt":"2025-01-01T11:25:21","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=24431"},"modified":"2025-01-01T14:25:21","modified_gmt":"2025-01-01T11:25:21","slug":"gul-irepoglundan-tat-ve-sanat-lezzetli-resimler","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2025\/01\/01\/gul-irepoglundan-tat-ve-sanat-lezzetli-resimler\/","title":{"rendered":"G\u00fcl \u0130repo\u011flu\u2019ndan “Tat ve Sanat: Lezzetli Resimler”"},"content":{"rendered":"\n

Muhabir: Zeynep G\u00fclnihal Tu\u011frul<\/em><\/strong><\/p>\n\n\n\n

\u0130stanbul \u2013 (\u0130\u00dc Haber Merkezi)<\/em><\/strong><\/p>\n\n\n\n

T\u00fcrkiye \u0130\u015f Bankas\u0131 Resim Heykel M\u00fczesi\u2019nde d\u00fczenlenen yeni s\u00fcreli sergi, “Tat ve Sanat: Lezzetli Resimler”<\/em> ba\u015fl\u0131\u011f\u0131yla 28 Eyl\u00fcl 2024\u2019te \u0130stanbul\u2019da ziyarete a\u00e7\u0131ld\u0131.<\/strong><\/p>\n\n\n\n

T\u00fcrkiye K\u00fclt\u00fcr Yolu Festivali kapsam\u0131nda sanatseverlerle bulu\u015fan serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc M\u00fcze\u2019nin kurucu k\u00fcrat\u00f6r\u00fc Prof. Dr. G\u00fcl \u0130repo\u011flu \u00fcstlendi.<\/p>\n\n\n\n

Sergide, m\u00fczenin 2. ve 3. katlar\u0131nda yer alan alt\u0131 tematik b\u00f6l\u00fcm bulunmakta: <\/p>\n\n\n\n

    \n
  1. C\u00f6mert Do\u011fa: Tarla, Ba\u011f, Bah\u00e7e<\/strong><\/li>\n\n\n\n
  2. Do\u011fa Tad\u0131nda Renklerle: Rengarenk Nat\u00fcrmortlar<\/strong><\/li>\n\n\n\n
  3. \u00dcr\u00fcnler Sunulurken: Pazar Yerleri, D\u00fckkanlar ve Sokak Sat\u0131c\u0131lar\u0131<\/strong><\/li>\n\n\n\n
  4. Denizden \u00c7\u0131kan Nimet: Bal\u0131klar ve Bal\u0131k\u00e7\u0131lar<\/strong><\/li>\n\n\n\n
  5. Yemek \u0130\u00e7in Emek: Yeme\u011fin Haz\u0131rlanma S\u00fcreci<\/strong><\/li>\n\n\n\n
  6. C\u00e2n\u00e2n ki Deg\u00fcstasyon\u2019a Gelmez: Sofra, Lokanta, Gazinolar ve Kahvehane<\/strong>
    <\/li>\n<\/ol>\n\n\n\n
    \"\"
    Feyhaman Duran 1886-1970, Nat\u00fcrmort \u2013 Elmalar, 1952 Ya\u011fl\u0131 Boya<\/strong><\/figcaption><\/figure>\n\n\n\n

    Tarla, Ba\u011f, Bah\u00e7e: Do\u011fan\u0131n C\u00f6mertli\u011fi<\/strong><\/p>\n\n\n\n

    Prof. Dr. \u0130repo\u011flu, sergiyle ilgili d\u00fczenlenen konferans\u0131n a\u00e7\u0131l\u0131\u015f\u0131n\u0131 Cahit S\u0131tk\u0131 Taranc\u0131\u2019n\u0131n “Memleket \u0130sterim”<\/em> adl\u0131 \u015fiiriyle yapt\u0131. \u0130repo\u011flu, \u201cBir \u00f6nceki sergide oldu\u011fu gibi, bu sergide de \u015fiir ve resimleri birle\u015ftirdik. ‘Tat ve Sanat’ deyince akla hemen nat\u00fcrmortlar gelir. Ancak biz, ressamlar\u0131n canl\u0131 ve i\u00e7ten yakla\u015f\u0131mlar\u0131na, yiyece\u011fin sofraya gelene kadar nas\u0131l emek emek i\u015flendi\u011fine \u00e7ok katmanl\u0131 bir \u015fekilde g\u00f6rme f\u0131rsat\u0131 sunmaya \u00e7al\u0131\u015ft\u0131k\u201d \u015feklinde konu\u015ftu.<\/p>\n\n\n\n

