{"id":29188,"date":"2026-05-18T12:40:35","date_gmt":"2026-05-18T09:40:35","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=29188"},"modified":"2026-05-18T13:05:40","modified_gmt":"2026-05-18T10:05:40","slug":"oyunculuk-atolyesinde-duygular-ve-teknikler-kesfedildi","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2026\/05\/18\/oyunculuk-atolyesinde-duygular-ve-teknikler-kesfedildi\/","title":{"rendered":"Oyunculuk At\u00f6lyesinde Duygular ve Teknikler Ke\u015ffedildi"},"content":{"rendered":"\n

Haber: Demet Kirlibal<\/strong><\/p>\n\n\n\n

Foto\u011fraf: Hatice D\u00fcz<\/strong><\/p>\n\n\n\n

Edit\u00f6r: \u00d6zg\u00fcr Recep Kocao\u011flu<\/strong><\/p>\n\n\n\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) \u2013 \u0130stanbul \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi\u2019nde d\u00fczenlenen \u201cBir Oyuncunun Yolculu\u011fu\u201d at\u00f6lyesine oyuncu ve e\u011fitmen \u0130lter Kap\u0131c\u0131 konuk oldu.<\/strong><\/p>\n\n\n\n

\u0130stanbul \u00dcniversitesi (\u0130\u00dc) \u0130leti\u015fim Fak\u00fcltesi Amfi-C\u2019de 15 May\u0131s Cuma g\u00fcn\u00fc ger\u00e7ekle\u015ftirilen \u201cBir Oyuncunun Yolculu\u011fu\u201d ba\u015fl\u0131kl\u0131 at\u00f6lyede kat\u0131l\u0131mc\u0131lar, bedenlerini ve duygular\u0131n\u0131 ke\u015ffetmeye y\u00f6nelik \u00e7e\u015fitli pratik egzersizler yapt\u0131.<\/p>\n\n\n\n

\u0130\u00dc \u0130leti\u015fim Fak\u00fcltesi Dekan Yard\u0131mc\u0131s\u0131 Do\u00e7.Dr. \u00d6zlem Arda yapt\u0131\u011f\u0131 a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131nda konuk \u0130lter Kap\u0131c\u0131\u2019ya yo\u011fun program\u0131na ra\u011fmen at\u00f6lyeye kat\u0131ld\u0131\u011f\u0131 i\u00e7in te\u015fekk\u00fcr etti. Arda, at\u00f6lyenin sadece oyunculuk hedefi olanlar i\u00e7in de\u011fil, ayn\u0131 zamanda ileti\u015fimci olman\u0131n gerekliliklerini \u00f6\u011frenmek isteyenler i\u00e7in de faydal\u0131 olaca\u011f\u0131n\u0131 belirtti.<\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

Pratik \u00e7al\u0131\u015fmalar ve duygusal deneyimler<\/strong><\/p>\n\n\n\n

Kap\u0131c\u0131, at\u00f6lye boyunca oyuncunun rol yarat\u0131m\u0131nda envanterlerden nas\u0131l faydalanabilece\u011fi, oyuncu kimli\u011fi ile sosyal kimlik aras\u0131ndaki fark ve y\u00f6netmenlerin oyuncuyu do\u011fru y\u00f6nlendirmesinin \u00f6nemi gibi konulara de\u011findi. <\/p>\n\n\n\n

At\u00f6lyenin b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fc pratik egzersizlere ayr\u0131ld\u0131. Kap\u0131c\u0131, kat\u0131l\u0131mc\u0131lar\u0131 “hayali e\u015fik” \u00e7al\u0131\u015fmas\u0131yla g\u00fcnl\u00fck hayat\u0131n geride b\u0131rak\u0131ld\u0131\u011f\u0131 bir atmosfere soktu. Meditasyon ve nefes egzersizleriyle ba\u015flayan at\u00f6lye, bedensel \u0131s\u0131nma hareketleriyle devam etti. Kat\u0131l\u0131mc\u0131lar, “don”, “y\u00fcr\u00fc”, “h\u0131zl\u0131 y\u00fcr\u00fc”, “yava\u015f y\u00fcr\u00fc” ve “z\u0131pla” gibi komutlarla bedenlerini farkl\u0131 tempolarda kullanma deneyimi ya\u015fad\u0131. <\/p>\n\n\n\n

Duygusal deneyimlerin ke\u015ffedildi\u011fi b\u00f6l\u00fcmde ise kat\u0131l\u0131mc\u0131lar farkl\u0131 atmosferler i\u00e7inde hareket etme f\u0131rsat\u0131 buldu. Pembe renkli pamuklarla dolu bir atmosferde hafiflik ve rahatlama hissini deneyimleyen kat\u0131l\u0131mc\u0131lar, bal ile dolu bir atmosferde ise may\u0131\u015f\u0131kl\u0131k, gev\u015feklik gibi duygular\u0131 deneyimledi. Bu \u00e7al\u0131\u015fmalar, oyuncular\u0131n soyut kavramlar\u0131 i\u00e7selle\u015ftirerek farkl\u0131 karakterler yaratmalar\u0131na olanak tan\u0131d\u0131.<\/p>\n\n\n\n

