{"id":27572,"date":"2025-12-22T11:09:53","date_gmt":"2025-12-22T08:09:53","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=27572"},"modified":"2025-12-22T11:09:54","modified_gmt":"2025-12-22T08:09:54","slug":"sinemada-yapimcilik-ve-hikaye-anlatimi","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2025\/12\/22\/sinemada-yapimcilik-ve-hikaye-anlatimi\/","title":{"rendered":"Sinemada Yap\u0131mc\u0131l\u0131k ve Hik\u00e2ye Anlat\u0131m\u0131\u00a0"},"content":{"rendered":"\n

Haber: Ebrar S\u00fceda \u00dcnalan <\/strong><\/p>\n\n\n\n

Foto\u011fraf: Bulut T\u00fcmerdem <\/strong><\/p>\n\n\n\n

Edit\u00f6r: \u00d6zg\u00fcr Recep Kocao\u011flu<\/strong><\/p>\n\n\n\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) – \u0130stanbul \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi\u2019nde ger\u00e7ekle\u015ftirilen Televizyon Analizi ve Ele\u015ftirisi dersine yap\u0131mc\u0131 Bulut Reyhano\u011flu ve senarist Nafiseh Laleh konuk oldu. <\/strong><\/p>\n\n\n\n

\u0130stanbul \u00dcniversitesi (\u0130\u00dc) \u0130leti\u015fim Fak\u00fcltesi\u2019nde Radyo, Televizyon ve Sinema B\u00f6l\u00fcm\u00fc \u00d6\u011fretim \u00dcyesi Prof. Dr. Ceyhan Kandemir taraf\u0131ndan y\u00fcr\u00fct\u00fclen Televizyon Analizi ve Ele\u015ftirisi dersine konuk olan yap\u0131mc\u0131 Bulut Reyhano\u011flu ve senarist Nafiseh Laleh <\/strong>tecr\u00fcbelerini aktard\u0131. <\/p>\n\n\n\n

\u201cBen bu i\u015fi sevmeye ba\u015flad\u0131m\u201d<\/strong><\/p>\n\n\n\n

Yap\u0131mc\u0131 olmaya nas\u0131l karar verdi\u011finden bahseden Reyhano\u011flu, s\u00f6zlerini \u015fu \u015fekilde s\u00fcrd\u00fcrd\u00fc:<\/p>\n\n\n\n

\u201cSekt\u00f6re sonradan gelen birisiyim. Tekstil i\u015fi yap\u0131yordum. Sonra bir anda sinemac\u0131 olmaya karar verdim. Ge\u00e7mi\u015fte film heyecan\u0131, film zevki ve film a\u015fk\u0131yla bir \u015fekilde sineman\u0131n i\u00e7indeydim. Tesad\u00fcf eseri arkada\u015flar\u0131m ilk defa film yap\u0131yorlard\u0131. Filmin ismi Zenne<\/em>. Orada ilk eserimi verdim. \u0130kinci filmleri olan \u00c7ekmeceler<\/em> de ayn\u0131 \u015fekilde geli\u015fti. Sonra \u2018Galiba ben bu i\u015fi sevmeye ba\u015flad\u0131m\u2019 dedim. \u2018Nas\u0131l yap\u0131mc\u0131 olabilirim?\u2019 diye birileriyle konu\u015fmaya ba\u015flad\u0131m. At\u00f6lyelerde \u00e7al\u0131\u015fmaya ba\u015flad\u0131m ve o arada gen\u00e7 y\u00f6netmenlerle nas\u0131l tan\u0131\u015faca\u011f\u0131m fikrinden yola \u00e7\u0131karak Short by Short<\/em> isimli bir dijital platform kurdum. Orada yakla\u015f\u0131k 400 tane filme ev sahipli\u011fi yapt\u0131k.\u201d<\/p>\n\n\n

\n
\"\"
Yap\u0131mc\u0131 Bulut Reyhano\u011flu<\/figcaption><\/figure><\/div>\n\n\n

Ba\u011f\u0131ms\u0131z sinemada yap\u0131mc\u0131n\u0131n rol\u00fc <\/strong><\/p>\n\n\n\n

Reyhano\u011flu, yapt\u0131\u011f\u0131 filmlerin ana ak\u0131m sinemaya uygun olmad\u0131\u011f\u0131n\u0131 anlatt\u0131. Amerikan ba\u011f\u0131ms\u0131z sinemas\u0131 ile Avrupa sinemas\u0131n\u0131n fark\u0131na de\u011finen Reyhano\u011flu, \u201cAvrupa sinemas\u0131 y\u00f6netmen a\u011f\u0131rl\u0131kl\u0131d\u0131r ama Amerikan ba\u011f\u0131ms\u0131z sinemas\u0131 yap\u0131mc\u0131-y\u00f6netmen a\u011f\u0131rl\u0131kl\u0131d\u0131r\u201d dedi.<\/p>\n\n\n\n

