{"id":30532,"date":"2026-10-16T18:21:22","date_gmt":"2026-10-16T15:21:22","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=30532"},"modified":"2026-10-16T18:25:33","modified_gmt":"2026-10-16T15:25:33","slug":"suyun-ve-ruhun-sanati-ebru","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2026\/10\/16\/suyun-ve-ruhun-sanati-ebru\/","title":{"rendered":"SUYUN VE RUHUN SANATI: EBRU"},"content":{"rendered":"

Muhabir: Telli Demet Kirlibal<\/strong><\/h4>\n

Foto\u011fraf: Merve Kutan<\/strong><\/h4>\n

Edit\u00f6r: Melek \u00d6zt\u00fcrk<\/h4>\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) – UNESCO Ya\u015fayan \u0130nsan Hazinesi unvan\u0131na sahip ebru ustas\u0131 Hikmet Barut\u00e7ugil, 53 y\u0131ll\u0131k sanat yolculu\u011funu, Barut ebrusu ekol\u00fcn\u00fcn do\u011fu\u015funu, d\u00fcnyadaki ulusal m\u00fccadeleyi ve ebru sanat\u0131n\u0131n felsefesini \u0130letim Gazetesi\u2019ne anlatt\u0131.<\/strong><\/h3>\n

UNESCO Ya\u015fayan \u0130nsan Hazinesi unvan\u0131yla tan\u0131nan ebru sanat\u00e7\u0131s\u0131 Barut\u00e7ugil, yar\u0131m asr\u0131 a\u015fan sanat ser\u00fcvenini ve ebru sanat\u0131n\u0131n d\u00fc\u015f\u00fcnsel boyutunu \u0130letim Gazetesi\u2019ne de\u011ferlendirdi.<\/p>\n

Ebru sanat\u0131yla tan\u0131\u015fma<\/strong><\/h4>\n

\"\" <\/strong><\/h4>\n

Devlet G\u00fczel Sanatlar Akademisi’nde hat hocas\u0131 Emin Bar\u0131n’\u0131n y\u00f6nlendirmesiyle ebru sanat\u0131na ad\u0131m att\u0131\u011f\u0131n\u0131 belirten Hikmet Barut\u00e7ugil, “1973 y\u0131l\u0131nda hocam Emin Bar\u0131n’\u0131n bizi S\u00fcleymaniye K\u00fct\u00fcphanesi\u2019ne g\u00f6nderdi. Eski hatlar\u0131 incelerken kenarlar\u0131ndaki o gizemli g\u00fczelli\u011fi fark ettim. Hocama sordu\u011fumda ‘O ebrudur’ dedi ve o an bir a\u015fk g\u00f6nl\u00fcme d\u00fc\u015ft\u00fc” ifadelerini kulland\u0131.<\/p>\n

O d\u00f6nemde bat\u0131l\u0131la\u015fma politikalar\u0131 nedeniyle geleneksel sanatlar\u0131n g\u00f6z ard\u0131 edildi\u011fini aktaran Barut\u00e7ugil, Mustafa D\u00fczg\u00fcnman d\u0131\u015f\u0131nda bu sanatla ciddi u\u011fra\u015fan kimsenin bulunmad\u0131\u011f\u0131n\u0131 kaydetti. Deneme yan\u0131lma y\u00f6ntemiyle \u00e7al\u0131\u015fmalar\u0131na ba\u015flad\u0131\u011f\u0131n\u0131 ifade eden Barut\u00e7ugil, kaynak yetersizli\u011fine ra\u011fmen vazge\u00e7medi\u011fini dile getirdi.<\/p>\n

Deneme yan\u0131lma y\u0131llar\u0131<\/strong><\/h4>\n

\"\"<\/strong><\/h4>\n

Ebru sanat\u0131na dair tarihte yaz\u0131l\u0131 kayna\u011f\u0131n neredeyse bulunmad\u0131\u011f\u0131n\u0131 vurgulayan Barut\u00e7ugil, “Tarihimizde 1608 tarihli ‘Tertib-i Risale-i Ebri’ isimli iki bu\u00e7uk sayfal\u0131k el yazmas\u0131 d\u0131\u015f\u0131nda bilgi yoktu; o da i\u015fi bilenlere tavsiye niteli\u011findeydi. F\u0131r\u00e7an\u0131n, boyan\u0131n ve teknenin nas\u0131l yap\u0131laca\u011f\u0131 yazm\u0131yordu\u201d ifadelerinde bulundu. Deneme yan\u0131lma yoluyla yapt\u0131\u011f\u0131 t\u00fcm \u00e7al\u0131\u015fmalar\u0131 not ald\u0131\u011f\u0131n\u0131 s\u00f6yleyen Barut\u00e7ugil 17 y\u0131l\u0131n sonunda 1999\u2019da ‘Ebru Nas\u0131l Yap\u0131l\u0131r’ kitab\u0131n\u0131 yay\u0131mlad\u0131\u011f\u0131n\u0131 ve bilginin payla\u015ft\u0131k\u00e7a bereketinin artt\u0131\u011f\u0131n\u0131 aktard\u0131.<\/p>\n