    Serginin bel kemi\u011fini \u00f6zellikle T\u00fcrkiye \u0130\u015f Bankas\u0131 koleksiyonunun olu\u015fturdu\u011funu s\u00f6yleyen \u0130repo\u011flu, farkl\u0131 m\u00fczeler ile \u00f6zel koleksiyonlardan \u00f6d\u00fcn\u00e7 al\u0131nan eserlerle serginin zenginle\u015ftirildi\u011fine dikkat \u00e7ekti. \u0130repo\u011flu, bu \u00e7e\u015fitlili\u011fin sergiyi daha da \u00f6zel k\u0131ld\u0131\u011f\u0131n\u0131 vurgulad\u0131.<\/p>\n\n\n\n

    \u0130repo\u011flu ayr\u0131ca; “Yeme i\u00e7me sahneleri ve bu sahnelerle ba\u011flant\u0131l\u0131 olarak ‘Nas\u0131l besleniyoruz?’ sorusunu sanata yans\u0131tmak a\u00e7\u0131s\u0131ndan \u00f6nemli. Biz, ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze farkl\u0131 bi\u00e7imlerde de\u011fi\u015fen bu s\u00fcreci sergimizde g\u00f6stermeye \u00e7al\u0131\u015ft\u0131k” diye konu\u015ftu.<\/p>\n\n\n\n

    \"\"
    T\u00fcrkiye \u0130\u015f Bankas\u0131 Resim Heykel M\u00fczesi, Tat ve Sanat: Lezzetli Resimler Sergisi<\/strong><\/figcaption><\/figure>\n\n\n\n

    D\u00fcnya Resimlerinden \u00d6rnekler<\/strong><\/p>\n\n\n\n

    \u0130repo\u011flu konferansta tarla, ba\u011f ve bah\u00e7e konular\u0131nda d\u00fcnya sanat\u0131ndan \u00f6rnekler de sundu ve \u201c\u00d6zellikle Pieter Bruegel’in \u2018Hasat Zaman\u0131\u2019 <\/em>adl\u0131 eserinde beyaz g\u00f6mlekli insanlar\u0131n tarla i\u015flerini yaparken resmedilmesi dikkat \u00e7ekici\u201d dedi. Vincent van Gogh’un kulland\u0131\u011f\u0131 kesik ve s\u00fcrekli f\u0131r\u00e7a darbelerinin \u00f6nemi \u00fczerinde durarak “Bu\u011fday Tarlas\u0131 ve Kargalar”<\/em> tablosunun, Van Gogh\u2019un intihar etmeden \u00f6nceki bilinen son tablosu oldu\u011funu belirtti. Ayr\u0131ca, Ya\u015far Kemal’in Sar\u0131 S\u0131cak<\/em> adl\u0131 \u00f6yk\u00fcs\u00fcnden al\u0131nt\u0131 yaparak, “Ekinler yel esince ekinler a\u011f\u0131r a\u011f\u0131r dalgalan\u0131r” dizelerinin bir ressam\u0131n da anlatmak istedi\u011fi duyguyu nas\u0131l canland\u0131rabilece\u011fini aktard\u0131. <\/p>\n\n\n\n

    Claude Monet\u2019den de bahseden \u0130repo\u011flu, Monet\u2019in  resimlerinde ayn\u0131 saatte, ayn\u0131 a\u00e7\u0131dan bakarak, do\u011fal \u0131\u015f\u0131\u011f\u0131n etkisiyle g\u00f6rsel de\u011fi\u015fimleri resmetti\u011fini belirtti. \u201cMonet’in izlenimci yakla\u015f\u0131m\u0131, tarlalardaki \u0131\u015f\u0131k oyunlar\u0131n\u0131 ve renklerin ge\u00e7i\u015flerini \u00e7ok etkili \u015fekilde yans\u0131t\u0131r\u201d diye ekledi.<\/p>\n\n\n\n

