{"id":29673,"date":"2026-09-22T08:37:07","date_gmt":"2026-09-22T05:37:07","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=29673"},"modified":"2026-09-22T08:39:40","modified_gmt":"2026-09-22T05:39:40","slug":"oykunun-yarim-asirlik-canli-tanigi-adnan-ozyalciner","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2026\/09\/22\/oykunun-yarim-asirlik-canli-tanigi-adnan-ozyalciner\/","title":{"rendered":"\u00d6yk\u00fcn\u00fcn Yar\u0131m As\u0131rl\u0131k Canl\u0131 Tan\u0131\u011f\u0131: Adnan \u00d6zyal\u00e7\u0131ner"},"content":{"rendered":"\n

Haber: Ebrar S\u00fceda \u00dcnalan<\/strong><\/p>\n\n\n\n

Edit\u00f6r: \u00d6zg\u00fcr Recep Kocao\u011flu<\/strong><\/p>\n\n\n\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) – T\u00fcrk edebiyat\u0131n\u0131n ya\u015fayan \u00e7\u0131narlar\u0131ndan usta \u00f6yk\u00fcc\u00fc Adnan \u00d6zyal\u00e7\u0131ner, 1950 Ku\u015fa\u011f\u0131\u2019n\u0131n edebi miras\u0131n\u0131 ve kendi deneyimlerini \u0130letim Gazetesi\u2019ne anlatt\u0131. <\/strong><\/p>\n\n\n\n

T\u00fcrk edebiyat\u0131n\u0131n ve 1950 Ku\u015fa\u011f\u0131\u2019n\u0131n usta \u00f6yk\u00fcc\u00fcs\u00fc Adnan \u00d6zyal\u00e7\u0131ner, Karag\u00fcmr\u00fck\u2019te ge\u00e7en \u00e7ocuklu\u011funu, i\u015f\u00e7i mahallelerinin edebiyat\u0131na olan etkisini ve yar\u0131m as\u0131rl\u0131k Bab\u0131\u00e2li tan\u0131kl\u0131klar\u0131n\u0131 \u0130letim Gazetesi\u2019ne aktard\u0131. \u00d6zyal\u00e7\u0131ner; Anadolu edebiyat\u0131n\u0131n usta isimlerinden Ya\u015far Kemal ve titiz ara\u015ft\u0131rmalar\u0131yla tan\u0131nan \u015fair Sennur Sezer\u2019den bahsetti. <\/p>\n\n\n\n

Edebiyat ve \u00f6yk\u00fcn\u00fcn fark\u0131 <\/strong><\/p>\n\n\n\n

Yar\u0131m as\u0131rl\u0131k edebi ki\u015fili\u011fi bulunan usta \u00f6yk\u00fcc\u00fc \u00d6zyal\u00e7\u0131ner; edebiyat\u0131n bireye, \u00f6yk\u00fcn\u00fcn ise topluma y\u00f6nelik oldu\u011fundan bahsetti. \u00d6zyal\u00e7\u0131ner, \u201cEdebiyat insan\u0131n kendini ifade bi\u00e7imidir. \u00d6yk\u00fc; insan\u0131n kendini, do\u011fay\u0131, ya\u015fad\u0131klar\u0131n\u0131, toplumla ili\u015fkisini, \u00e7eli\u015fkilerini ifade etmesinin dakikal\u0131k resmidir\u201d dedi. <\/p>\n\n\n

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\u00d6yk\u00fcc\u00fc Adnan \u00d6zyal\u00e7\u0131ner<\/figcaption><\/figure>\n<\/div>\n\n\n

Yoksul mahallelerin sesi oldu<\/strong><\/p>\n\n\n

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\u00d6zyal\u00e7\u0131ner’in ilk \u00f6yk\u00fcleri bu kitapta topland\u0131<\/figcaption><\/figure>\n<\/div>\n\n\n

