{"id":25532,"date":"2025-05-27T15:09:45","date_gmt":"2025-05-27T12:09:45","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=25532"},"modified":"2025-05-27T16:31:20","modified_gmt":"2025-05-27T13:31:20","slug":"ergonomik-monologlar-cannes-film-festivalinde","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2025\/05\/27\/ergonomik-monologlar-cannes-film-festivalinde\/","title":{"rendered":"Ergonomik Monologlar: Cannes Film Festivali’nde\u00a0"},"content":{"rendered":"\n

Muhabir: Sena Sand\u0131k\u00e7\u0131<\/strong><\/p>\n\n\n\n

Edit\u00f6r: Hatice Beyza \u00c7akmak<\/strong><\/p>\n\n\n\n

\u0130stanbul – (\u0130\u00dc Haber Ajans\u0131)<\/strong><\/p>\n\n\n\n

\u0130stanbul\u00a0 \u00dcniversitesi (\u0130\u00dc) Radyo, Televizyon ve Sinema B\u00f6l\u00fcm\u00fc mezunu H\u00fcseyin Ur\u00e7uk\u2019un yaz\u0131p y\u00f6netti\u011fi \u201cErgonomik Monologlar\u201d kurmaca k\u0131sa filmi, Berlin Film Festivali\u2019nin (2025) ard\u0131ndan Cannes Film Festivali (2025) katalo\u011funda da yer ald\u0131.<\/strong><\/p>\n\n\n\n

Kendini d\u0131\u015f d\u00fcnyadan soyutlayarak yazmaya adayan orta ya\u015f\u0142\u0131 bir yazar\u0131n hik\u00e2yesini anlatan \u201cErgonomik Monologlar\u201d filminin dan\u0131\u015fmanl\u0131\u011f\u0131n\u0131 \u0130\u00dc \u0130leti\u015fim Fak\u00fcltesi Dekan Yard\u0131mc\u0131s\u0131 Do\u00e7. Dr. Onur Akyol ve RTS B\u00f6l\u00fcm\u00fc \u00d6\u011fretim \u00dcyesi Do\u00e7. Dr. Mesut Aytekin yapt\u0131.\u00a0K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Sinema Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc taraf\u0131ndan haz\u0131rlanan katalog, March\u00e9 du Film kapsam\u0131nda profesyonellere sunuldu.<\/p>\n\n\n\n

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Bir \u0130\u00e7 Hesapla\u015fma Hik\u00e2yesi <\/strong><\/p>\n\n\n

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Film yazar\u0131n daktilo ba\u015f\u0131nda \u00e7al\u0131\u015ft\u0131\u011f\u0131 bir g\u00fcnde ba\u015flar. \u00c7al\u0131\u015f\u0131rken masas\u0131n\u0131n \u00fczerinde duran d\u00fcnya k\u00fcresinin d\u00fc\u015f\u00fcp k\u0131r\u0131lmas\u0131yla yazar i\u00e7 hesapla\u015fmalarla dolu bir yolculu\u011fa \u00e7\u0131kar. Filmin seyirciye vermek istedi\u011fi mesaj\u0131n alt\u0131n\u0131 \u00e7izen Ur\u00e7uk, <\/em> “\u00dczerinde ya\u015fad\u0131\u011f\u0131m\u0131z bu gezegenin bir par\u00e7as\u0131n\u0131n her ge\u00e7en g\u00fcn insanl\u0131k taraf\u0131ndan farkl\u0131 ama\u00e7lar u\u011fruna yok edildi\u011fini, bir sinema filmi izler gibi izlemekteyiz. Modern toplumlarda, karanl\u0131\u011f\u0131n hakim oldu\u011fu b\u00f6yle zor d\u00f6nemlerde, kurtar\u0131c\u0131 olarak akla ilk gelen ayd\u0131n s\u0131n\u0131f\u0131 olmu\u015ftur. Sessiz kalarak t\u00fcketilmesine g\u00f6z yumduklar\u0131yla \u00e7\u00f6pl\u00fc\u011fe d\u00f6nen yaln\u0131z d\u00fcnyalar\u0131ndaki ayd\u0131nlar\u0131m\u0131z, yeniden var olabilmek i\u00e7in bir i\u00e7 hesapla\u015fmaya ihtiya\u00e7 duyarlar. Ergonomik Monologlar, bu i\u00e7 hesapla\u015fmalar\u0131n bir kolaj\u0131 olmakta ve bir kap\u0131n\u0131n anahtar deli\u011finden odaya s\u0131z\u0131p b\u00fct\u00fcn ger\u00e7ekli\u011fi ile y\u00fcz\u00fcm\u00fcze yans\u0131maktad\u0131r\u201d ifadelerini kulland\u0131.<\/p>\n\n\n\n