Element \u00e7al\u0131\u015fmalar\u0131yla karakter yarat\u0131m\u0131<\/strong><\/p>\n\n\n\n

At\u00f6lyenin ilerleyen b\u00f6l\u00fcmlerinde, toprak-\u00e7amur, su, hava, ate\u015f olarak bilinen 4 element  \u00fczerinden karakter yaratma \u00e7al\u0131\u015fmalar\u0131 yap\u0131ld\u0131. \u00c7amur elementiyle yap\u0131lan \u00e7al\u0131\u015fmada kat\u0131l\u0131mc\u0131lar a\u011f\u0131rl\u0131k, kasvet ve h\u00fcz\u00fcn gibi duygular\u0131 deneyimlerken; su elementiyle ak\u0131c\u0131l\u0131k, rahatl\u0131k ve huzur hissetti. Hava elementiyle hafiflik, \u00f6zg\u00fcrl\u00fck ve komiklik gibi \u00f6zellikler ortaya \u00e7\u0131kt\u0131. Ate\u015f elementiyle ise \u00f6fke, g\u00fc\u00e7 ve kontrol duygular\u0131 \u00f6n plana \u00e7\u0131kt\u0131. <\/p>\n\n\n\n

Bu \u00e7al\u0131\u015fmalar, oyuncular\u0131n bedenlerini kullanarak farkl\u0131 modlar ve karakteristik \u00f6zellikler yaratmalar\u0131n\u0131n \u00f6nemini g\u00f6sterdi. Kap\u0131c\u0131, Rudolf Steiner’in 4 nitelikli egzersizinden esinlenerek, kat\u0131l\u0131mc\u0131lara farkl\u0131 atmosferler deneyimletti. Pembe pamuk \u015fekerlerle dolu bir atmosferde hafiflik ve ne\u015fe, idrarla dolu bir atmosferde rahats\u0131zl\u0131k ve tiksinti, bal ile dolu bir atmosferde gev\u015feklik ve may\u0131\u015f\u0131kl\u0131k, su ile dolu bir atmosferde ak\u0131c\u0131l\u0131k ve huzur, hava ile dolu bir atmosferde ise \u00f6zg\u00fcrl\u00fck ve hafiflik duygular\u0131 ya\u015fat\u0131ld\u0131. Son olarak ate\u015f elementiyle \u00f6fke ve g\u00fc\u00e7 duygular\u0131 ke\u015ffedildi. Kap\u0131c\u0131, bu egzersizlerin oyuncular\u0131n bilin\u00e7alt\u0131n\u0131 y\u00f6nlendirerek role h\u00fckmetmelerini sa\u011flad\u0131\u011f\u0131n\u0131 ve sahne ger\u00e7ekli\u011fi ile sosyal ger\u00e7ekli\u011fin birbirine kar\u0131\u015fmas\u0131n\u0131 engelledi\u011fini ifade etti.<\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

Michael Chekhov metodunun tarihsel arka plan\u0131<\/strong><\/p>\n\n\n\n

At\u00f6lyede \u00e7al\u0131\u015f\u0131lan y\u00f6ntemin Michael Chekhov\u2019un yap\u0131land\u0131rd\u0131\u011f\u0131 bir y\u00f6ntem oldu\u011funu kaydeden Kap\u0131c\u0131, Chekhov’un Rudolf Steiner’in 4 nitelikli egzersizini ki\u015fisel geli\u015fim i\u00e7in kulland\u0131\u011f\u0131n\u0131 ve bu spirit\u00fcelistik yap\u0131y\u0131 oyunculu\u011fa entegre etti\u011fini belirtti. Chekhov’un 1920’lerden itibaren Moskova’da \u00f6nemli bir ekol olu\u015fturdu\u011funu ancak Stalin’in sosyalist ger\u00e7ek\u00e7ilik d\u0131\u015f\u0131ndaki \u00f6\u011fretilere kar\u015f\u0131 \u00e7\u0131kmas\u0131yla Litvanya ve Fransa’ya g\u00f6\u00e7 etmek zorunda kald\u0131\u011f\u0131n\u0131 aktard\u0131. <\/p>\n\n\n\n