    \"\"
    Tat ve Sanat: Lezzetli Resimler Sergisi, C\u00f6mert Do\u011fa: Tarla, Ba\u011f ve Bah\u00e7e Konferas\u0131ndan G\u00fcl \u0130repo\u011flu <\/strong><\/figcaption><\/figure>\n\n\n\n

    T\u00fcrk Ressamlar ve C\u00f6mert Do\u011fa: Tarla, Ba\u011f, Bah\u00e7e<\/strong><\/p>\n\n\n\n

    Prof. Dr. G\u00fcl \u0130repo\u011flu, yeni kitab\u0131 Tat ve Sanat<\/em>\u2019a da zaman zaman at\u0131fta bulunarak, Faruk Naf\u0131z \u00c7aml\u0131bel\u2019in sanat \u015fiirine de\u011findi: \u201cBa\u015fka sanat bilmeyiz, kar\u015f\u0131m\u0131zda dururken, S\u00f6ylenmemi\u015f bir masal gibi Anadolumuz” dizeleri ile 1923 y\u0131l\u0131na ait Nam\u0131k \u0130smail’in Harman<\/em> tablosu aras\u0131ndaki ba\u011flant\u0131lar\u0131 ele ald\u0131.<\/p>\n\n\n\n

    \u0130repo\u011flu konu\u015fmas\u0131nda; Ne\u015fet G\u00fcnal\u2018\u0131n resmindeki heykelsi duru\u015flara, Refik Epikman\u2019\u0131n Ba\u011fbozumu resmindeki kad\u0131n\u0131n \u00fcz\u00fcm sepetini omzuna al\u0131\u015f\u0131na, \u015eeref Akdik ve Hasan Vecih Bereketo\u011flu’nun eserlerine, Cemal Tollu\u2019nun Ke\u00e7ili Kompozisyon<\/em> adl\u0131 eserine ve fig\u00fcrlerin k\u00f6\u015feli \u015fekilde resmedili\u015fine dikkat \u00e7ekti.<\/p>\n\n\n\n

    \u201cKaradeniz kad\u0131nlar\u0131 b\u00f6lgenin k\u00fclt\u00fcrel zarafetini de yans\u0131t\u0131yorlar\u201d<\/strong><\/p>\n\n\n\n

    Prof. Dr. G\u00fcl \u0130repo\u011flu, Yal\u00e7\u0131n G\u00f6k\u00e7eba\u011f\u2019\u0131n eserlerinde sosyolojik a\u00e7\u0131lardan derinlemesine bir analiz sundu\u011funu ve Karadeniz b\u00f6lgesine ait unsurlar\u0131 vurgulad\u0131\u011f\u0131n\u0131 belirtti. \u0130repo\u011flu, \u201cTarlada \u00e7al\u0131\u015fan Karadenizli kad\u0131nlar, alt\u0131n kolyeleri ve g\u00fcm\u00fc\u015f kemerleriyle sadece emeklerini de\u011fil, ayn\u0131 zamanda b\u00f6lgenin k\u00fclt\u00fcrel zarafetini de yans\u0131t\u0131yorlar. Bu kad\u0131nlar tarlaya bile \u00f6zenli bir \u015fekilde geliyorlar; k\u0131yafetlerine g\u00f6sterdikleri titizlik, renk uyumlar\u0131 ve tarlada yer alan ekinlerin \u00fczerindeki bembeyaz, tertemiz kuma\u015f ya da bezler, resme ayr\u0131 bir estetik kat\u0131yor\u201d dedi. <\/p>\n\n\n\n