Kendisinin filmin yap\u0131lmas\u0131 i\u00e7in b\u00fct\u00fcn kaynaklar\u0131 geli\u015ftiren ve denetleyen ki\u015fi oldu\u011funu s\u00f6yleyen Reyhano\u011flu, senaryoyu tan\u0131t\u0131p uluslararas\u0131 fonlardan destek almaya \u00e7al\u0131\u015ft\u0131klar\u0131n\u0131 ifade etti. Reyhano\u011flu, T\u00fcrkiye\u2019de ba\u011f\u0131ms\u0131z bir film yapmak i\u00e7in Sinema Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019n\u00fcn y\u0131lda 2 kere a\u00e7t\u0131\u011f\u0131 fonlardan destek al\u0131nmas\u0131n\u0131n \u00f6nemine de\u011findi.<\/p>\n\n\n\n

Sponsor bulman\u0131n \u00f6nemli oldu\u011funu belirten Reyhano\u011flu, b\u00fct\u00e7elerin yetmedi\u011fi durumlarda sponsorlar\u0131n gerekli oldu\u011funu aktard\u0131. Reyhano\u011flu, melek yat\u0131r\u0131mc\u0131lar\u0131n deste\u011fine de de\u011findi.<\/p>\n\n\n\n

Yap\u0131mc\u0131n\u0131n hukuk, yabanc\u0131 dil ve matematik bilgisinin iyi olmas\u0131 gerekti\u011fini aktaran Reyhano\u011flu, T\u00fcrkiye\u2019de en \u00f6nemli eksikli\u011fin s\u00f6zle\u015fmelerden kaynakland\u0131\u011f\u0131n\u0131 belirtti. Film y\u00f6netmenin asl\u0131nda bir \u015firket y\u00f6netmek gibi oldu\u011funu anlatan Reyhano\u011flu, filmin her \u015feyini en ince ayr\u0131nt\u0131s\u0131yla d\u00fc\u015f\u00fcnmenin \u00f6nemine dikkat \u00e7ekti.<\/p>\n\n\n\n

Hedef kitle vurgusu<\/strong><\/p>\n\n\n\n

Festivallere de de\u011finen Reyhano\u011flu, her festivalin kendine has bir kitlesi oldu\u011fundan bahsetti. Reyhano\u011flu, \u201cAdana Film Festivali’nde y\u00f6netmen a\u011f\u0131rl\u0131kl\u0131 filmleri yar\u0131\u015ft\u0131r\u0131rs\u0131n\u0131z, Antalya Film Festivali\u2019nde ise daha \u00e7ok oyuncu a\u011f\u0131rl\u0131kl\u0131 filmleri yar\u0131\u015ft\u0131r\u0131rs\u0131n\u0131z\u201d s\u00f6zleriyle bu konuya \u00f6rnek verdi.<\/p>\n\n\n\n

Festivaller d\u0131\u015f\u0131nda da filmlerin nerede yay\u0131nlanaca\u011f\u0131n\u0131n \u00f6nemli oldu\u011funu vurgulayan Reyhano\u011flu, filmlerin g\u00f6sterimlerinin yap\u0131laca\u011f\u0131 ve hitap edece\u011fi kitlenin farkl\u0131 oldu\u011funu s\u00f6yledi. <\/p>\n\n\n\n

Hik\u00e2yenin \u00f6nemi ve sadakat<\/strong><\/p>\n\n\n\n

Y\u00f6netmenin karaktere ve hik\u00e2yeye sad\u0131k kalmas\u0131 gerekti\u011fini a\u00e7\u0131klayan Reyhano\u011flu, film \u00e7ekilmedi\u011fi i\u00e7in ba\u015fka bir hik\u00e2yeye ge\u00e7ilmesinin do\u011fru olmad\u0131\u011f\u0131n\u0131 s\u00f6yledi. Filmin gelece\u011fe kalacak manevi bir miras oldu\u011fundan bahseden Reyhano\u011flu, maneviyat\u0131n maddiyat\u0131n kap\u0131s\u0131n\u0131 da a\u00e7abilece\u011fini vurgulad\u0131. <\/p>\n\n\n\n

