{"id":30107,"date":"2026-10-09T17:00:07","date_gmt":"2026-10-09T14:00:07","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=30107"},"modified":"2026-10-04T00:30:15","modified_gmt":"2026-10-03T21:30:15","slug":"sesinizin-hirsizi-yapay-zeka","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2026\/10\/09\/sesinizin-hirsizi-yapay-zeka\/","title":{"rendered":"Sesinizin H\u0131rs\u0131z\u0131 Yapay Zek\u00e2"},"content":{"rendered":"

Haber: \u00d6zg\u00fcr Recep Kocao\u011flu<\/strong><\/p>\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) – Yapay zek\u00e2 m\u00fczik \u00fcretirken ba\u015fka \u015fark\u0131lar\u0131 ve sanat\u00e7\u0131 seslerini taklit ediyor. Bu durum telif tart\u0131\u015fmalar\u0131n\u0131 da beraberinde getiriyor.<\/strong><\/p>\n

Teknoloji, sanat\u0131n her dal\u0131n\u0131 oldu\u011fu gibi m\u00fczi\u011fi de b\u00fcy\u00fck bir h\u0131zla d\u00f6n\u00fc\u015ft\u00fcrd\u00fc. Ancak bug\u00fcn gelinen noktada enstr\u00fcmanlardan de\u011fil, yarat\u0131c\u0131l\u0131\u011f\u0131n tan\u0131m\u0131n\u0131 k\u00f6kten de\u011fi\u015ftiren yapay zek\u00e2dan bahsediliyor. Algoritmalardan ibaret bu yeni d\u00fcnyada m\u00fczik yazar\u0131 Yavuz Hakan Tok m\u00fczik d\u00fcnyas\u0131ndaki yapay zek\u00e2 belirsizli\u011fini, Av. \u00c7a\u011fla \u00c7inili ise sanat\u00e7\u0131lar\u0131n bu yeni \u00fcretim modelindeki hukuki haklar\u0131n\u0131 \u0130letim Gazetesi\u2019ne anlatt\u0131.<\/p>\n

Notalar\u0131n eksik par\u00e7as\u0131: Ya\u015fanm\u0131\u015fl\u0131k<\/h3>\n

M\u00fczik yazar\u0131 Yavuz Hakan Tok, m\u00fczik sanat\u0131ndaki \u00f6zg\u00fcnl\u00fc\u011fe dikkat \u00e7ekerek \u201cM\u00fczisyenler \u00e7ald\u0131klar\u0131 enstr\u00fcmana kendi beceri, yetenek ve duygular\u0131n\u0131 da katarak eserleri icra ederler. \u015eark\u0131c\u0131lar\u0131n da seslerinde o an hissettikleri duygu ve kendi hayat tecr\u00fcbelerinden s\u00fcz\u00fclen ya\u015fanm\u0131\u015fl\u0131k vard\u0131r. Bu, sanat\u00e7\u0131lar\u0131 di\u011ferlerinden ay\u0131r\u0131r\u201d ifadelerini kulland\u0131. Yapay zek\u00e2yla \u00fcretilmi\u015f \u015fark\u0131larda bu \u00f6zg\u00fcnl\u00fc\u011f\u00fcn bulunmad\u0131\u011f\u0131n\u0131 ifade eden Tok, \u201cYapay zek\u00e2 \u00fcretimlerinde sadece tarih boyunca \u00e7al\u0131nm\u0131\u015f enstr\u00fcmanlar\u0131n ve s\u00f6ylenmi\u015f \u015fark\u0131lar\u0131n bir modellemesi yani taklidi var\u201d dedi.<\/p>\n

Sanat eserlerinin yoktan var edilmedi\u011fini ve sanat\u00e7\u0131lar\u0131n \u00e7o\u011funlukla \u00f6nce birilerini taklit edip sonra kendi duygu ve d\u00fc\u015f\u00fcncelerini katarak \u00f6zg\u00fcn yolunu buldu\u011funu s\u00f6yleyen Tok, yapay zek\u00e2n\u0131n hen\u00fcz taklit a\u015famas\u0131nda oldu\u011funu ve ona verilen komutlar do\u011frultusunda \u015fark\u0131 \u00fcretti\u011fi i\u00e7in bu \u00f6zg\u00fcnl\u00fckten uzak oldu\u011funu vurgulad\u0131. Tok, \u201cYapay zek\u00e2n\u0131n; sesini veya enstr\u00fcman\u0131n\u0131 \u00f6zg\u00fcn bir yetiyle kullanan ger\u00e7ek sanat\u00e7\u0131lar\u0131n rakibi olabilece\u011fini d\u00fc\u015f\u00fcnm\u00fcyorum\u201d dedi.<\/p>\n

