{"id":30156,"date":"2026-10-12T17:00:14","date_gmt":"2026-10-12T14:00:14","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=30156"},"modified":"2026-10-05T13:13:05","modified_gmt":"2026-10-05T10:13:05","slug":"civi-ve-telin-hata-kabul-etmeyen-bulusmasi-filografi","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2026\/10\/12\/civi-ve-telin-hata-kabul-etmeyen-bulusmasi-filografi\/","title":{"rendered":"\u00c7ivi ve Telin Hata Kabul Etmeyen Bulu\u015fmas\u0131: Filografi"},"content":{"rendered":"

Haber: \u00d6zg\u00fcr Recep Kocao\u011flu<\/strong><\/p>\n

Foto\u011fraf: \u00d6zg\u00fcr Recep Kocao\u011flu<\/strong><\/p>\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) – Ah\u015fap bir zemin \u00fczerine \u00e7ak\u0131lan \u00e7ivilerin etraf\u0131na tellerin sar\u0131lmas\u0131yla olu\u015fturulan filografi sanat\u0131, g\u00fcn\u00fcm\u00fczde unutulmaya y\u00fcz tutuyor.<\/strong><\/p>\n

Sab\u0131r ve uzun u\u011fra\u015f isteyen filografi ya da di\u011fer ad\u0131yla \u00e7ivi sanat\u0131n\u0131n \u00e7\u0131k\u0131\u015f yeri Orta Do\u011fu olarak biliniyor. Osmanl\u0131 Devleti\u2019nde de olduk\u00e7a yayg\u0131n olan filografi sanat\u0131n\u0131n inceliklerini filografi sanat\u00e7\u0131s\u0131 Makbule Kocao\u011flu, \u0130letim Gazetesi\u2019ne anlatt\u0131.<\/p>\n

Hata kabul etmeyen sanat<\/h3>\n

Filografi \u00e7al\u0131\u015fmalar\u0131n\u0131n a\u015famalar\u0131ndan bahseden Kocao\u011flu, \u201c\u0130lk olarak tahtay\u0131 kuma\u015fla kapl\u0131yoruz, ard\u0131ndan deseni tahta \u00fczerine i\u015fleyip \u00e7ivileri \u00e7ak\u0131yoruz. Sonras\u0131nda desen ka\u011f\u0131d\u0131n\u0131 s\u00f6k\u00fcp temizliyoruz ve en son telleri sar\u0131yoruz\u201d ifadelerini kulland\u0131.<\/p>\n

\"filografi\"
T\u00fcrk bayrakl\u0131 filografiler<\/figcaption><\/figure>\n

En \u00e7ok sab\u0131r gerektiren k\u0131sm\u0131n, \u00e7ivileri \u00e7akma k\u0131sm\u0131 oldu\u011funu s\u00f6yleyen Kocao\u011flu, \u00e7iviler aras\u0131ndaki mesafenin e\u015fit olmas\u0131na ve tel sarabilmek i\u00e7in \u00e7ivileri tamamen \u00e7akmamaya dikkat edilmesi gerekti\u011fini vurgulad\u0131. Filografinin en zor a\u015famas\u0131 olan bu s\u00fcrecin, her ne kadar zahmetli olsa da zevkli oldu\u011funu ifade eden Kocao\u011flu, ba\u015ftan savma yap\u0131lan i\u015flerde istenilen \u015fekillerin ortaya \u00e7\u0131kmayaca\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n

\"filografi\"
Filografi yap\u0131m a\u015famas\u0131<\/figcaption><\/figure>\n

Filografi mutfa\u011f\u0131ndaki malzemeler ve teknikler<\/h3>\n

\u00c7al\u0131\u015fmalarda kullan\u0131lan temel materyallere de\u011finen Kocao\u011flu; yap\u0131m s\u00fcrecinde d\u00fcz veya bombe ba\u015fl\u0131 \u00e7iviler, \u00e7ivi \u00e7akma aparat\u0131, telleri \u00e7ivilerin aras\u0131ndan rahat\u00e7a ge\u00e7irmek amac\u0131yla kullan\u0131lan b\u0131z, kargaburun, yan keski, tornavida, \u00e7eki\u00e7, z\u0131mba, f\u0131r\u00e7a, kuma\u015f ve \u00e7e\u015fitli renklerde filografi telleri kullan\u0131ld\u0131\u011f\u0131n\u0131 belirtti.<\/p>\n