Filmlerin sadece \u00f6d\u00fcl almak i\u00e7in yap\u0131lmamas\u0131 gerekti\u011fini aktaran Reyhano\u011flu, hangi t\u00fcr film \u00e7ekilirse \u00e7ekilsin i\u00e7inde bir duygu olmas\u0131n\u0131n \u00f6nemli oldu\u011funu anlatt\u0131. Reyhano\u011flu bu konu hakk\u0131nda \u201c\u0130yi bir hik\u00e2yeniz olmak zorunda ve iyi bir hik\u00e2ye inand\u0131r\u0131c\u0131s\u0131 olmak zorundas\u0131n\u0131z. Yapt\u0131\u011f\u0131n\u0131z filmde o samimiyet ge\u00e7mezse maalesef \u00e7ok de\u011ferlendirilmiyor ama yapt\u0131\u011f\u0131n\u0131z film ger\u00e7ekten iyi niyet ve samimi duygularla \u00e7ekilen bir filmse onun kar\u015f\u0131l\u0131\u011f\u0131n\u0131 da al\u0131yorsunuz\u201d ifadelerini kulland\u0131.<\/p>\n\n\n

\n
\"\"
Yap\u0131mc\u0131 Bulut Reyhano\u011flu<\/figcaption><\/figure><\/div>\n\n\n

Esas hik\u00e2ye senaryo<\/strong><\/p>\n\n\n\n

Esas hik\u00e2yenin senaryodan ba\u015flad\u0131\u011f\u0131n\u0131 aktaran Reyhano\u011flu, senaryo doktorlar\u0131n\u0131n var oldu\u011fundan ve onlardan yard\u0131m al\u0131nabilece\u011finden bahsetti. Ayr\u0131ca Reyhano\u011flu, \u201cEn iyi senaryo doktoru yak\u0131n \u00e7evremizdir. Onlara okutun ve onlara samimi bir \u015fekilde ne hissetti\u011fini sorun. Ger\u00e7ek seyircimiz onlard\u0131r \u00e7\u00fcnk\u00fc bileti alacak olanlar da onlard\u0131r\u201d dedi. <\/p>\n\n\n\n

Yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 yapt\u0131\u011f\u0131 ve daha yeni yay\u0131nlanan Cinema Jazireh<\/em> isimli filmin senaryosuna da g\u00fcvendi\u011fini anlatan Reyhano\u011flu, senaryoya g\u00fcvenince onu herkese satman\u0131n daha kolay oldu\u011fundan bahsetti.<\/p>\n\n\n\n

\u201c\u0130lk hik\u00e2yemi 8 ya\u015f\u0131mda yazd\u0131m<\/strong>\u201d<\/p>\n\n\n\n

Senaristlikle ilgili tecr\u00fcbelerini anlatmaya ba\u015flayan Laleh, hik\u00e2ye yazma ser\u00fcveninin k\u00fc\u00e7\u00fck ya\u015flara dayand\u0131\u011f\u0131n\u0131 a\u00e7\u0131klad\u0131. Laleh konu\u015fmas\u0131na, \u201cBenim asl\u0131nda hik\u00e2ye yazma ilgim 8 ya\u015f\u0131nda ba\u015flad\u0131. \u0130lk hik\u00e2yemi yazd\u0131\u011f\u0131mda 8 ya\u015f\u0131mda teras\u0131m\u0131zda oturuyordum. Bir k\u0131z \u00e7ocu\u011funun hik\u00e2yesini anlat\u0131rd\u0131m. Resimler \u00e7izip bunu kitap haline d\u00f6n\u00fc\u015ft\u00fcr\u00fcrd\u00fcm\u201d s\u00f6zleriyle devam etti. <\/p>\n\n\n\n

Tiyatro Dramatik Yazarl\u0131k Okulu\u2019nda lisans ge\u00e7mi\u015fi olan Laleh, senaryo yazmadan \u00f6nce bir oyun yazarl\u0131\u011f\u0131 ge\u00e7mi\u015finin oldu\u011fundan bahsetti.<\/p>\n\n\n

\n
\"\"
Senarist Nafiseh Laleh<\/figcaption><\/figure><\/div>\n\n\n

\u201cKameran\u0131n g\u00f6remedi\u011fi \u015feyleri yazmamam\u0131z gerekir\u201d<\/strong><\/p>\n\n\n\n

G\u00fczel bir hik\u00e2ye yazmak i\u00e7in konunun da \u00f6nemli oldu\u011funu belirten Laleh, yarat\u0131c\u0131l\u0131\u011f\u0131n burada devreye girdi\u011finden bahsetti. Senaryonun teknik bir yaz\u0131 oldu\u011funa de\u011finen Laleh, \u015fiirselli\u011fin diyaloglarla aktar\u0131lmas\u0131 gerekti\u011finin \u00f6nemini vurgulad\u0131. Laleh, s\u00f6zlerine \u015fu \u015fekilde devam etti:<\/p>\n\n\n\n

