{"id":26898,"date":"2025-11-05T16:27:07","date_gmt":"2025-11-05T13:27:07","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=26898"},"modified":"2025-11-05T16:27:08","modified_gmt":"2025-11-05T13:27:08","slug":"uc-ayakli-kedinin-izinde-18-istanbul-bienali","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2025\/11\/05\/uc-ayakli-kedinin-izinde-18-istanbul-bienali\/","title":{"rendered":"\u00dc\u00e7 Ayakl\u0131 Kedinin \u0130zinde: 18. \u0130stanbul Bienali"},"content":{"rendered":"\n

Muhabir\/ Foto\u011fraf:<\/strong><\/strong> S\u00fcmeyye Sude G\u00fclsoy\u00a0<\/strong><\/p>\n\n\n\n

Edit\u00f6r: Ece \u00d6zdemir<\/strong><\/p>\n\n\n\n


(\u0130stanbul, \u0130\u00dc Haber Merkezi)- <\/strong>18. \u0130stanbul Bienali, k\u00fcrat\u00f6r Christine Tohm\u00e9\u2019nin \u2018\u00dc\u00e7 Ayakl\u0131 Kedi\u2019 ba\u015fl\u0131\u011f\u0131yla ba\u015flad\u0131. K\u00fcrat\u00f6r Tohm\u00e9, zorunlu g\u00f6\u00e7ler ve krizler kar\u015f\u0131s\u0131nda \u2018korunmaya ve onar\u0131lmaya muhta\u00e7 par\u00e7alar\u0131m\u0131za sahip \u00e7\u0131kma\u2019 \u00e7abas\u0131n\u0131 kedi metaforu \u00fczerinden dile getirdi.<\/p>\n\n\n

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Bienal Haritas\u0131<\/figcaption><\/figure><\/div>\n\n\n

Al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir format<\/strong><\/p>\n\n\n\n

18. \u0130stanbul Bienali, \u00fc\u00e7 a\u015famal\u0131 \u00f6zg\u00fcn yap\u0131s\u0131yla geleneksel sanat takviminin \u00f6tesine ge\u00e7ti. Tohm\u00e9\u2019nin \u2018\u00dc\u00e7 Ayakl\u0131 Kedi\u2019 metaforuyla tan\u0131mlad\u0131\u011f\u0131 bienalin ilk aya\u011f\u0131, 47 sanat\u00e7\u0131n\u0131n eserlerini sekiz ayr\u0131 mek\u00e2nda sergileyerek temay\u0131 g\u00f6r\u00fcn\u00fcr k\u0131ld\u0131. Bu a\u015famay\u0131 takiben, ikinci ayak 2026 y\u0131l\u0131nda bir akademinin kurulmas\u0131yla devam edecek. Bu akademinin kurulmas\u0131yla, bienalin gen\u00e7 sanat\u00e7\u0131larla temasta bulunmas\u0131 ve sanat ekosistemine uzun soluklu, kal\u0131c\u0131 katk\u0131lar sa\u011flanmas\u0131 hedeflendi. Bienalin 2027\u2019deki \u00fc\u00e7\u00fcnc\u00fc ve son aya\u011f\u0131 at\u00f6lyeler ve nihai bir sergiyle tamamlanmas\u0131 planland\u0131.<\/p>\n\n\n\n

\u015eehrin dokusuyla kurulan b\u00fct\u00fcnc\u00fcl deneyim<\/strong><\/p>\n\n\n\n

Sergi mek\u00e2nlar\u0131n\u0131n se\u00e7iminde belirleyici unsurlar, fiziki yak\u0131nl\u0131k ve tarihi dokuyu sanatsal anlat\u0131ya katma \u00e7abas\u0131 oldu. Beyo\u011flu-Karak\u00f6y hatt\u0131nda birbirine y\u00fcr\u00fcy\u00fc\u015f mesafesinde konumlanan sekiz mek\u00e2n, ziyaret\u00e7ileri ula\u015f\u0131m zorluklar\u0131ndan uzak, b\u00fct\u00fcnc\u00fcl ve \u015fehri deneyimlemeye a\u00e7\u0131k bir ke\u015ffe davet etti. Bu mek\u00e2nlar; tarihi bir tiyatro salonundan d\u00f6n\u00fc\u015ft\u00fcr\u00fclen Elhamra Han\u2019dan, kamuya a\u00e7\u0131lan sosyal tesis Eski Frans\u0131z Yetimhanesi Bah\u00e7esi\u2019ne; eski bir kent laboratuvar\u0131 olan Meclis-i Mebusan 35\u2019ten, zanaat ve etkinlik alan\u0131 K\u00fclah Fabrikas\u0131\u2019na kadar geni\u015f bir yelpaze sundu. Ayr\u0131ca bu hatta yer alan Zihni Han, Galeri 77, Muradiye Han ve Galata Rum Okulu da sergilere ev sahipli\u011fi yaparak, bienalin kriz ve onar\u0131m temas\u0131n\u0131 kentin k\u00f6kl\u00fc ge\u00e7mi\u015fiyle birle\u015ftirme amac\u0131n\u0131 yerine getirdi.<\/p>\n\n\n\n