\u0130stanbul\u2019un kenar mahallelerinden birinde ya\u015fad\u0131\u011f\u0131n\u0131 anlatan \u00d6zyal\u00e7\u0131ner, mahalledeki insanlar\u0131n ve ailesinin yoksul ama ya\u015fama tutunmas\u0131n\u0131 bilen ki\u015filer oldu\u011funu aktard\u0131. Ya\u015fad\u0131\u011f\u0131 \u00e7evrenin okuma-yazmas\u0131 olmad\u0131\u011f\u0131 i\u00e7in kendilerini ifade edemediklerini belirten \u00d6zyal\u00e7\u0131ner, \u201cOnlar\u0131n ifade edemediklerini ben ifade edecektim, ben de onlara ya\u015fat\u0131lan \u0130stanbul\u2019u yazd\u0131m\u201d dedi.<\/p>\n\n\n\n

\u0130lk \u00f6yk\u00fclerinin \u201cKenar Mahalleden\u201d ad\u0131yla yay\u0131nland\u0131\u011f\u0131n\u0131 vurgulayan \u00d6zyal\u00e7\u0131ner, \u00f6yk\u00fcc\u00fcl\u00fck ser\u00fcveninin b\u00f6yle ba\u015flad\u0131\u011f\u0131n\u0131 ve \u00f6yk\u00fc yazmaya h\u00e2len devam etti\u011fini belirtti. G\u00fcn\u00fcm\u00fcz \u0130stanbul’unda de\u011fi\u015fimin binalar ve yollar \u00fczerine oldu\u011funu s\u00f6yleyen \u00d6zyal\u00e7\u0131ner, ya\u015fananlar\u0131n ve ya\u015fat\u0131lanlar\u0131n hi\u00e7 de\u011fi\u015fmedi\u011fini s\u00f6yledi. <\/p>\n\n\n\n

\u201cSolistlerden olu\u015fan bir koro\u201d<\/strong><\/p>\n\n\n\n

T\u00fcrk \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fcnde 1950 Ku\u015fa\u011f\u0131\u2019n\u0131n edebi miras\u0131n\u0131 de\u011ferlendiren \u00d6zyal\u00e7\u0131ner, bu ku\u015fa\u011f\u0131n anlat\u0131m\u0131 tek boyuttan kurtararak \u00e7ok boyutlu k\u0131ld\u0131\u011f\u0131n\u0131 ve \u00f6yk\u00fcye d\u00fc\u015f\u00fcnsel bir derinlik kazand\u0131rd\u0131\u011f\u0131n\u0131 ifade etti. Temelde ayn\u0131 \u00e7izgide bulu\u015fmalar\u0131na kar\u015f\u0131n her yazar\u0131n kendine \u00f6zg\u00fc bir bak\u0131\u015f\u0131 oldu\u011funu aktaran \u00d6zyal\u00e7\u0131ner, \u201cDo\u011fan H\u0131zlan, bir s\u00f6yle\u015fisinde 1950 Ku\u015fa\u011f\u0131\u2019n\u0131 \u2018solistlerden olu\u015fan bir koro\u2019 olarak tan\u0131ml\u0131yor \u00e7\u00fcnk\u00fc her birimiz ayn\u0131 sahada fakat ayr\u0131 kulvarlarda ko\u015fan yazarlard\u0131k\u201d dedi.<\/p>\n\n\n

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\u00d6zyal\u00e7\u0131ner’in ba\u015fucu kitab\u0131<\/figcaption><\/figure>\n<\/div>\n\n\n

