{"id":27039,"date":"2025-11-17T12:56:00","date_gmt":"2025-11-17T09:56:00","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=27039"},"modified":"2025-11-17T12:56:00","modified_gmt":"2025-11-17T09:56:00","slug":"sanatseverler-icin-18-istanbul-bienalinin-son-gunleri","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2025\/11\/17\/sanatseverler-icin-18-istanbul-bienalinin-son-gunleri\/","title":{"rendered":"Sanatseverler \u0130\u00e7in 18. \u0130stanbul Bienali\u2019nin Son G\u00fcnleri\u00a0"},"content":{"rendered":"\n

Haber: Merve Kutan <\/strong><\/p>\n\n\n\n

Edit\u00f6r: Sena Sand\u0131k\u00e7\u0131<\/strong><\/p>\n\n\n\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) – \u0130<\/strong>stanbul K\u00fclt\u00fcr Sanat Vakf\u0131 (\u0130KSV) taraf\u0131ndan, 2007\u20132036 Bienal Sponsoru Ko\u00e7 Holding’in deste\u011fiyle d\u00fczenlenen 18. \u0130stanbul Bienali 23 Kas\u0131m’da sona eriyor.<\/strong><\/p>\n\n\n\n

\u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131 (\u0130KSV) taraf\u0131ndan d\u00fczenlenen 18. \u0130stanbul Bienali 23 Kas\u0131m Pazar g\u00fcn\u00fc sona eriyor. Kelime anlam\u0131 olarak Frans\u0131zcadan gelen ve \u201cher iki y\u0131lda bir\u201d anlam\u0131na gelen bu kavram modern sanat\u0131n en \u00f6nemli ifade arac\u0131 olarak kullan\u0131l\u0131yor. <\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

\u0130stanbul Bienali, Beyo\u011flu\u2019nda yer alan sekiz farkl\u0131 mek\u00e2nda sanatseverleri a\u011f\u0131rlamaya devam ediyor.  Bienalde 30’u a\u015fk\u0131n \u00fclkeden ve 47 sanat\u00e7\u0131n\u0131n eserleri yer al\u0131yor. Eserleri Elhamra Han, Eski Frans\u0131z Yetimhanesi Bah\u00e7esi, Meclis-i Mebusan 35, K\u00fclah Fabrikas\u0131, Zihni Han, Galeri 77, Muradiye Han ve Galata Rum Okulu’nda \u00fccretsiz ziyaret edilebiliyor.  <\/p>\n\n\n\n

\u00dc\u00e7 y\u0131ll\u0131k bienal yap\u0131s\u0131na vurgu: \u00dc\u00e7 ayakl\u0131 kedi<\/strong><\/p>\n\n\n\n

Tema olarak kendini koruma ile gelecek olas\u0131l\u0131klar\u0131n\u0131 merkeze alan bienalin ilk aya\u011f\u0131, 20 Eyl\u00fcl \u2013 23 Kas\u0131m 2025 tarihleri aras\u0131nda 47 sanat\u00e7\u0131n\u0131n eserini i\u00e7eren bir sergiyle birlikte performanslar, g\u00f6sterimler ve konu\u015fmalar sunuyor. 2026\u2019daki ikinci ayak, bir akademi olu\u015fturmaya ve yerel birliklerle i\u015fbirli\u011fi i\u00e7inde bir kamusal program dizisi geli\u015ftirmeye odaklan\u0131yor. 2027\u2019de ise bienal \u00fc\u00e7\u00fcnc\u00fc aya\u011f\u0131na yaslanarak dinleniyor; yol boyunca kar\u015f\u0131la\u015ft\u0131klar\u0131n\u0131 bir araya getiren son bir sergi ve at\u00f6lye program\u0131yla tamamlanmak isteniyor.<\/p>\n\n\n\n

L\u00fcbnanl\u0131 k\u00fcrat\u00f6r Christine Tohm\u00e9 taraf\u0131ndan \u00f6nc\u00fcl\u00fck edilen \u201c\u00dc\u00e7 ayakl\u0131 kedi\u201d metaforunu \u0130KSV\u2019ye \u015fu s\u00f6zlerle a\u00e7\u0131kl\u0131yor: <\/p>\n\n\n\n

