{"id":26848,"date":"2025-10-31T18:30:00","date_gmt":"2025-10-31T15:30:00","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=26848"},"modified":"2025-10-31T17:29:32","modified_gmt":"2025-10-31T14:29:32","slug":"korku-sinemasinin-bitmeyen-cazibesi","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2025\/10\/31\/korku-sinemasinin-bitmeyen-cazibesi\/","title":{"rendered":"Korku Sinemas\u0131n\u0131n Bitmeyen Cazibesi"},"content":{"rendered":"\n

Do\u00e7. Dr. Mesut Aytekin<\/strong><\/p>\n\n\n\n

\u0130stanbul \u00dcniversitesi Radyo, Televizyon ve Sinema B\u00f6l\u00fcm\u00fc<\/strong><\/p>\n\n\n\n

Korku, insan\u0131n varolu\u015fundan beri en g\u00fc\u00e7l\u00fc ve y\u00f6nlendirici duygulardan biri olmu\u015ftur; bizi s\u0131n\u0131rlar\u0131m\u0131za ta\u015f\u0131rken, i\u00e7 d\u00fcnyam\u0131z\u0131n en karanl\u0131k k\u00f6\u015felerini de a\u00e7\u0131\u011fa \u00e7\u0131karm\u0131\u015ft\u0131r. Sinema, bu kadim duyguyu g\u00f6r\u00fcn\u00fcr k\u0131lan en etkili ara\u00e7lar\u0131n ba\u015f\u0131nda gelir. Bu ba\u011flamda, korku sinemas\u0131 modern \u00e7a\u011f\u0131n mitolojisi olarak i\u015flev g\u00f6rmekte, seyircisine karanl\u0131kta hangi g\u00f6lgelerle ya\u015fad\u0131\u011f\u0131n\u0131 hat\u0131rlatan bir ayna tutmaktad\u0131r. Nitekim bir Japon ya da T\u00fcrk seyirci, ayn\u0131 sahnede \u00fcrpererek, bedensel tepkilerle \u201ckontroll\u00fc travma\u201d ya\u015far, deneyimler. Ba\u015fka bir ifadeyle hayat\u0131n karanl\u0131k ger\u00e7ekli\u011fiyle y\u00fczle\u015fir.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

Art\u0131k yaln\u0131zca bir t\u00fcr olman\u0131n \u00f6tesinde, korku sinemas\u0131 milyar dolarl\u0131k devasa bir end\u00fcstridir. D\u00fc\u015f\u00fck b\u00fct\u00e7eli ancak y\u00fcksek kazan\u00e7l\u0131 filmlerinden giyime, makyaja, oyuncaklara ve bilgisayar oyunlar\u0131na uzanan hik\u00e2yeler, geni\u015f bir ticari yap\u0131 olu\u015fturmu\u015ftur. Bu muazzam yap\u0131n\u0131n ard\u0131nda ise, evrensel bir dil olarak izleyiciyle kurulan g\u00fc\u00e7l\u00fc duygusal ba\u011f yatmaktad\u0131r.<\/p>\n\n\n\n

Korku, bireysel oldu\u011fu kadar toplumsal korkular\u0131n da aynas\u0131d\u0131r. \u00d6rne\u011fin Frankenstein, Godzilla ya da \u015eeytan gibi yap\u0131mlar, kendi \u00e7a\u011flar\u0131n\u0131n bilimsel, politik ve dini kayg\u0131lar\u0131n\u0131 yans\u0131tm\u0131\u015ft\u0131r. 21. y\u00fczy\u0131lda ise korku, salg\u0131nlar, g\u00f6\u00e7, iklim de\u011fi\u015fikli\u011fi ve dijital mahremiyet gibi modern kayg\u0131larla \u015fekillenmektedir. Ayr\u0131ca, feminist okuma ve ekolojik temalar da korku sinemas\u0131na yeni ve derin boyutlar kazand\u0131rm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Bu dinamizmi her daim koruyan en \u00f6nemli etken, alt t\u00fcr zenginli\u011fidir. Vampirler, zombiler, \u015feytanlar, psikolojik katiller, do\u011fan\u0131n intikam\u0131; her bir alt t\u00fcr, insan\u0131n farkl\u0131 korkular\u0131na kar\u015f\u0131l\u0131k gelir. Sessiz filmden dijital efektlereuzanan sinemasal yolculuk, korkunun bi\u00e7imini de\u011fi\u015ftirmi\u015f olsa da \u00f6z\u00fcn\u00fc hep korumu\u015ftur: \u00d6l\u00fcm, belirsizlik ve kayg\u0131.<\/p>\n\n\n\n