Zihni Han: K\u00fcresel krizlerin ki\u015fisel tarihleri<\/strong><\/p>\n\n\n\n

Zihni Han\u2019da eserleri sergilenen sanat\u00e7\u0131lardan Sohail Salem, Gazze\u2019deki g\u00fcnl\u00fck ya\u015fam\u0131 yans\u0131tan, \u201cGazze G\u00fcnl\u00fckleri\u201dnden olu\u015fan bir defter serisi sundu. Sanat\u00e7\u0131, Birle\u015fmi\u015f Milletler Yak\u0131n Do\u011fu\u2019daki Filistinli M\u00fcltecilere Yard\u0131m ve Bay\u0131nd\u0131rl\u0131k Ajans\u0131 (UNRWA) taraf\u0131ndan da\u011f\u0131t\u0131lan okul defterlerine \u00e7izdi\u011fi resimli g\u00fcnl\u00fcklerle ablukadaki ya\u015fam\u0131n sars\u0131c\u0131 taraf\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne serdi. Bu defterler, Gazze\u2019den gizlice \u00e7\u0131kar\u0131lm\u0131\u015f ve sadece sanat eseri olman\u0131n \u00f6tesinde birer tan\u0131kl\u0131k, medyan\u0131n ve haberlerin h\u00e2l\u00e2 dile getiremediklerine dair g\u00f6rsel bir ar\u015fiv niteli\u011finde oldu.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Galeri 77: Ses, mek\u00e2n ve bellek<\/strong><\/p>\n\n\n\n

Galeri 77\u2019deki eserler mek\u00e2n ve belle\u011fin k\u0131r\u0131lganl\u0131\u011f\u0131na odakland\u0131. Sanat\u00e7\u0131 Ola Hassanain\u2019in \u201cF\u0131s\u0131ldayan Baraj\u201d (2024) adl\u0131 eseri, Mavi Nil\u2019i El Cezire\u2019ye y\u00f6nlendiren Sennar Baraj\u0131\u2019n\u0131n modern mimarisini \u00e7a\u011fr\u0131\u015ft\u0131ran heykelimsi bir formda. Yap\u0131t\u0131n i\u00e7ine yerle\u015ftirilen ses \u00e7al\u0131\u015fmas\u0131 hem i\u015fitsel ar\u0131nma sa\u011flamakta hem de do\u011fa g\u00fc\u00e7lerine kar\u015f\u0131 diren\u00e7 kazand\u0131ran bir \u201ckorunma duas\u0131\u201d f\u0131s\u0131ldamakta.<\/p>\n\n\n

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Ola Hassanain\u2019in \u201cF\u0131s\u0131ldayan Baraj\u201d isimli eseri<\/figcaption><\/figure><\/div>\n\n\n

Sanat\u00e7\u0131 Dilek Winchester, 2012-2025 y\u0131llar\u0131 aras\u0131nda ger\u00e7ekle\u015ftirdi\u011fi mek\u00e2na \u00f6zg\u00fc metinsel m\u00fcdahalesi \u201cisimsiz (Kendinibe\u011fen\u2026)\u201d adl\u0131 \u00e7al\u0131\u015fmas\u0131n\u0131 binan\u0131n \u00e7at\u0131 al\u0131nl\u0131\u011f\u0131n\u0131n arka y\u00fczeyine yerle\u015ftirdi. Sanat\u00e7\u0131, bu \u00e7al\u0131\u015fmas\u0131nda O\u011fuz Atay\u2019\u0131n Tutunamayanlar<\/em> roman\u0131nda ge\u00e7en \u201ckendinibe\u011fenmi\u015f\u00e7esinesankibizden\u00f6ncebir\u015feys\u00f6ylenmi\u015f\u00e7esinegiller\u201d s\u00f6zc\u00fc\u011f\u00fcnden esinlendi. Winchester, bu uzun s\u00f6zc\u00fc\u011f\u00fc Arap\u00e7a, \u0130branice, Ermenice ve Yunanca alfabelerine b\u00fcr\u00fcnd\u00fcrd\u00fc. B\u00f6ylece, farkl\u0131 dil ve k\u00fclt\u00fcrlerin mek\u00e2nda bir arada varolu\u015funu simgelendi.<\/p>\n\n\n\n

