{"id":27765,"date":"2026-01-21T18:00:00","date_gmt":"2026-01-21T15:00:00","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=27765"},"modified":"2026-01-20T18:23:56","modified_gmt":"2026-01-20T15:23:56","slug":"ali-kazmadan-sanatcilarin-zihnine-mercek","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2026\/01\/21\/ali-kazmadan-sanatcilarin-zihnine-mercek\/","title":{"rendered":"Ali Kazma\u2019dan Sanat\u00e7\u0131lar\u0131n Zihnine Mercek"},"content":{"rendered":"\n

Muhabir: <\/strong>S\u00fcmeyye Sude G\u00fclsoy <\/strong><\/p>\n\n\n\n

Foto\u011fraf: S\u00fcmeyye Sude G\u00fclsoy <\/strong><\/p>\n\n\n\n

Edit\u00f6r: Ece \u00d6zdemir<\/strong><\/p>\n\n\n\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) – Ali Kazma, edebiyat\u0131n zihinsel haritas\u0131n\u0131 \u0130stanbul Modern\u2019de a\u00e7t\u0131.<\/strong><\/p>\n\n\n\n

G\u00fcn\u00fcm\u00fcz\u00fcn \u00f6nde gelen mercek temelli sanat\u00e7\u0131lar\u0131ndan Ali Kazma, \u0130stanbul Modern Foto\u011fraf Galerisi\u2019nde sergilenen Akl\u0131n Manzaralar\u0131 sergisiyle, edebi \u00fcretimin fiziksel ve zihinsel arka plan\u0131na odakland\u0131.<\/p>\n\n\n\n

Yazar\u0131n zihnine misafirlik<\/strong><\/p>\n\n\n\n

Sergi, yaln\u0131zca edebi eserlerin sonu\u00e7lar\u0131na de\u011fil, bu eserleri var eden d\u00fc\u015f\u00fcnsel arka plana ve mahrem \u00fcretim mek\u00e2nlar\u0131na odakland\u0131. Serginin en \u00e7arp\u0131c\u0131 b\u00f6l\u00fcmlerini ise Kazma\u2019n\u0131n, d\u00fcnyan\u0131n \u00f6nde gelen iki yazar\u0131n\u0131n ki\u015fisel \u00fcretim alanlar\u0131n\u0131 merkeze ald\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar\u0131 olu\u015fturdu. Bu \u00e7al\u0131\u015fmalar, yaz\u0131n\u0131n ve d\u00fc\u015f\u00fcncenin nas\u0131l somutla\u015ft\u0131\u011f\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne serdi.<\/p>\n\n\n\n

Bu \u00e7er\u00e7evede \u00f6ne \u00e7\u0131kan eserlerden ilki, \u0130stanbul \u00dcniversitesi Gazetecilik Enstit\u00fcs\u00fc mezunu, Nobel Edebiyat \u00d6d\u00fcll\u00fc yazar Orhan Pamuk\u2019un \u0130stanbul\u2019daki evi ve ar\u015fivinde ge\u00e7en \u201cM\u00fcrekkep Evi\u201d (2023) videosu oldu. Kazma, kameras\u0131n\u0131 yaln\u0131zca yazar\u0131n kitaplar\u0131na ve defterlerine de\u011fil; Pamuk\u2019un d\u00f6rt daireye yay\u0131lan \u00fcretim ve ya\u015fam alan\u0131na, \u00e7ocukluk defterlerine, ar\u015fivindeki yaz\u0131\u015fmalara ve hatta kedisine de y\u00f6neltti. Sanat\u00e7\u0131, bu unsurlar arac\u0131l\u0131\u011f\u0131yla vefa ve haf\u0131za gibi kavramlar\u0131 belgesel bir yakla\u015f\u0131mla mercek alt\u0131na ald\u0131.<\/p>\n\n\n

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M\u00fcrekkep Evi (2023)<\/figcaption><\/figure><\/div>\n\n\n

Pamuk\u2019un sesi ve varl\u0131\u011f\u0131 merkeze al\u0131narak kurgulanan \u201cSentimental\u201d (2022) videosu ise yazar\u0131n \u00e7ocukluk d\u00fcnyas\u0131n\u0131, ki\u015fisel yolculuklar\u0131n\u0131, g\u00fcnl\u00fck rutinlerini ve ge\u00e7mi\u015fteki seyahatlerini ele ald\u0131. Video, zaman, beden ve hareket aras\u0131ndaki karma\u015f\u0131k diyalo\u011fu g\u00f6r\u00fcn\u00fcr k\u0131ld\u0131.<\/p>\n\n\n

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Sentimental (2022)<\/figcaption><\/figure><\/div>\n\n\n

K\u00fct\u00fcphanenin yeni co\u011frafyas\u0131<\/strong><\/p>\n\n\n\n

Serginin bir di\u011fer \u00f6nemli oda\u011f\u0131 ise Arjantinli yazar ve kitap tarih\u00e7isi Alberto Manguel\u2019in, 40 binden fazla kitaptan olu\u015fan ki\u015fisel k\u00fct\u00fcphanesinin Fransa\u2019dan Portekiz\u2019in Lizbon kentine ta\u015f\u0131nma s\u00fcreci oldu. \u201cAlberto Lizbon\u2019da\u201d (2024) adl\u0131 video, Manguel\u2019in k\u00fct\u00fcphanesiyle kurdu\u011fu ki\u015fisel ba\u011f\u0131n yeni bir co\u011frafyada nas\u0131l yeniden in\u015fa edildi\u011fini belgeledi. D\u00f6rt y\u0131l s\u00fcren bu zorlu ta\u015f\u0131nma ve tasnif s\u00fcreci, k\u00fct\u00fcphane ile bellek aras\u0131ndaki k\u0131r\u0131lgan ili\u015fkiye i\u015faret etti; \u00f6zel bir birikimin kamuya a\u00e7\u0131lmas\u0131n\u0131n zihinsel \u00e7abas\u0131n\u0131 yans\u0131tt\u0131.<\/p>\n\n\n