\u201cBen senaryo dersinde \u00f6\u011frencilerime \u2018Sahneyi a\u00e7\u0131klamak istedi\u011finizde kamera bunu g\u00f6rebilecek mi?\u2019 diyorum. Kamera niyet g\u00f6remez, beyinden ge\u00e7en duygular\u0131 hissedemez. Kamera sadece bunlar\u0131 diyalog olarak sesli bir \u015fekilde kaydedebilir. Kameran\u0131n g\u00f6remedi\u011fi \u015feyleri yazmamam\u0131z gerekir.\u201d<\/p>\n\n\n\n

Senaryo hatalar\u0131n\u0131 bulma s\u00fcreci<\/strong><\/p>\n\n\n\n

Senaryoda tekrara d\u00fc\u015fmemek ve hatalar\u0131n\u0131 g\u00f6rebilmek i\u00e7in yapt\u0131klar\u0131n\u0131 anlatan Laleh, senaryoyu yazd\u0131ktan sonra genellikle 2 ay uzak kald\u0131\u011f\u0131n\u0131 s\u00f6yledi. Laleh, tekrar d\u00f6n\u00fcp bakt\u0131\u011f\u0131nda hatalar\u0131 daha net fark edebildi\u011fini anlatt\u0131.<\/p>\n\n\n\n

Yapt\u0131\u011f\u0131 bir di\u011fer \u015feyin ise yazd\u0131ktan sonra onu yak\u0131nlar\u0131na okutmak oldu\u011fundan bahseden Laleh, b\u00fct\u00fcn fikirleri g\u00f6zden ge\u00e7irdikten sonra hatalar\u0131n\u0131 d\u00fczeltti\u011fini aktard\u0131. Herkesin fikirlerinin farkl\u0131 oldu\u011funu belirten Laleh, s\u00f6ylenen her \u015feyi yapman\u0131n yazar ki\u015fili\u011finin \u00f6zg\u00fcnl\u00fc\u011f\u00fcne zarar verebilece\u011fini s\u00f6yledi.<\/p>\n\n\n

\n
\"\"
Senarist Nafiseh Laleh<\/figcaption><\/figure><\/div>\n\n\n

Hik\u00e2yeyi benimseme vurgusu<\/strong><\/p>\n\n\n\n

Senaryo yazarken kendisinin benimsemedi\u011fi \u015feyleri yazamad\u0131\u011f\u0131n\u0131 a\u00e7\u0131klayan Laleh, <\/p>\n\n\n\n

\u201cHik\u00e2yeyi benimseyemedi\u011fim ve anlayamad\u0131\u011f\u0131m s\u00fcrece; etimle, can\u0131mla, ruhumla kelimeleri canland\u0131ramad\u0131\u011f\u0131m s\u00fcrece yazamam. Yazmak istemem. Sorumlulu\u011fu kabul etmem\u201d s\u00f6zlerini kulland\u0131. <\/p>\n","protected":false},"excerpt":{"rendered":"

Haber: Ebrar S\u00fceda \u00dcnalan  Foto\u011fraf: Bulut T\u00fcmerdem  Edit\u00f6r: \u00d6zg\u00fcr Recep Kocao\u011flu \u0130stanbul, (\u0130\u00dc Haber Merkezi) – \u0130stanbul \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi\u2019nde ger\u00e7ekle\u015ftirilen Televizyon Analizi ve Ele\u015ftirisi dersine yap\u0131mc\u0131 Bulut Reyhano\u011flu ve senarist Nafiseh Laleh konuk oldu.  \u0130stanbul \u00dcniversitesi (\u0130\u00dc) \u0130leti\u015fim Fak\u00fcltesi\u2019nde Radyo, Televizyon ve Sinema B\u00f6l\u00fcm\u00fc \u00d6\u011fretim \u00dcyesi Prof. Dr. Ceyhan Kandemir taraf\u0131ndan y\u00fcr\u00fct\u00fclen Televizyon Analizi […]<\/p>\n","protected":false},"author":14,"featured_media":27573,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1,159,28,34,178,29,30,2085,2348,35],"tags":[3567,3670,40,43,3218],"class_list":["post-27572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-sag-manset","category-istanbul","category-universite","category-fakultemizden","category-iuwebtv","category-kultur-sanat","category-manset-haber","category-manset-yani","category-yasam","tag-bulut-tumerdem","tag-ebrar-sueda-unalan","tag-iletisim-fakultesi","tag-istanbul-universitesi","tag-ozgur-recep-kocaoglu"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=27572"}],"version-history":[{"count":5,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27572\/revisions"}],"predecessor-version":[{"id":27582,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27572\/revisions\/27582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/27573"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=27572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=27572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=27572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}