Bir g\u00f6r\u00fcn\u00fcp bir kaybolarak sessizce gezinen ve aksak y\u00fcr\u00fcy\u00fc\u015f\u00fc ile anlat\u0131lmam\u0131\u015f bir deh\u015fetin yank\u0131lar\u0131n\u0131 ta\u015f\u0131r. Yine de arada bir soluklan\u0131r, ba\u015f\u0131n\u0131 kald\u0131r\u0131p g\u00f6ky\u00fcz\u00fcne bakar ve gezegenin ufkunu sorgular. Kimi zaman t\u00f6kezlese de zarafetini kaybetmeden yeni denge hareketleri dener. Kediyi takip ederek al\u0131\u015f\u0131lm\u0131\u015f yollardan ayr\u0131lmak bize onun haylazl\u0131klar\u0131n\u0131 taklit edip d\u00f6n\u00fc\u015f\u00fcm alanlar\u0131 yaratma cesareti verir; g\u00fcne\u015fin s\u0131cakl\u0131\u011f\u0131nda teselli buluruz. <\/p>\n\n\n\n

\u0130stanbul\u2019un harabe binalar\u0131n\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fc <\/strong><\/p>\n\n\n\n

Istanbul’un en kadim il\u00e7elerinden biri olan Beyo\u011flu\u2019nda yer alan bu bienal i\u00e7in \u0130stanbul\u2019un pek bilinmeyen tarihi binalar\u0131 kullan\u0131lm\u0131\u015f. K\u00fcratoryal konsept, kentsel ba\u011flam, eri\u015filebilirlik ve \u015fehrin haf\u0131zas\u0131 gibi etkenlerin bile\u015fiminden yararlan\u0131lm\u0131\u015f. Bu binalar d\u00fczenlenip tekrar kullan\u0131labilir sergi alanlar\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f. Kendi i\u00e7inde \u00e7ok iz bar\u0131nd\u0131ran ve \u0130stanbul\u2019un kaotik d\u00fcnyas\u0131na benzeyen bu binalarin kasvetli bir havas\u0131 var. Bienalde bulunan eserlerle zaman zaman renk kazanm\u0131\u015f, daha kasvetli bir hale gelmi\u015f. Bazen ziyaret\u00e7iyi de \u00e7al\u0131\u015fmaya dahil eden sergiye her ya\u015ftan ve d\u00fc\u015f\u00fcnceden insan ak\u0131n ediyor. Genellikle \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin Gen\u00e7 G\u00f6n\u00fcll\u00fcleri ve gen\u00e7 \u00e7al\u0131\u015fanlar\u0131 sergide g\u00f6rev al\u0131yor.<\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

Modern Sanat Ba\u011flam\u0131nda Bienal <\/strong><\/p>\n\n\n\n

Modern sanat ya da ba\u015fka bir deyi\u015fle \u00e7a\u011fda\u015f sanat 20. y\u00fczy\u0131l\u0131n ortalar\u0131na kadar geli\u015fen ve geleneksel sanat anlay\u0131\u015f\u0131na kar\u015f\u0131 \u00e7\u0131kan sanat ak\u0131mlar\u0131n\u0131 ifade ediyor. Bu d\u00f6nemde sanat\u00e7\u0131lar; klasik kurallar\u0131, perspektif anlay\u0131\u015f\u0131n\u0131, ger\u00e7ek\u00e7i betimlemeyi ve akademik sanat normlar\u0131n\u0131 sorgulayarak yeni ifade bi\u00e7imleri ar\u0131yorlar. \u0130stanbul Bienali, modern sanat\u0131 yaln\u0131zca sergilemekle kalmaz; modernizmin s\u0131n\u0131rlar\u0131n\u0131 geni\u015fleten, ve politik, kavramsal \u00e7er\u00e7evesini \u0130stanbul ba\u011flam\u0131nda yeniden tan\u0131mlayan bir laboratuvar i\u015flevi g\u00f6r\u00fcr. Bu y\u00f6n\u00fcyle determinist bir yakla\u015f\u0131m sergiler. Modern sanat\u0131n estetik miras\u0131n\u0131 izleyicilere geni\u015f bir perspektif sundu. Tarihi yap\u0131lar, end\u00fcstriyel alanlar ve kamusal mek\u00e2nlar\u0131n sergi alan\u0131na d\u00f6n\u00fc\u015fmesi, bienalin modern sanat\u0131n \u2018beyaz k\u00fcp\u2019 anlay\u0131\u015f\u0131n\u0131 a\u015fan yenilik\u00e7i ve \u00f6zg\u00fcrl\u00fck\u00e7\u00fc  yakla\u015f\u0131m\u0131n\u0131 bir kez daha g\u00f6r\u00fcn\u00fcr k\u0131ld\u0131. <\/p>\n\n\n\n