Siyah-beyaz ve yakla\u015f\u0131k 15 dakika s\u00fcren filmde; grafiksel, sinematografik g\u00f6r\u00fcnt\u00fclerle yumu\u015fak bir temposu olan Ergonomik Monologlar, izleyicilerin kendi varolu\u015fsal sorgulamalar\u0131 \u00fczerinden bir \u00e7\u0131kar\u0131mda bulunmalar\u0131n\u0131 hedefliyor. Toplumsal fark\u0131ndal\u0131\u011f\u0131 art\u0131rmay\u0131 ama\u00e7layan film, bu fark\u0131ndal\u0131\u011f\u0131 sinema sanat\u0131 arac\u0131l\u0131\u011f\u0131yla \u00e7ok say\u0131da ki\u015fiye ula\u015ft\u0131rmay\u0131 ama\u00e7l\u0131yor.\u00a0<\/p>\n\n\n\n

Ergonomik Monologlar filmi ayn\u0131 zamanda 3. \u0130stanbul Uluslararas\u0131 Bahar Film Festivali resmi se\u00e7kisinde yer al\u0131rken, 2. Narfest K\u0131sa Film Festivali\u2019nde En \u0130yi Erkek Oyuncu kategorisinde aday g\u00f6sterildi.<\/p>\n\n\n\n

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H\u00fcseyin Ur\u00e7uk Biyografi<\/strong>
1983 y\u0131l\u0131nda Manisa\u2019n\u0131n Akhisar il\u00e7esinde do\u011fdu. \u0130lk, orta ve lise \u00f6\u011frenimini Akhisar\u2019da
tamamlad\u0131. Lise y\u0131llar\u0131ndan itibaren aktif olarak tiyatro ile ilgilenmeye ba\u015flad\u0131. Bir\u00e7ok \u00f6zel
tiyatroda oyuncu ve y\u00f6netmen olarak g\u00f6rev ald\u0131. M\u00fchendislik e\u011fitimi ve o alandaki i\u015f
hayat\u0131 devam ederken, 2012 y\u0131l\u0131ndan itibaren foto\u011fraf ve sinema \u00e7al\u0131\u015fmalar\u0131na a\u011f\u0131rl\u0131k
vererek \u00fcretimlerine ba\u015flad\u0131. \u201cEntropi\u201d isimli deneysel ilk k\u0131sa film \u00e7al\u0131\u015fmas\u0131 ile yurt i\u00e7i ve
yurt d\u0131\u015f\u0131nda bir\u00e7ok festivalde yer alarak \u00f6d\u00fcllere lay\u0131k g\u00f6r\u00fcld\u00fc. Ard\u0131ndan \u201cBarkod\u201c isimli
k\u0131sa film senaryo \u00e7al\u0131\u015fmas\u0131 ile bir\u00e7ok festivalden \u00f6d\u00fclle d\u00f6nd\u00fc. 2019 y\u0131l\u0131nda senaryosunu
yazd\u0131\u011f\u0131 \u201cEjderha\u201d isimli kurmaca k\u0131sa filmde oyuncu olarak da yer ald\u0131.
2020 y\u0131l\u0131nda \u0130\u00dc \u0130leti\u015fim Fak\u00fcltesi Radyo, Televizyon ve Sinema B\u00f6l\u00fcm\u00fc\u2019nde ikinci lisans
e\u011fitimini tamamlad\u0131. 2021 y\u0131l\u0131nda pandeminin ilk g\u00fcnlerini konu alan \u201c\u0130zolasyon\u201d isimli k\u0131sa
belgesel filmin yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 ve y\u00f6netmenli\u011fini yapt\u0131. 2022 y\u0131l\u0131nda \u201c\u00c7ama\u015f\u0131r \u0130pi\u201d isimli
deneysel k\u0131sa film \u00e7al\u0131\u015fmas\u0131n\u0131 ve 2023 y\u0131l\u0131nda \u201cDiki\u015f makinesi\u201d isimli kurmaca k\u0131sa film
\u00e7al\u0131\u015fmas\u0131n\u0131 ger\u00e7ekle\u015ftirdi. Hem teorik hem de pratik e\u011fitime \u00f6nem veren y\u00f6netmen
Anadolu \u00dcniversitesi G\u00f6rsel \u0130leti\u015fim Tasar\u0131m\u0131 B\u00f6l\u00fcm\u00fc\u2019nde \u00fc\u00e7\u00fcnc\u00fc \u00fcniversitesini okurken
Mu\u011fla\u2019n\u0131n Fethiye il\u00e7esinde m\u00fchendislik hayat\u0131na ve sanatsal \u00e7al\u0131\u015fmalar\u0131na da devam
ediyor. <\/p>\n<\/div>\n\n\n\n