    \u0130repo\u011flu, \u201cAyr\u0131ca tarla i\u015f\u00e7ili\u011finde kad\u0131n\u0131n g\u00fcc\u00fcn\u00fc belirterek tarlada \u00e7al\u0131\u015fan kad\u0131nlar\u0131n yan\u0131nda \u00e7ocuklar, bebekler de yer al\u0131yor. Bu da resimlerde bir aile tablosunun ortaya \u00e7\u0131kmas\u0131n\u0131 sa\u011fl\u0131yor. Aile dinamiklerinin, bireylerin ve emeklerin bir arada sunulmas\u0131, eserin \u00e7ok katmanl\u0131 bir anlam ta\u015f\u0131mas\u0131n\u0131 sa\u011fl\u0131yor\u201d \u015feklinde konu\u015ftu.<\/p>\n\n\n\n

    Halil Dikmen\u2019in An\u0131tsal Resmi: F\u0131nd\u0131k Toplayan Kad\u0131nlar<\/strong><\/p>\n\n\n\n

    Prof. Dr. G\u00fcl \u0130repo\u011flu, sergideki favori eserlerinden birinin Halil Dikmen\u2019in “F\u0131nd\u0131k Toplayan Kad\u0131nlar”<\/em> adl\u0131 tablosu oldu\u011funu belirtti. Tablo hakk\u0131nda; “F\u0131nd\u0131k toplaman\u0131n, insanlar\u0131n ya\u015fant\u0131s\u0131n\u0131, ili\u015fkisini ve duygular\u0131n\u0131 ileten bir tablo oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Tablo \u0131\u015f\u0131k kullan\u0131m\u0131yla adeta bir R\u00f6nesans resmi gibi g\u00f6r\u00fcn\u00fcyor. Bu tabloyu uzun uzun incelemek, \u00fczerinde vakit ge\u00e7irmek gerekir. I\u015f\u0131\u011f\u0131n kullan\u0131m\u0131, fig\u00fcrlerin heykelsi duru\u015flar\u0131, derinlikli manzaras\u0131 ve yorgun bir anne fig\u00fcr\u00fc, sanat\u00e7\u0131n\u0131n f\u0131nd\u0131k toplama s\u00fcrecine duydu\u011fu sayg\u0131y\u0131 g\u00f6steriyor\u201d ifadelerini kulland\u0131. <\/p>\n\n\n\n

    \"\"
    Halil Dikmen 1906-1964, F\u0131nd\u0131k Toplayan Kad\u0131nlar<\/strong><\/figcaption><\/figure>\n\n\n\n

    Eserin sadece g\u00fcnl\u00fck ya\u015fam kesitini de\u011fil, ayn\u0131 zamanda insan\u0131n duygusal d\u00fcnyas\u0131n\u0131 da yans\u0131tt\u0131\u011f\u0131n\u0131 vurgulayan \u0130repo\u011flu, \u201cTablo, fig\u00fcrlerin her birini adeta bir portre gibi i\u015fleyen Halil Dikmen\u2019in sanat\u0131n\u0131 y\u00fcceltiyor.\u201d dedi.<\/p>\n\n\n\n

    \"\"
    \u015eevket Da\u011f 1876-1944, \u00c7inili Nat\u00fcrmort, Ya\u011fl\u0131 Boya\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

    Muhabir: Zeynep G\u00fclnihal Tu\u011frul \u0130stanbul \u2013 (\u0130\u00dc Haber Merkezi) T\u00fcrkiye \u0130\u015f Bankas\u0131 Resim Heykel M\u00fczesi\u2019nde d\u00fczenlenen yeni s\u00fcreli sergi, “Tat ve Sanat: Lezzetli Resimler” ba\u015fl\u0131\u011f\u0131yla 28 Eyl\u00fcl 2024\u2019te \u0130stanbul\u2019da ziyarete a\u00e7\u0131ld\u0131. T\u00fcrkiye K\u00fclt\u00fcr Yolu Festivali kapsam\u0131nda sanatseverlerle bulu\u015fan serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc M\u00fcze\u2019nin kurucu k\u00fcrat\u00f6r\u00fc Prof. Dr. G\u00fcl \u0130repo\u011flu \u00fcstlendi. Sergide, m\u00fczenin 2. ve 3. katlar\u0131nda yer […]<\/p>\n","protected":false},"author":14,"featured_media":24432,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-24431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/24431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=24431"}],"version-history":[{"count":0,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/24431\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/24432"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=24431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=24431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=24431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}