Do\u011fan\u0131n ak\u0131\u015f\u0131ndan d\u00fcnya literat\u00fcr\u00fcne: Barut Ebrusu<\/h4>\n

Deneme yan\u0131lma \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131nda su y\u00fczeyinde farkl\u0131 do\u011fal \u015fekillerin ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 ifade eden Barut\u00e7ugil, “May\u0131s 1975 tarihli Bilim Teknik Dergisi’nin kapa\u011f\u0131ndaki ‘Denizler Kirleniyor’ foto\u011fraf\u0131 benim ebrular\u0131ma \u00e7ok benziyordu. Bu desenlerin tabiatta, mermerlerde ve magma patlamalar\u0131ndaki metal oksitlerde var oldu\u011funu fark ettim\u201d dedi.<\/p>\n

Hikmet Barut\u00e7ugil 1987 y\u0131l\u0131nda \u0130ngiltere’deki Royal College of Art\u2019\u0131n 250. kurulu\u015f y\u0131l d\u00f6n\u00fcm\u00fc sergisine davet edildi\u011fini ve \u2018Barut Ebrusu\u2019 isminin orada ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 \u015fu s\u00f6zlerle anlatt\u0131: \u201c\u00dcnl\u00fc kurat\u00f6r Rose Issa sergimi gezip bir yaz\u0131 yazd\u0131 ve ‘Barut Ebrusu’ ad\u0131n\u0131 kulland\u0131. O isim anas\u0131 oldu ondan sonra da \u2018Barut Ebrusu\u2019 \u015feklinde an\u0131ld\u0131.\u201d<\/p>\n

\"\"
\u0130letim Gazetesi muhabiri Demet Kirlibal ve Hikmet Barut\u00e7ugil<\/figcaption><\/figure>\n

Barut Ebrusu, geleneksel ebrudaki belirgin motif s\u0131n\u0131rlar\u0131n\u0131n aksine renk katmanlar\u0131n\u0131n \u00fcst \u00fcste bindi\u011fi, ge\u00e7i\u015fli ve derinlikli yap\u0131s\u0131yla ebruyu soyut bir resim y\u00fczeyine d\u00f6n\u00fc\u015ft\u00fcrmesiyle biliniyor.<\/p>\n

D\u00fcnyaya yay\u0131lan T\u00fcrk sanat\u0131<\/h4>\n

Ebru sanat\u0131n\u0131n d\u00fcnyadaki ulusal m\u00fccadelesine de\u011finen Barut\u00e7ugil, “1992’de Amerika’daki Uluslararas\u0131 Ebrucular Toplant\u0131s\u0131’na kat\u0131lan 302 ki\u015fi aras\u0131nda tek T\u00fcrk bendim. Zaman\u0131nda bu sanata ‘T\u00fcrk k\u00e2\u011f\u0131d\u0131’, sonra ‘mermer k\u00e2\u011f\u0131d\u0131’, hatta \u0130talya’da geli\u015fince ‘\u0130talyan k\u00e2\u011f\u0131d\u0131’ dediler. 40 y\u0131ld\u0131r verdi\u011fim m\u00fccadele sayesinde bug\u00fcn Kanada’dan Japonya’ya, Avustralya’dan Arjantin’e kadar d\u00fcnya bu sanata ‘Ebru’ diyor. Uluslararas\u0131 olmak istiyorsak \u00f6nce ulusal olmal\u0131y\u0131z” de\u011ferlendirmesinde bulundu.<\/p>\n

B\u00fcy\u00fcleyici g\u00fczellik: Efsun \u00c7i\u00e7e\u011fi<\/strong><\/h4>\n

\"\"<\/strong><\/h4>\n

Ebru tarihinde ilk defa \u00fc\u00e7 boyutlu bir g\u00f6r\u00fcnt\u00fc sunan Efsun \u00e7i\u00e7e\u011finin do\u011fu\u015f hik\u00e2yesini payla\u015fan Barut\u00e7ugil, “Ebristan at\u00f6lyemizde gece ge\u00e7 saatlerde \u00e7al\u0131\u015f\u0131rken e\u015fim F\u00fcsun elinde bir \u00e7ayla yan\u0131ma geldi. Sohbet ederken \u00e7ay\u0131n tekneye d\u00f6k\u00fclmesiyle \u00fc\u00e7 boyutlu bir ebru formu ortaya \u00e7\u0131kt\u0131. \u0130lham\u0131 e\u015fimden ald\u0131\u011f\u0131m i\u00e7in ‘b\u00fcy\u00fcleyici g\u00fczellik’ anlam\u0131na gelen ve onun ad\u0131yla ayn\u0131 k\u00f6kten t\u00fcreyen \u2018Efsun \u00c7i\u00e7e\u011fi\u2019 ad\u0131n\u0131 verdim\u201d dedi.<\/p>\n

