{"id":30621,"date":"2026-10-18T10:05:20","date_gmt":"2026-10-18T07:05:20","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=30621"},"modified":"2026-10-17T20:17:01","modified_gmt":"2026-10-17T17:17:01","slug":"beyaz-perdede-dijital-donusum","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2026\/10\/18\/beyaz-perdede-dijital-donusum\/","title":{"rendered":"Beyaz Perdede Dijital D\u00f6n\u00fc\u015f\u00fcm"},"content":{"rendered":"

Haber: S\u00fcmeyya Akta\u015f<\/strong>
\nFoto\u011fraf: Telli Demet Kirlibal<\/strong>
\nEdit\u00f6r: \u00d6zg\u00fcr Recep Kocao\u011flu<\/strong><\/p>\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) – Dijitalle\u015fme; filmlerin nas\u0131l \u00e7ekildi\u011finden, nereden izlendi\u011finden, nas\u0131l da\u011f\u0131t\u0131ld\u0131\u011f\u0131na kadar beyaz perdede \u00f6nemli de\u011fi\u015fimler yaratt\u0131. Dijitalle\u015fme d\u00f6n\u00fc\u015f\u00fcm\u00fc g\u00fcn\u00fcm\u00fczde dijital platformlar\u0131n pop\u00fclerle\u015fmesine de katk\u0131 sa\u011flad\u0131.<\/h3>\n

\u0130stanbul \u00dcniversitesi \u0130leti\u015fim Fak\u00fcltesi Radyo, Televizyon ve Sinema B\u00f6l\u00fcm\u00fc \u00d6\u011fretim \u00dcyesi Do\u00e7. Dr. Mehmet Sar\u0131, dijitalle\u015fmenin sinema \u00fczerindeki olumlu ve olumsuz etkilerine de\u011findi.<\/p>\n

\"beyaz
Do\u00e7. Dr. Mehmet Sar\u0131<\/figcaption><\/figure>\n

“Dijitalle\u015fme sinemay\u0131 \u00f6ld\u00fcrmedi”<\/h4>\n

Dijitalle\u015fmeyle birlikte dijital platformlar\u0131n filmler \u00fczerindeki etkisinden bahseden Sar\u0131, platformlar\u0131n filmlere eri\u015fimi kolayla\u015ft\u0131rd\u0131\u011f\u0131n\u0131 ve yap\u0131mlar\u0131n dola\u015f\u0131m\u0131n\u0131 etkiledi\u011fini s\u00f6yledi. Buna kar\u015f\u0131l\u0131k s\u00fcrekli yenilenen kataloglar nedeniyle filmlerin h\u0131zla t\u00fcketildi\u011fini ve t\u00fcketilen filmlerin geride b\u0131rak\u0131lan i\u00e7eriklere d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ifade eden Sar\u0131; filmleri hat\u0131rlamak, \u00fczerine konu\u015fmak ve farkl\u0131 sinema dillerini tan\u0131mak gibi al\u0131\u015fkanl\u0131klar\u0131n korunabildi\u011fi \u00f6l\u00e7\u00fcde dijitalle\u015fmenin sinemay\u0131 \u00f6ld\u00fcrmeyece\u011fine aksine sinema k\u00fclt\u00fcr\u00fcn\u00fc beslemeye devam edece\u011fine vurgu yapt\u0131.<\/p>\n

“En b\u00fcy\u00fck avantaj eri\u015fim kolayl\u0131\u011f\u0131”<\/h4>\n

Sar\u0131; hem ni\u015f izleyici kitlelerine hitap eden, vizyona girmeyecek olan ve festivallerde takdirle kar\u015f\u0131lanm\u0131\u015f yap\u0131mlara hem de farkl\u0131 \u00fclkelerin sinemalar\u0131na dijital platformlar arac\u0131l\u0131\u011f\u0131yla ula\u015f\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n

B\u00fcy\u00fck platform algoritmalar\u0131n\u0131n insanlar\u0131 y\u00f6nlendirmesine dikkat \u00e7eken Sar\u0131, “Sevece\u011fimiz \u015feyleri bulmak kolay ancak sevebilece\u011fimizi hen\u00fcz bilmedi\u011fimiz filmlerle kar\u015f\u0131la\u015fma ihtimalimiz daralabiliyor” dedi. Dijital platformlarda film se\u00e7erken dakikalarca enerji harcad\u0131\u011f\u0131m\u0131z\u0131 belirten Sar\u0131, bir filmin etkisini hazmetmeden di\u011fer i\u00e7erikleri t\u00fcketti\u011fimizi s\u00f6yledi.<\/p>\n

Dijital platformlarda i\u00e7erikle\u015fme tehdidi<\/h4>\n

Son y\u0131llarda i\u00e7erikle\u015fme olgusuyla kar\u015f\u0131 kar\u015f\u0131ya oldu\u011fumuzu anlatan Sar\u0131, “Bir filme veya diziye yaln\u0131zca yeni abone kazand\u0131rma ya da mevcut izleyiciyi tutma potansiyeli \u00fczerinden bak\u0131ld\u0131\u011f\u0131nda, yap\u0131m\u0131n \u00f6zg\u00fcn de\u011feri geri planda kalabiliyor” \u015feklinde konu\u015ftu.<\/p>\n