\u00d6zg\u00fcn bir kalem i\u00e7in ustalardan izler<\/strong><\/p>\n\n\n\n

Yazarl\u0131k ser\u00fcveninde T\u00fcrk ve d\u00fcnya yazarlar\u0131n\u0131n bir\u00e7o\u011fundan etkilendi\u011fini ve bu etkilerin \u00f6zg\u00fcn bir yaz\u0131m bi\u00e7imi olu\u015fmas\u0131na katk\u0131 sa\u011flad\u0131\u011f\u0131n\u0131 s\u00f6yleyen \u00d6zyal\u00e7\u0131ner, \u201cG\u00f6r\u00fc\u015f olarak ger\u00e7e\u011fe bak\u0131\u015f\u0131 Orhan Kemal ile Sabahattin Ali’den, d\u00fc\u015fle ger\u00e7e\u011fi bir arada dillendirebilmeyi Sait Faik’ten, humoristik bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 Haldun Taner’den edinmi\u015f olmal\u0131y\u0131m. Ya\u015fam\u0131m boyunca zaman zaman de\u011fi\u015fik ba\u015fucu kitaplar\u0131m da oldu ama ilk gen\u00e7lik y\u0131llar\u0131mda yaln\u0131z benim de\u011fil, 1950 Ku\u015fa\u011f\u0131 yazarlar\u0131n\u0131n \u00e7o\u011funun ba\u015fucu kitab\u0131 Rainer Maria Rilke taraf\u0131ndan yaz\u0131lan \u2018Malte Laurids Brigge’nin Notlar\u0131\u2019 adl\u0131 kitab\u0131yd\u0131. Beh\u00e7et Necatigil ile Tietze’nin \u00e7evirisi ile yay\u0131mlanm\u0131\u015ft\u0131. Ba\u015fucumda olma nedeni Rilke’nin anlat\u0131m bi\u00e7iminden edinece\u011fimiz g\u00fczelliklerdi\u201d ifadelerini kulland\u0131.<\/p>\n\n\n\n

\u201cB\u00e2b\u0131\u00e2li bir kitap cennetiydi\u201d<\/strong><\/p>\n\n\n\n

\u00d6yk\u00fc yazarl\u0131\u011f\u0131n\u0131n yan\u0131 s\u0131ra gazetecilik de yapt\u0131\u011f\u0131n\u0131 belirten \u00d6zyal\u00e7\u0131ner, gazetecili\u011fe 1959 y\u0131l\u0131nda Cumhuriyet gazetesinde d\u00fczeltmen olarak ba\u015flad\u0131\u011f\u0131n\u0131 ifade ederek \u201cDizgiciler eski yaz\u0131 bilirdi, d\u00fczeltilmesi i\u00e7in bir okuyan gerekiyordu. O da bendim\u201d dedi. <\/p>\n\n\n\n

Y\u0131llar ge\u00e7tik\u00e7e gazeteye \u00f6nemli isimlerin d\u00e2hil oldu\u011funu belirten \u00d6zyal\u00e7\u0131ner, olu\u015fan kadronun Babi\u00e2li’de “Cumhuriyet Akademisi” olarak an\u0131ld\u0131\u011f\u0131n\u0131 anlatt\u0131. Babiali’nin gazetecilikten \u00f6nce de hayat\u0131nda oldu\u011funu s\u00f6yleyen \u00d6zyal\u00e7\u0131ner, \u201cHem \u00f6\u011frencilik, hem gazetecilik y\u0131llar\u0131mdaki Bab\u0131\u00e2li, benim i\u00e7in bir kitap cenneti ve sanat yuvas\u0131 oldu\u201d ifadelerini kulland\u0131. <\/p>\n\n\n\n

Yaz\u0131 ustalar\u0131yla ge\u00e7en bir \u00f6m\u00fcr<\/strong><\/p>\n\n\n\n

Yar\u0131m asr\u0131 a\u015fan ya\u015fam\u0131nda bir\u00e7ok edebi isimle unutulmaz dostluklar bar\u0131nd\u0131ran \u00d6zyal\u00e7\u0131ner, yak\u0131n arkada\u015f\u0131 Ya\u015far Kemal\u2019i yaz\u0131 ustas\u0131 olarak tan\u0131mlad\u0131. Ya\u015far Kemal i\u00e7in \u201cDede Korkut\u2019un sesini, Karacao\u011flan\u2019\u0131n dilini ta\u015f\u0131yan bir T\u00fcrk\u00e7esi vard\u0131r\u201d diyen \u00d6zyal\u00e7\u0131ner, Kemal\u2019in anlat\u0131mlar\u0131nda halk edebiyat\u0131n\u0131 T\u00fcrk\u00e7e deyi\u015flerle harmanlamas\u0131ndan bahsetti.<\/p>\n\n\n\n