\"yapay
G\u00f6rsel yapay zek\u00e2 ile \u00fcretildi<\/figcaption><\/figure>\n

Telif haklar\u0131nda \u2018bulu\u015f’ \u00e7\u0131kmaz\u0131<\/h3>\n

Yapay zek\u00e2 ile eski sanat\u00e7\u0131lar\u0131n seslerinin yeniden canland\u0131r\u0131lmas\u0131n\u0131 telif haklar\u0131 ihlali olarak tan\u0131mlayan Tok, telif hakk\u0131 sorununu \u015fu s\u00f6zlerle yorumlad\u0131:<\/p>\n

\u201cKimi \u015fark\u0131 yazarlar\u0131 kendi yazd\u0131klar\u0131 \u015fark\u0131lar\u0131n baz\u0131 c\u00fcmlelerinin, yapay zek\u00e2 taraf\u0131ndan \u00fcretilen \u015fark\u0131 s\u00f6zlerinde kullan\u0131ld\u0131\u011f\u0131n\u0131 bizzat tespit etmi\u015fler. Ancak \u2018bulu\u015f\u2019 dedi\u011fimiz bir \u015fey var. Yani bir \u015fark\u0131n\u0131n s\u00f6zleri herkesin yazabilece\u011fi kadar basit olabilir ama i\u00e7inde bir \u2018bulu\u015f\u2019, daha \u00f6nce kullan\u0131lmam\u0131\u015f bir metafor, bir kelime ya da c\u00fcmle vard\u0131r ki bu, o \u015fark\u0131y\u0131 benzersiz k\u0131lar. Benzer \u015fekilde yapay zek\u00e2n\u0131n \u00fcretti\u011fi \u015fark\u0131c\u0131lar da birebir bir \u015fark\u0131c\u0131ya benzemese de bildi\u011fimiz \u015fark\u0131c\u0131lar\u0131n o kendine has tekniklerini ve vurgular\u0131n\u0131 kullan\u0131yor olsa da kesin olarak \u2018Bu ses, \u015fu sanat\u00e7\u0131n\u0131n sesi\u2019 diyemiyoruz. Dolay\u0131s\u0131yla \u015fu anda \u00e7ok belirsiz ve karma\u015f\u0131k bir telif hakk\u0131 ihlali var.\u201d<\/p>\n

\"yapay
M\u00fczik Yazar\u0131 Yavuz Hakan Tok<\/figcaption><\/figure>\n

M\u00fczik devlerinden yapay zek\u00e2 hamlesi<\/h3>\n

Yapay zek\u00e2n\u0131n m\u00fczik \u00fcretimine dahil olmas\u0131yla ortaya \u00e7\u0131kan sorunlardan biri olarak telif hakk\u0131 sorunu, sekt\u00f6r devlerinde kendini g\u00f6stermeye ba\u015flad\u0131.<\/p>\n

D\u00fcnyaca \u00fcnl\u00fc m\u00fczik \u015firketi Warner Music Group (WMG), yapay zek\u00e2 tabanl\u0131 m\u00fczik \u00fcretme platformu Suno’yu telif hakk\u0131 ihlali nedeniyle dava etmi\u015fti. WMG\u2019nin gerek\u00e7esi; Suno\u2019nun yapay zek\u00e2 modelinin WMG\u2019ye ait milyonlarca \u015fark\u0131yla e\u011fitilmesi ve bu e\u011fitim i\u00e7in herhangi bir lisans al\u0131nmam\u0131\u015f olmas\u0131yd\u0131. K\u0131sa bir s\u00fcre sonra bu 2 \u015firket birlikte bir anla\u015fma imzalad\u0131klar\u0131n\u0131 a\u00e7\u0131klad\u0131. Anla\u015fman\u0131n kapsam\u0131nda; WMG ile \u00e7al\u0131\u015fan \u015fark\u0131c\u0131lar\u0131n iste\u011fi dahilinde olmak \u00fczere Suno platformunun, WMG sanat\u00e7\u0131lar\u0131n\u0131n sesini ve tarz\u0131n\u0131 kullanabilmesi yer al\u0131yordu.<\/p>\n

Bu \u00f6rne\u011fi de\u011ferlendiren Tok, \u201cM\u00fczik \u015firketleri bir d\u00f6nem MP3 teknolojisinin \u00f6n\u00fcn\u00fc alamad\u0131klar\u0131 gibi yapay zek\u00e2n\u0131n da \u00f6n\u00fcn\u00fc alamayacaklar\u0131n\u0131 g\u00f6rd\u00fcklerinden \u015fimdilerde uzla\u015fma ve bundan kazan\u00e7 elde etme yoluna girdiler\u201d diyerek ge\u00e7mi\u015fe at\u0131fta bulundu.<\/p>\n