Daha sonra bu formun \u00e7ok fazla taklit edildi\u011fini kaydeden Barut\u00e7ugil, bir sanat\u0131n ba\u015far\u0131s\u0131n\u0131n tebrik veya \u00f6d\u00fcl de\u011fil taklit edilmek oldu\u011funu dile getirerek \u201cTaklit ediliyorsan\u0131z o sanat yerine oturmu\u015f demektir” ifadelerini kulland\u0131.<\/p>\n

“G\u00fcne\u015fe arkan\u0131 d\u00f6necek olursan g\u00f6lgenin pe\u015finde ko\u015fars\u0131n”<\/h4>\n

UNESCO taraf\u0131ndan 2012 y\u0131l\u0131nda ‘Ya\u015fayan \u0130nsan Hazinesi’ tescili almas\u0131n\u0131n kendisine bir sorumluluk y\u00fckledi\u011fini belirten Barut\u00e7ugil, yapt\u0131\u011f\u0131 eserleri be\u011fenmedi\u011fini hep daha iyisini yapmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 dile getirdi. Sanattaki ego tehlikesine dikkat \u00e7eken Barut\u00e7ugil, “\u015ean, \u015f\u00f6hret, para ve ego pe\u015finde ko\u015fmak g\u00fcne\u015fe arkan\u0131 d\u00f6n\u00fcp g\u00f6lgenin pe\u015finden ko\u015fmaya benzer. G\u00fcne\u015fe yani \u0131\u015f\u0131\u011fa, erdemli olana ve ilahi g\u00fczelli\u011fe y\u00fcz\u00fcn\u00fc d\u00f6nersen g\u00f6lgen zaten senin pe\u015finden gelir. Necip Faz\u0131l’\u0131n dedi\u011fi gibi: ‘Anlad\u0131m i\u015fi, sanat Hakk’\u0131 aramakm\u0131\u015f’ Sanat\u0131n amac\u0131 Yaradan’a yakla\u015fmakt\u0131r” ifadelerini kulland\u0131.<\/p>\n

G\u00f6n\u00fclden g\u00f6n\u00fcle kurulan ba\u011f<\/strong><\/h4>\n

\"\"<\/strong><\/h4>\n

Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi’nde 35 y\u0131ld\u0131r ders veren Barut\u00e7ugil, talebelerine \u00f6\u011fretece\u011fi \u015feyi \u00f6nce sevdirmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 vurgulad\u0131. \u201c\u00c7ocuk severse zaten \u00f6\u011frenir. Bir hocan\u0131n vazifesi iz b\u0131rakmakt\u0131r\u201d diyen Barut\u00e7ugil g\u00f6n\u00fclden g\u00f6n\u00fcle bir sevgi ba\u011f\u0131 kuruldu\u011funda bilgi ve feyizin kendili\u011finden akaca\u011f\u0131n\u0131 ifade etti.<\/p>\n

Suyun haf\u0131zas\u0131 \u0130stanbul’da ya\u015f\u0131yor<\/strong><\/h4>\n

Hikmet Barut\u00e7ugil, \u0130stanbul’un tarihi ve mimari miras\u0131n\u0131 suyun b\u00fcy\u00fcleyici d\u00fcnyas\u0131yla bulu\u015fturdu\u011fu “Ebristanbul \/ Suyun Haf\u0131zas\u0131nda \u0130stanbul” ba\u015fl\u0131kl\u0131 son ki\u015fisel sergisini de Be\u015fikta\u015f’taki tarihi Gazi Osman Pa\u015fa Yal\u0131s\u0131’nda sanatseverlerle bulu\u015fturdu. Bah\u00e7e\u015fehir \u00dcniversitesi (BAU) ev sahipli\u011finde ve Asl\u0131han Umar’\u0131n sanat direkt\u00f6rl\u00fc\u011f\u00fcnde a\u00e7\u0131lan sergide, Barut\u00e7ugil’in \u0130stanbul’un simge mek\u00e2nlar\u0131n\u0131 Barut Ebrusu \u00fczerine resmetti\u011fi 47 \u00f6zel eseri yer al\u0131yor. \u0130stanbul’un haf\u0131zas\u0131n\u0131 Bo\u011faz’\u0131n ve sular\u0131n derinliklerinde arayan sergi, 13 Kas\u0131m 2026 tarihine kadar ziyaret edilebilecek.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Muhabir: Telli Demet Kirlibal Foto\u011fraf: Merve Kutan...<\/p>\n","protected":false},"author":14,"featured_media":30538,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_pushai_skip_autoshare":false,"footnotes":""},"categories":[1,30],"tags":[3941,3241,4631,148,625,3349,4423,1756],"manset":[],"bilesen":[],"class_list":["post-30532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-kultur-sanat","tag-ebru","tag-ebru-sanati","tag-hikmet-barutcugil","tag-istanbul-universitesi-iletisim-fakultesi","tag-kultur-sanat","tag-melek-ozturk","tag-telli-demet-kirlibal","tag-unesco"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=30532"}],"version-history":[{"count":3,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30532\/revisions"}],"predecessor-version":[{"id":30547,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30532\/revisions\/30547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/30538"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=30532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=30532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=30532"},{"taxonomy":"manset","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/manset?post=30532"},{"taxonomy":"bilesen","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/bilesen?post=30532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}