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Alberto Lizbon\u2019da (2024)<\/figcaption><\/figure><\/div>\n\n\n

M\u00fcrekkebin alt\u0131 as\u0131rl\u0131k yolculu\u011fu<\/strong><\/p>\n\n\n\n

Serginin temel temas\u0131n\u0131 g\u00fc\u00e7lendiren di\u011fer eserler de modern sanat\u0131n k\u00f6keninde yatan geleneksel zanaata ve eme\u011fe odaklanmas\u0131yla dikkat \u00e7ekti. Japonya\u2019n\u0131n Nara kentinde alt\u0131 as\u0131rd\u0131r s\u00fcrd\u00fcr\u00fclen geleneksel kaligrafi m\u00fcrekkebi \u00fcretimini belgeleyen \u201cSumi\u201d (2025) videosu, emek, ustal\u0131k ve zaman gerektiren s\u00fcreci detaylar\u0131yla izleyiciye aktard\u0131. Video, m\u00fcrekkebin elle yo\u011frulmas\u0131ndan kal\u0131plara d\u00f6k\u00fclmesine ve aylar s\u00fcren kurutma a\u015famas\u0131na kadar uzanan bu yo\u011fun s\u00fcrecin, sanatsal bir rit\u00fcele nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ortaya koydu.<\/p>\n\n\n

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Sumi (2025)<\/figcaption><\/figure><\/div>\n\n\n

\u00d6te yandan, 55. Venedik Bienali T\u00fcrkiye Pavyonu\u2019nda da sergilenen \u201cHat\u201d (2013) ve \u201cD\u00f6vme\u201d (2013) video yap\u0131tlar\u0131, m\u00fcrekkep odakl\u0131 zanaat\u0131 merkeze ald\u0131. Bu eserler, farkl\u0131 co\u011frafyalarda y\u00fczy\u0131llard\u0131r s\u00fcrd\u00fcr\u00fclen ve bedene ile k\u00e2\u011f\u0131da iz b\u0131rakan zanaatlar\u0131n inceli\u011fini ve k\u00fclt\u00fcrel derinli\u011fini yans\u0131tarak serginin \u00fcretim k\u00fclt\u00fcr\u00fc oda\u011f\u0131n\u0131 tamamlad\u0131.<\/p>\n\n\n\n

Sanat\u00e7\u0131n\u0131n da vurgulad\u0131\u011f\u0131 gibi serginin temel iddias\u0131, g\u00f6r\u00fclmesi en zor olan\u0131, yani yarat\u0131c\u0131l\u0131\u011f\u0131n zihinsel s\u00fcrecini belgelemek oldu. Kazma\u2019n\u0131n t\u00fcm eserlerinde insan eme\u011fine yapt\u0131\u011f\u0131 vurgu, bu sergide edebi eme\u011fin izini s\u00fcrmesine neden oldu.<\/p>\n\n\n\n

K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc \u00d6yk\u00fc \u00d6zsoy Sa\u011fanak ve Demet Y\u0131ld\u0131z Din\u00e7er\u2019in, asistan k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc ise Yaz\u0131n \u00d6zt\u00fcrk\u2019\u00fcn \u00fcstlendi\u011fi sergi, 1 \u015eubat Pazar g\u00fcn\u00fcne kadar sanatseverleri \u0130stanbul Modern\u2019e bekliyor.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Muhabir: S\u00fcmeyye Sude G\u00fclsoy  Foto\u011fraf: S\u00fcmeyye Sude G\u00fclsoy  Edit\u00f6r: Ece \u00d6zdemir \u0130stanbul, (\u0130\u00dc Haber Merkezi) – Ali Kazma, edebiyat\u0131n zihinsel haritas\u0131n\u0131 \u0130stanbul Modern\u2019de a\u00e7t\u0131. G\u00fcn\u00fcm\u00fcz\u00fcn \u00f6nde gelen mercek temelli sanat\u00e7\u0131lar\u0131ndan Ali Kazma, \u0130stanbul Modern Foto\u011fraf Galerisi\u2019nde sergilenen Akl\u0131n Manzaralar\u0131 sergisiyle, edebi \u00fcretimin fiziksel ve zihinsel arka plan\u0131na odakland\u0131. Yazar\u0131n zihnine misafirlik Sergi, yaln\u0131zca edebi eserlerin […]<\/p>\n","protected":false},"author":14,"featured_media":27769,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1,159,28,30,2085,2348,35],"tags":[3847,3846,3595,1663,3756],"class_list":["post-27765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-sag-manset","category-istanbul","category-kultur-sanat","category-manset-haber","category-manset-yani","category-yasam","tag-aklin-manzaralari","tag-ali-kazma","tag-ece-ozdemir-2","tag-istanbul-modern","tag-sumeyye-sude-gulsoy"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=27765"}],"version-history":[{"count":1,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27765\/revisions"}],"predecessor-version":[{"id":27772,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/27765\/revisions\/27772"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/27769"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=27765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=27765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=27765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}