\"yapay
Warner Music ve Suno anla\u015fmaya vard\u0131 (G\u00f6rsel yapay zek\u00e2 ile \u00fcretildi)<\/figcaption><\/figure>\n

WMG\u2019nin kendi b\u00fcnyesinde bulunan canl\u0131 m\u00fczik bilet sat\u0131\u015f\u0131 platformu SongKick’i de Suno’ya satmas\u0131, sanal starlar\u0131n ger\u00e7ek sahneleri ele ge\u00e7irip ge\u00e7iremeyece\u011fi konusunda bir tart\u0131\u015fma ba\u015flatt\u0131. Konuyu de\u011ferlendiren Tok; m\u00fczi\u011fi ger\u00e7ek \u015fark\u0131c\u0131 ve m\u00fczisyenlerden dinleyerek b\u00fcy\u00fcyen, konserlere giden ve fiziksel formatta alb\u00fcmler sat\u0131n alan ku\u015faklar hayatta oldu\u011fu s\u00fcrece sanal starlar\u0131n hakimiyet kuramayaca\u011f\u0131n\u0131 dile getirdi.<\/p>\n

Yapay zek\u00e2ya kar\u015f\u0131 sanat\u00e7\u0131n\u0131n hukuki kalkan\u0131<\/h3>\n

Av. \u00c7a\u011fla \u00c7inili, mevcut kurallara g\u00f6re yapay zek\u00e2 \u00fcretimleri bak\u0131m\u0131ndan T\u00fcrkiye\u2019de y\u00fcr\u00fcrl\u00fckte olan 5846 say\u0131l\u0131 Fikir ve Sanat Eserleri Kanunu (FSEK) kapsam\u0131nda a\u00e7\u0131k ve kapsaml\u0131 bir d\u00fczenleme olmad\u0131\u011f\u0131n\u0131 belirtti. \u00c7inili, uygulamada h\u00e2l\u00e2 FSEK\u2019in klasik kurallar\u0131yla ilerlendi\u011fini ve ister istemez insan katk\u0131s\u0131n\u0131n merkezde oldu\u011funu aktard\u0131.<\/p>\n

Bir \u015fark\u0131n\u0131n beste, g\u00fcfte, aranje vb. \u015fekilde yapay zek\u00e2 veri setine al\u0131nmas\u0131n\u0131n FSEK\u2019te \u201ckopyalama\/\u00e7o\u011faltma\u201d fiiline dayand\u0131\u011f\u0131n\u0131 s\u00f6yleyen \u00c7inili; bu durumda hak sahibinin, yasal haklar\u0131n\u0131 arama yoluna gidebilece\u011fini belirtti. Hukukta \u015fark\u0131n\u0131n ayr\u0131, \u015fark\u0131y\u0131 s\u00f6yleyenin ayr\u0131 de\u011ferlendirildi\u011fini vurgulayan \u00c7inili, FSEK\u2019in 80. maddesi kapsam\u0131nda icrac\u0131n\u0131n haklar\u0131n\u0131n g\u00fcndeme geldi\u011fini ve vokal performans\u0131n izinsiz kullan\u0131m\u0131n\u0131n do\u011frudan hak ihlali say\u0131ld\u0131\u011f\u0131n\u0131 ifade etti. Bu ihlallerin ceza hukuku kapsam\u0131na da girebilece\u011fini belirten \u00c7inili, FSEK\u2019in 71. maddesi uyar\u0131nca mali ve manevi haklara tecav\u00fcz su\u00e7unun olu\u015fabilece\u011fi uyar\u0131s\u0131nda bulundu.<\/p>\n