Meclis-i Mebusan 35: Onar\u0131m ve direni\u015f<\/strong><\/p>\n\n\n\n

Meclis-i Mebusan 35\u2019te yer alan Pilar Quinteros\u2019un \u201c\u0130\u015f\u00e7i S\u0131n\u0131f\u0131\u201d (2025) adl\u0131 heykeli, Tophane Park\u0131\u2019nda bulunan heykelt\u0131ra\u015f Muzaffer Ertoran\u2019\u0131n \u0130\u015f\u00e7i an\u0131t\u0131ndan yola \u00e7\u0131k\u0131ld\u0131. Heykel, vandalizm sonucu bacaklar\u0131, kollar\u0131, elleri ve ba\u015f\u0131 par\u00e7alanarak yaln\u0131zca bir g\u00f6vdesi kalana kadar defalarca hasar g\u00f6rm\u00fc\u015ft\u00fc. Quinteros, heykelin par\u00e7alanm\u0131\u015f halini kartondan yeniden \u00fcreterek kamusal alanda ya\u015fad\u0131\u011f\u0131 tahribat\u0131 ve bellek \u00fczerindeki etkisini vurgulad\u0131.<\/p>\n\n\n

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Pilar Quinteros\u2019un \u201c\u0130\u015f\u00e7i S\u0131n\u0131f\u0131\u201d isimli heykeli<\/figcaption><\/figure><\/div>\n\n\n

18. \u0130stanbul Bienali, sergilenen eserler ve se\u00e7ilen tarihi mek\u00e2nlar arac\u0131l\u0131\u011f\u0131yla, bu zorlu devinimde soluklanabilece\u011fimiz alanlar\u0131 nas\u0131l yarataca\u011f\u0131m\u0131z\u0131 ve ileriye y\u00f6nelik hayal kurman\u0131n yollar\u0131n\u0131 nas\u0131l bulaca\u011f\u0131m\u0131z\u0131 sanat\u0131n rehberli\u011finde 23 Kas\u0131m 2025 tarihine kadar sorgulamaya devam edecek.
<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Muhabir\/ Foto\u011fraf: S\u00fcmeyye Sude G\u00fclsoy\u00a0 Edit\u00f6r: Ece \u00d6zdemir (\u0130stanbul, \u0130\u00dc Haber Merkezi)- 18. \u0130stanbul Bienali, k\u00fcrat\u00f6r Christine Tohm\u00e9\u2019nin \u2018\u00dc\u00e7 Ayakl\u0131 Kedi\u2019 ba\u015fl\u0131\u011f\u0131yla ba\u015flad\u0131. K\u00fcrat\u00f6r Tohm\u00e9, zorunlu g\u00f6\u00e7ler ve krizler kar\u015f\u0131s\u0131nda \u2018korunmaya ve onar\u0131lmaya muhta\u00e7 par\u00e7alar\u0131m\u0131za sahip \u00e7\u0131kma\u2019 \u00e7abas\u0131n\u0131 kedi metaforu \u00fczerinden dile getirdi. Al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir format 18. \u0130stanbul Bienali, \u00fc\u00e7 a\u015famal\u0131 \u00f6zg\u00fcn yap\u0131s\u0131yla geleneksel […]<\/p>\n","protected":false},"author":14,"featured_media":26905,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[27,159,28,30,2085,2348,35],"tags":[3629,2200,3630,3595,300,410],"class_list":["post-26898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-foto-galeri","category-sag-manset","category-istanbul","category-kultur-sanat","category-manset-haber","category-manset-yani","category-yasam","tag-18-istanbul-bienali","tag-bienal","tag-christine-tohme","tag-ece-ozdemir-2","tag-iletim","tag-istanbul"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/26898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=26898"}],"version-history":[{"count":2,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/26898\/revisions"}],"predecessor-version":[{"id":26912,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/26898\/revisions\/26912"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/26905"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=26898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=26898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=26898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}