T\u00fcrk sinemas\u0131 da 1950\u2019lerden bu yana kendi korku yolculu\u011funu geli\u015ftirmi\u015ftir. Dabbe, Musallat, Siccin gibi yap\u0131mlar, folklorik ve dini motifleri evrensel korku temalar\u0131yla harmanlam\u0131\u015ft\u0131r. Son y\u0131llarda dini eksenli ilerleyen cin temal\u0131 filmler T\u00fcrk Korku Sinemas\u0131\u2019n\u0131 \u015fekillendirse de ara ara nitelikli korku filmleri \u00fcretilmekte, t\u00fcr i\u00e7inde \u00f6zg\u00fcn denemelerde g\u00f6ze \u00e7arpmaktad\u0131r.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

\u00d6zetle korku de\u011fi\u015fse de yaratt\u0131\u011f\u0131 duygu ayn\u0131 kalm\u0131\u015ft\u0131r: \u0130nsan\u0131n varolu\u015f kayg\u0131s\u0131. Sinema, bu nedenle, her \u00e7a\u011f\u0131n k\u00e2buslar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmaya devam etmektedir. \u00c7\u00fcnk\u00fc korku filmleri bize sadece karanl\u0131\u011f\u0131 de\u011fil, \u0131\u015f\u0131\u011f\u0131n de\u011ferini de hat\u0131rlat\u0131r; bir canavarla kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131zda, asl\u0131nda biraz da kendimizle y\u00fczle\u015firiz.<\/p>\n\n\n

\n
\"\"
Do\u00e7. Dr. Mesut Aytekin<\/figcaption><\/figure><\/div>","protected":false},"excerpt":{"rendered":"

Do\u00e7. Dr. Mesut Aytekin \u0130stanbul \u00dcniversitesi Radyo, Televizyon ve Sinema B\u00f6l\u00fcm\u00fc Korku, insan\u0131n varolu\u015fundan beri en g\u00fc\u00e7l\u00fc ve y\u00f6nlendirici duygulardan biri olmu\u015ftur; bizi s\u0131n\u0131rlar\u0131m\u0131za ta\u015f\u0131rken, i\u00e7 d\u00fcnyam\u0131z\u0131n en karanl\u0131k k\u00f6\u015felerini de a\u00e7\u0131\u011fa \u00e7\u0131karm\u0131\u015ft\u0131r. Sinema, bu kadim duyguyu g\u00f6r\u00fcn\u00fcr k\u0131lan en etkili ara\u00e7lar\u0131n ba\u015f\u0131nda gelir. Bu ba\u011flamda, korku sinemas\u0131 modern \u00e7a\u011f\u0131n mitolojisi olarak i\u015flev g\u00f6rmekte, seyircisine […]<\/p>\n","protected":false},"author":14,"featured_media":26849,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1,159,28,34,178,1515,2085,2348,35],"tags":[3620,3617,3618,3616,115,3621,3619,3622],"class_list":["post-26848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-sag-manset","category-istanbul","category-universite","category-fakultemizden","category-kose-yazilari","category-manset-haber","category-manset-yani","category-yasam","tag-dabbe","tag-frankenstein","tag-godzilla","tag-korku-sinemasi","tag-mesut-aytekin","tag-musallat","tag-seytan","tag-siccin"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/26848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=26848"}],"version-history":[{"count":3,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/26848\/revisions"}],"predecessor-version":[{"id":26860,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/26848\/revisions\/26860"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/26849"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=26848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=26848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=26848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}