\"yapay
Avukat \u00c7a\u011fla \u00c7inili<\/figcaption><\/figure>\n

Sesiniz sahipsiz de\u011fil!<\/h3>\n

Sesin, ki\u015finin kimli\u011fiyle \u00f6zde\u015fle\u015fen en temel unsurlardan biri oldu\u011funa dikkat \u00e7eken \u00c7inili; \u00fcnl\u00fc bir sanat\u00e7\u0131n\u0131n sesinin yapay zek\u00e2 ile birebir taklit edilmesinin; \u00f6zel hayat\u0131n gizlili\u011fi, mesleki itibar ve ekonomik de\u011ferlere y\u00f6nelik bir sald\u0131r\u0131 olarak de\u011ferlendirilebilece\u011fini belirtti. \u00c7inili, T\u00fcrk Medeni Kanunu\u2019nun 24. ve 25. maddeleri uyar\u0131nca bu t\u00fcr sald\u0131r\u0131lar\u0131n \u00f6nlenmesi, durdurulmas\u0131 ve sonu\u00e7lar\u0131n\u0131n ortadan kald\u0131r\u0131lmas\u0131 i\u00e7in yasal yollar\u0131n a\u00e7\u0131k oldu\u011funun alt\u0131n\u0131 \u00e7izdi. \u00c7inili, ses sahibinin hayatta olmas\u0131 durumunda T\u00fcrk Bor\u00e7lar Kanunu\u2019nun 58. maddesi kapsam\u0131nda manevi tazminat hakk\u0131n\u0131n do\u011faca\u011f\u0131n\u0131 hat\u0131rlatt\u0131. Ses kayd\u0131 ve “ses izi”nin biyometrik veri stat\u00fcs\u00fcnde oldu\u011funu vurgulayan \u00c7inili, izinsiz kullan\u0131mlar\u0131n ayn\u0131 zamanda KVKK ihlali te\u015fkil etti\u011fini aktard\u0131.<\/p>\n

\u00d6len sanat\u00e7\u0131n\u0131n sesi miras\u00e7\u0131lara emanet<\/h3>\n

Vefat eden sanat\u00e7\u0131lar\u0131n ses haklar\u0131n\u0131n FSEK\u2019in 80. maddesi uyar\u0131nca korundu\u011funu belirten \u00c7inili; miras\u00e7\u0131lar\u0131n veya ilgili yap\u0131mc\u0131lar\u0131n, bu seslerin yapay zekada kullan\u0131m\u0131 i\u00e7in onay verebilece\u011fini ya da izinsiz durumlarda yasal s\u00fcre\u00e7 ba\u015flatabilece\u011fini hat\u0131rlatt\u0131. Manevi hat\u0131raya sayg\u0131 ve itibar boyutuna dikkat \u00e7eken \u00c7inili, i\u00e7eri\u011fin \u00f6lenin hat\u0131ras\u0131na hakaret niteli\u011fine b\u00fcr\u00fcnmesi h\u00e2linde T\u00fcrk Ceza Kanunu’nun Ki\u015finin hat\u0131ras\u0131na hakaret su\u00e7unu d\u00fczenleyen 130. maddesi kapsam\u0131nda su\u00e7 i\u015flendi\u011fini belirtti.<\/p>\n

Yapay zek\u00e2 m\u00fczi\u011finde telif bilmecesi<\/h3>\n

\u00c7inili, yapay zek\u00e2 ile \u00fcretilen m\u00fcziklerde mali haklar\u0131n kime ait olaca\u011f\u0131 konusunu da de\u011ferlendirdi. E\u011fer bestenin yap\u0131s\u0131, melodisi ve aranjman\u0131 gibi temel se\u00e7imler insandan geliyorsa telif hakk\u0131n\u0131n do\u011frudan o ki\u015fiye ait olmas\u0131 gerekti\u011fini anlatan \u00c7inili, insan m\u00fcdahalesinin olmad\u0131\u011f\u0131 \u00fcretimlerde klasik telif yerine yat\u0131r\u0131mc\u0131y\u0131 koruyan k\u0131s\u0131tl\u0131 haklar\u0131n devreye girmesi gerekti\u011fini belirtti.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Haber: \u00d6zg\u00fcr Recep Kocao\u011flu \u0130stanbul, (\u0130\u00dc Haber...<\/p>\n","protected":false},"author":14,"featured_media":30109,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_pushai_skip_autoshare":false,"footnotes":""},"categories":[1,31],"tags":[4482,4035,4481,3206,3505,4475,3218,4476,4473,4477,4478,4474,4483,4479,485,4484,4472,4485,4480],"manset":[],"bilesen":[],"class_list":["post-30107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-teknoloji","tag-biyometrik-veri","tag-cagla-cinili","tag-dijital-muzik","tag-fsek","tag-kvkk","tag-muzik-sektoru","tag-ozgur-recep-kocaoglu","tag-sanatci-haklari","tag-ses-klonlama","tag-ses-taklidi","tag-suno","tag-telif-hakki","tag-telif-ihlali","tag-warner-music-group","tag-yapay-zeka","tag-yapay-zeka-hukuku","tag-yapay-zeka-muzik","tag-yapay-zeka-sarki","tag-yavuz-hakan-tok"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=30107"}],"version-history":[{"count":4,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30107\/revisions"}],"predecessor-version":[{"id":30117,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30107\/revisions\/30117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/30109"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=30107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=30107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=30107"},{"taxonomy":"manset","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/manset?post=30107"},{"taxonomy":"bilesen","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/bilesen?post=30107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}