D\u00fcz sarma, \u00e7apraz sarma, dolgu, g\u00f6lgelendirme, \u00e7er\u00e7eveleme, renk ge\u00e7i\u015fleri, d\u00fc\u011f\u00fcmleme gibi teknikler kullan\u0131ld\u0131\u011f\u0131n\u0131 ifade eden Kocao\u011flu, bu tekniklerle birbirinden \u00f6zg\u00fcn eserler \u00fcretilebilece\u011fini s\u00f6yledi.<\/p>\n

Tek bir tablo i\u00e7in 6 ayl\u0131k emek<\/h3>\n

Bir eserin tamamlanmas\u0131n\u0131n boyutuna g\u00f6re de\u011fi\u015fti\u011fini ifade eden Kocao\u011flu, k\u00fc\u00e7\u00fck \u00f6l\u00e7ekli \u00e7al\u0131\u015fmalar\u0131n 2-3 haftada tamamlanabildi\u011fini ancak b\u00fcy\u00fck boyutlu bir eserin aylar\u0131 hatta y\u0131llar\u0131 bulabilece\u011fini s\u00f6yledi. Kendi eseri olan “Ay-Y\u0131ld\u0131zl\u0131 Kelime-i Tevhid” tablosunu \u00f6rnek veren Kocao\u011flu, \u201cKuma\u015f kaplamas\u0131ndan tel sar\u0131m\u0131na kadar t\u00fcm a\u015famalar tam tam\u0131na 6 ay s\u00fcrd\u00fc\u201d dedi.<\/p>\n

\"filografi\"
Ay-Y\u0131ld\u0131zl\u0131 Kelime-i Tevhid tablosu yap\u0131m a\u015famas\u0131<\/figcaption><\/figure>\n
\"filografi\"
Ay-Y\u0131ld\u0131zl\u0131 Kelime-i Tevhid tablosu bitmi\u015f h\u00e2li<\/figcaption><\/figure>\n

Geleneksel sanat\u0131 gelece\u011fe ta\u015f\u0131ma \u00e7a\u011fr\u0131s\u0131<\/h3>\n

Filografi sanat\u0131n\u0131n T\u00fcrkiye\u2019de yeterince tan\u0131nmad\u0131\u011f\u0131n\u0131 s\u00f6yleyen Kocao\u011flu, bu sanat\u0131n sadece Halk E\u011fitim Merkezleri’ndeki kurslarla s\u0131n\u0131rl\u0131 kald\u0131\u011f\u0131n\u0131 belirtti. Geleneksel el sanatlar\u0131na gen\u00e7lerin ilgisinin olmad\u0131\u011f\u0131n\u0131 aktaran Kocao\u011flu, \u201cK\u00fclt\u00fcr\u00fcm\u00fcz\u00fcn kaybolmamas\u0131 i\u00e7in gen\u00e7lerimizi dijital d\u00fcnyadan biraz uzakla\u015ft\u0131rmak ve el sanatlar\u0131na y\u00f6nlendirmek gerekiyor. Gen\u00e7lerin ilgisini \u00e7ekmek i\u00e7in sosyal medya platformlar\u0131nda ilgi \u00e7ekici i\u00e7erikler \u00fcretilebilir\u201d s\u00f6zlerini kulland\u0131.<\/p>\n

\"filografi\"
Filografi Sanat\u00e7\u0131s\u0131 Makbule Kocao\u011flu<\/figcaption><\/figure>\n

Her \u015fey bir arkada\u015fla ba\u015flad\u0131<\/h3>\n

Bu sanatla bir arkada\u015f\u0131n\u0131n gitti\u011fi filografi kursu sayesinde tan\u0131\u015ft\u0131\u011f\u0131n\u0131 belirten Kocao\u011flu, kendisinin de ayn\u0131 kursa ba\u015flad\u0131\u011f\u0131n\u0131 ve filografiyi burada \u00f6\u011frendi\u011fini s\u00f6yledi. \u0130lk g\u00fcnden beri b\u00fcy\u00fck bir tutkuyla bu sanat\u0131 yapt\u0131\u011f\u0131n\u0131 ifade eden Kocao\u011flu, ilk yapt\u0131\u011f\u0131 eserin k\u00fct\u00fck \u00fczerine Elif ve Vav harfleri i\u015flemesi oldu\u011funu aktard\u0131.<\/p>\n

\"g\u00fcl<\/figure>
\"\u00e7i\u00e7ek<\/figure>
\"papatya<\/figure>
\"filografi\"<\/figure>
+ 1<\/span>\"WhatsApp<\/figure>