\n

\u201cErgonomik Monologlar\u201d K\u00fcnye <\/strong><\/p>\n\n\n\n

Yazan ve Y\u00f6neten: <\/strong>H\u00fcseyin Ur\u00e7uk<\/p>\n\n\n\n

Oyuncular: <\/strong>Hasan Tanay<\/p>\n\n\n\n

G\u00f6r\u00fcnt\u00fc Y\u00f6netmeni: <\/strong>Can Pa\u00e7ac\u0131o\u011flu<\/p>\n\n\n\n

Kurgu: <\/strong>Can Pa\u00e7ac\u0131o\u011flu, H\u00fcseyin Ur\u00e7uk<\/p>\n\n\n\n

Sanat Y\u00f6netmeni: <\/strong>E. Nilay \u015ean Ur\u00e7uk<\/p>\n\n\n\n

Seslendirme: <\/strong>Sibel Seyhan Bayhan (Radyo Spikeri)<\/p>\n\n\n\n

Afi\u015f ve Grafik Tasar\u0131m\u0131: <\/strong>P\u0131nar Pa\u00e7ac\u0131o\u011flu<\/p>\n\n\n\n

\u00c7eviri: <\/strong>Julia Steils Pa\u00e7ac\u0131o\u011flu<\/p>\n\n\n\n

M\u00fczik:<\/strong> Serkan An\u0131l \u00c7ak\u0131r<\/p>\n\n\n\n

Yap\u0131mc\u0131:<\/strong> H\u00fcseyin Ur\u00e7uk<\/p>\n\n\n\n

Proje Dan\u0131\u015fmanlar\u0131:<\/strong> Do\u00e7. Dr. Mesut Aytekin, Do\u00e7. Dr. Onur Akyol<\/p>\n<\/div>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Muhabir: Sena Sand\u0131k\u00e7\u0131 Edit\u00f6r: Hatice Beyza \u00c7akmak \u0130stanbul – (\u0130\u00dc Haber Ajans\u0131) \u0130stanbul\u00a0 \u00dcniversitesi (\u0130\u00dc) Radyo, Televizyon ve Sinema B\u00f6l\u00fcm\u00fc mezunu H\u00fcseyin Ur\u00e7uk\u2019un yaz\u0131p y\u00f6netti\u011fi \u201cErgonomik Monologlar\u201d kurmaca k\u0131sa filmi, Berlin Film Festivali\u2019nin (2025) ard\u0131ndan Cannes Film Festivali (2025) katalo\u011funda da yer ald\u0131. Kendini d\u0131\u015f d\u00fcnyadan soyutlayarak yazmaya adayan orta ya\u015f\u0142\u0131 bir yazar\u0131n hik\u00e2yesini anlatan […]<\/p>\n","protected":false},"author":14,"featured_media":25542,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1,34,178,1515,30,2085,2348],"tags":[3406,3405,3408,3407],"class_list":["post-25532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-universite","category-fakultemizden","category-kose-yazilari","category-kultur-sanat","category-manset-haber","category-manset-yani","tag-berlinfilmfestivali","tag-cannesfilm","tag-kisafilm","tag-narfest"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/25532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=25532"}],"version-history":[{"count":16,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/25532\/revisions"}],"predecessor-version":[{"id":25561,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/25532\/revisions\/25561"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/25542"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=25532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=25532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=25532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}