Ya\u015fam\u0131 boyunca hayat\u0131 ve edebiyat\u0131 payla\u015ft\u0131\u011f\u0131, T\u00fcrk \u015fiirinin ve toplumcu ger\u00e7ek\u00e7i edebiyat\u0131n g\u00fc\u00e7l\u00fc kalemi \u015fair Sennur Sezer ile olan birlikteli\u011fine de de\u011finen \u00d6zyal\u00e7\u0131ner, \u201c\u0130kimiz de kendi kulvarlar\u0131m\u0131zda ko\u015fan iki yazard\u0131k, ko\u015fuda birbirimizi izlerdik. Birlikte de \u00e7ok ko\u015ftuk\u201d dedi. \u00d6zyal\u00e7\u0131ner, bilgisayar\u0131n etkin olmad\u0131\u011f\u0131 bir d\u00f6nemde Sezer\u2019in ara\u015ft\u0131rmac\u0131 kimli\u011fiyle \u00f6n planda oldu\u011funu vurgulad\u0131.<\/p>\n\n\n

\n
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\u015eair Sennur Sezer ile \u00d6yk\u00fcc\u00fc Adnan \u00d6zyal\u00e7\u0131ner<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Haber: Ebrar S\u00fceda \u00dcnalan Edit\u00f6r: \u00d6zg\u00fcr Recep Kocao\u011flu \u0130stanbul, (\u0130\u00dc Haber Merkezi) – T\u00fcrk edebiyat\u0131n\u0131n ya\u015fayan \u00e7\u0131narlar\u0131ndan usta \u00f6yk\u00fcc\u00fc Adnan \u00d6zyal\u00e7\u0131ner, 1950 Ku\u015fa\u011f\u0131\u2019n\u0131n edebi miras\u0131n\u0131 ve kendi deneyimlerini \u0130letim Gazetesi\u2019ne anlatt\u0131.  T\u00fcrk edebiyat\u0131n\u0131n ve 1950 Ku\u015fa\u011f\u0131\u2019n\u0131n usta \u00f6yk\u00fcc\u00fcs\u00fc Adnan \u00d6zyal\u00e7\u0131ner, Karag\u00fcmr\u00fck\u2019te ge\u00e7en \u00e7ocuklu\u011funu, i\u015f\u00e7i mahallelerinin edebiyat\u0131na olan etkisini ve yar\u0131m as\u0131rl\u0131k Bab\u0131\u00e2li tan\u0131kl\u0131klar\u0131n\u0131 \u0130letim Gazetesi\u2019ne […]<\/p>\n","protected":false},"author":14,"featured_media":29674,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"jnews_post_split":[],"footnotes":""},"categories":[1,28,34,178,30,2085,2348,35],"tags":[4370,4371,3670,1071,4375,43,4374,3218,4372,2929,1456,4373],"class_list":["post-29673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-istanbul","category-universite","category-fakultemizden","category-kultur-sanat","category-manset-haber","category-manset-yani","category-yasam","tag-1950-kusagi","tag-adnan-ozyalciner","tag-ebrar-sueda-unalan","tag-edebiyat","tag-hikaye","tag-istanbul-universitesi","tag-oyku","tag-ozgur-recep-kocaoglu","tag-sennur-sezer","tag-siir","tag-yasar-kemal","tag-yazi-ustasi"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/29673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=29673"}],"version-history":[{"count":2,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/29673\/revisions"}],"predecessor-version":[{"id":29681,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/29673\/revisions\/29681"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/29674"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=29673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=29673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=29673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}