Kap\u0131c\u0131, Chekhov’un Almanya’da Hitler’in y\u00fckseli\u015fi s\u0131ras\u0131nda bir aristokrat\u0131n sponsorlu\u011funda Londra yak\u0131nlar\u0131nda bir \u00e7iftli\u011fi oyunculuk kalesine d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcn\u00fc ve burada ilk \u00f6\u011frencilerini e\u011fitti\u011fini ifade etti. Kap\u0131c\u0131, John Gielgud gibi \u00f6nemli \u0130ngiliz oyuncular\u0131n Chekhov’dan etkilendi\u011fini ve Royal Academy’nin oyuncu kavram\u0131n\u0131n temellerinin burada at\u0131ld\u0131\u011f\u0131n\u0131 vurgulad\u0131. Chekhov’un II. D\u00fcnya Sava\u015f\u0131’n\u0131n ba\u015flang\u0131c\u0131na do\u011fru anksiyete n\u00f6betleri ge\u00e7irmeye ba\u015flad\u0131\u011f\u0131n\u0131 ve sezgisel olarak b\u00fcy\u00fck olaylar\u0131 alg\u0131lad\u0131\u011f\u0131n\u0131 s\u00f6yleyen Kap\u0131c\u0131; Amerika’ya g\u00f6\u00e7 eden Chekhov’un Anthony Quinn, Clint Eastwood, Marilyn Monroe, Gregory Peck ve Ingrid Bergman gibi sayg\u0131n isimleri e\u011fitti\u011fini belirtti.<\/p>\n\n\n\n

Kap\u0131c\u0131, kapan\u0131\u015f konu\u015fmas\u0131nda niteliklerde ke\u015ffedilen \u015feylerin nas\u0131l kullan\u0131labilece\u011fi \u00fczerine odakland\u0131. Duygu yaratman\u0131n mod yaratmakla e\u015f de\u011fer oldu\u011funu, modun duygusal d\u00f6n\u00fc\u015f\u00fcmleri bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 ve ileti\u015fimin atmosferi, hareket kalitesini ve davran\u0131\u015f temposunu de\u011fi\u015ftirdi\u011fini vurgulayan Kap\u0131c\u0131, davran\u0131\u015f temposunun insanl\u0131\u011f\u0131n en \u00f6nemli \u00f6zelliklerinden biri oldu\u011funu ve bunun duygusal reaksiyonlarla ili\u015fkili oldu\u011funu ifade etti.<\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

Program\u0131n sonunda Kap\u0131c\u0131\u2019ya te\u015fekk\u00fcr eden \u0130\u00dc \u0130leti\u015fim Fak\u00fcltesi Dekan Yard\u0131mc\u0131s\u0131 Do\u00e7. Dr. Onur Akyol, \u00f6\u011frencilerin bu t\u00fcr organizasyonlar\u0131 takip etmesinin ve kendilerini geli\u015ftirmelerinin k\u0131ymetli oldu\u011funu belirtti. \u0130\u00dc \u0130leti\u015fim Fak\u00fcltesi Dekan Yard\u0131mc\u0131s\u0131 Do\u00e7. Dr. \u00d6zlem Arda ise dersler haricinde bu t\u00fcr uygulamalar\u0131n \u00f6\u011frencileri daha donan\u0131ml\u0131 k\u0131ld\u0131\u011f\u0131n\u0131 vurgulad\u0131.<\/p>\n\n\n\n

At\u00f6lye, Do\u00e7. Dr. \u00d6zlem Arda taraf\u0131ndan \u0130lter Kap\u0131c\u0131\u2019ya te\u015fekk\u00fcr belgesinin takdim edilmesi ve toplu foto\u011fraf \u00e7ekimi ile sona erdi.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>","protected":false},"excerpt":{"rendered":"

Haber: Demet Kirlibal Foto\u011fraf: Hatice D\u00fcz Edit\u00f6r: \u00d6zg\u00fcr Recep Kocao\u011flu \u0130stanbul, (\u0130\u00dc Haber Merkezi) \u2013 \u0130stanbul \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi\u2019nde d\u00fczenlenen \u201cBir Oyuncunun Yolculu\u011fu\u201d at\u00f6lyesine oyuncu ve e\u011fitmen \u0130lter Kap\u0131c\u0131 konuk oldu. \u0130stanbul \u00dcniversitesi (\u0130\u00dc) \u0130leti\u015fim Fak\u00fcltesi Amfi-C\u2019de 15 May\u0131s Cuma g\u00fcn\u00fc ger\u00e7ekle\u015ftirilen \u201cBir Oyuncunun Yolculu\u011fu\u201d ba\u015fl\u0131kl\u0131 at\u00f6lyede kat\u0131l\u0131mc\u0131lar, bedenlerini ve duygular\u0131n\u0131 ke\u015ffetmeye y\u00f6nelik \u00e7e\u015fitli pratik egzersizler […]<\/p>\n","protected":false},"author":14,"featured_media":29189,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[1,34,178,30,2085,2348,35],"tags":[4093,4192,40,4193,43,148,116,3007,3218,536],"class_list":["post-29188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-universite","category-fakultemizden","category-kultur-sanat","category-manset-haber","category-manset-yani","category-yasam","tag-demet-kirlibal","tag-hatice-duz","tag-iletisim-fakultesi","tag-ilter-kapici","tag-istanbul-universitesi","tag-istanbul-universitesi-iletisim-fakultesi","tag-onur-akyol","tag-oyuncu","tag-ozgur-recep-kocaoglu","tag-ozlem-arda"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/29188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=29188"}],"version-history":[{"count":4,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/29188\/revisions"}],"predecessor-version":[{"id":29198,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/29188\/revisions\/29198"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/29189"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=29188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=29188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=29188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}