K\u00fcrat\u00f6rlerin kentsel haf\u0131zaya odaklanan se\u00e7imleri, hem \u0130stanbul\u2019un mimari dokusunu hem de sanat\u0131n toplumsal meselelerle kurdu\u011fu ili\u015fkiyi \u00f6ne \u00e7\u0131kard\u0131. Modern sanat\u0131n ak\u0131mlar\u0131ndan olan f\u00fct\u00fcrizm, k\u00fcbizm, s\u00fcrrealizm ve dadac\u0131l\u0131k gibi ak\u0131mlar bu sergide kendini g\u00f6steriyor. Bu ak\u0131mlar\u0131n ortak \u00f6zelli\u011fi olarak soyutsall\u0131k, deneysellik ve bireysellik farkl\u0131 ifade bi\u00e7imleriyle yerini buluyor. Yani disiplinler aras\u0131 bir ili\u015fki kuruluyor. Bu anlamda bienaller modern sanat\u0131n geli\u015fimi ve de\u011fi\u015fimi i\u00e7in \u00f6nem ta\u015f\u0131yor. D\u00fcnyada ve \u00fclkemizde pek \u00e7ok meseleye de\u011finen bu bienal \u201cdireni\u015f, dayan\u0131\u015fma, \u00f6z\u00fcn\u00fc kaybetmeme gibi temalar \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

18. \u0130stanbul Bienalinin mekan ve sanat\u00e7\u0131lar\u0131 <\/strong><\/p>\n\n\n\n

Elhamra Han\u2019da, Mona Benyamin, \u015eafak \u015eule Kemanc\u0131, Jagdeep Raina, Riar Rizaldi, Lara Saab, Natasha Tontey, Sevil Tunaboylu Eski\u2019nin eserleri, Frans\u0131z Yetimhanesi Bah\u00e7esi\u2019nde
Khalil Rabah\u2019\u0131n eserleri, Meclis-i Mebusan 35\u2019de Eva F\u00e0bregas, Pilar Quinteros, VASKOS (Vassilis Noulas & Kostas Tzimoulis)\u2019un,  K\u00fclah Fabrikas\u0131\u2019nda Doruntina Kastrati, Claudia Pag\u00e8s Rabal\u2019\u0131n eserleri sergileniyor. Di\u011fer mekanlarda ise \u015fu \u015fekilde devam etmekte; Zihni Han\u2019da; Abdullah Al Saadi, Willy Aractingi, Karimah Ashadu, Chen Ching-Yuan, Lan Davis, Celina Eceiza, P\u00e9lagie Gbaguidi, Rafik Greiss, Jasleen Kaur, Valentin Nouja\u00efm, Marwan Rechmaoui, St\u00e9phanie Saad\u00e9, Sara Sadik, Sohail Salem, Elif Saydam, Selma Selman, Galeri 77\u2019de Haig Aivazian, Ola Hassanain, Mona Marzouk, Dilek Winchester Muradiye Han\u2019da Ana Alenso,  Galata Rum Okulu\u2019nda ise  Nolan Oswald Dennis, \u0130pek Duben, Ali Eyal, Simone Fattal, Lou Fauroux, Lungiswa Gqunta, Kongkee, Seta Manoukian, Merve Mepa, Naomi Rinc\u00f3n-Gallardo, Ana Vaz, Akram Zaatari, Ayman Zedani\u2019nin eserleri sergilenmekte.<\/p>\n\n\n\n

18. \u0130stanbul Bienali 7 farkl\u0131 mekanda son haftas\u0131nda t\u00fcm sanatseverleri bekliyor.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Haber: Merve Kutan  Edit\u00f6r: Sena Sand\u0131k\u00e7\u0131 \u0130stanbul, (\u0130\u00dc Haber Merkezi) – \u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131 (\u0130KSV) taraf\u0131ndan, 2007\u20132036 Bienal Sponsoru Ko\u00e7 Holding’in deste\u011fiyle d\u00fczenlenen 18. \u0130stanbul Bienali 23 Kas\u0131m’da sona eriyor. \u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131 (\u0130KSV) taraf\u0131ndan d\u00fczenlenen 18. \u0130stanbul Bienali 23 Kas\u0131m Pazar g\u00fcn\u00fc sona eriyor. Kelime anlam\u0131 olarak Frans\u0131zcadan gelen ve \u201cher iki […]<\/p>\n","protected":false},"author":14,"featured_media":27040,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[27,1,159,28,34,30,2085,2348,35],"tags":[3629,3666,3471,3463],"class_list":["post-27039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-foto-galeri","category-genel","category-sag-manset","category-istanbul","category-universite","category-kultur-sanat","category-manset-haber","category-manset-yani","category-yasam","tag-18-istanbul-bienali","tag-koc-holding","tag-merve-kutan","tag-sena-sandikci"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=27039"}],"version-history":[{"count":6,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27039\/revisions"}],"predecessor-version":[{"id":27051,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27039\/revisions\/27051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/27040"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=27039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=27039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=27039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}