Sinemada sanatsal kayg\u0131n\u0131n yan\u0131nda ticari kayg\u0131lar\u0131n da her zaman oldu\u011funu dile getiren Sar\u0131, \u00e7e\u015fitli yap\u0131mlar\u0131n farkl\u0131 platformlarda yer almas\u0131n\u0131n maliyet y\u00fck\u00fcn\u00fc art\u0131rd\u0131\u011f\u0131n\u0131 vurgulad\u0131. Sar\u0131, platform modelinde ise bunlara aboneyi elde tutma ve s\u00fcrekli yeni yap\u0131m sunma bask\u0131s\u0131n\u0131n eklendi\u011finin alt\u0131n\u0131 \u00e7izdi.<\/p>\n

\"sinema\"
Foto\u011fraf: Tima Miroshnichenko – Pexels<\/figcaption><\/figure>\n

\u201cBir filmin platformda g\u00f6steriminin yap\u0131lmas\u0131 sanatsal de\u011ferini kendili\u011finden ortadan kald\u0131rm\u0131yor” diyen Sar\u0131, daha d\u00fc\u015f\u00fck b\u00fct\u00e7eli ve yarat\u0131c\u0131 yap\u0131mlar\u0131n daha \u00e7ok ki\u015fiyle bulu\u015fabilmek i\u00e7in platformlara y\u00f6nelmek zorunda kald\u0131\u011f\u0131n\u0131 belirtti.<\/p>\n

Film \u00fcretiminde maliyetler ve \u00e7al\u0131\u015fma ko\u015fullar\u0131<\/h4>\n

Dijitalle\u015fme, uzun bir s\u00fcredir film \u00fcretim maliyetlerini \u00f6nemli \u00f6l\u00e7\u00fcde d\u00fc\u015f\u00fcrd\u00fc. Sar\u0131, \u00f6zellikle ba\u011f\u0131ms\u0131z sinemac\u0131lar a\u00e7\u0131s\u0131ndan, daha s\u0131n\u0131rl\u0131 kaynaklarla film yapman\u0131n \u00f6n\u00fcn\u00fcn a\u00e7\u0131ld\u0131\u011f\u0131n\u0131 ve dijital da\u011f\u0131t\u0131mda fiziksel kopyalar\u0131n haz\u0131rlan\u0131p ta\u015f\u0131nmas\u0131 gibi giderlerin azald\u0131\u011f\u0131n\u0131 vurgulad\u0131.<\/p>\n

Dijital ara\u00e7lar\u0131n ekiplerin farkl\u0131 lokasyonlarda \u00e7al\u0131\u015fmas\u0131n\u0131 kolayla\u015ft\u0131rd\u0131\u011f\u0131n\u0131 aktaran Sar\u0131, maliyet d\u00fc\u015f\u00fcrme \u00e7abas\u0131n\u0131n \u00e7al\u0131\u015fanlar\u0131n haklar\u0131n\u0131 g\u00f6lgelememesi gerekti\u011fine \u015fu s\u00f6zlerle i\u015faret etti:<\/p>\n

\"sinema\"
Do\u00e7. Dr. Mehmet Sar\u0131<\/figcaption><\/figure>\n

“\u00c7al\u0131\u015fma standartlar\u0131n\u0131n g\u00fc\u00e7lenmesi, ek mesai \u00fccreti ve dinlenme g\u00fcvencesi gibi hak taleplerinin yerine getirilmesi \u00f6nem ta\u015f\u0131yor. Bir filmi daha d\u00fc\u015f\u00fck maliyetle \u00fcretmek d\u0131\u015far\u0131dan \u00e7ok olumlu g\u00f6r\u00fcnebilir ancak bu tasarruf insanlar\u0131n daha g\u00fcvencesiz ve daha yo\u011fun \u00e7al\u0131\u015fmas\u0131yla sa\u011flanmamal\u0131.”<\/p>\n

Filmlerin yap\u0131m-da\u011f\u0131t\u0131m s\u00fcre\u00e7leri demokratik mi?<\/h4>\n

Ba\u011f\u0131ms\u0131z sinemac\u0131lar ve film \u00fcretimine yeni ba\u015flayanlar i\u00e7in Sar\u0131, “\u00dcretime ba\u015flamak a\u00e7\u0131s\u0131ndan \u00f6nemli bir demokratikle\u015fmeden bahsedebiliriz. Dijital kameralar ve eri\u015filebilir kurgu ara\u00e7lar\u0131 gibi ekipmanlar\u0131n kullan\u0131m\u0131yla 1990\u2019lar\u0131n sonlar\u0131ndan itibaren film \u00e7ekmenin teknik e\u015fi\u011fi d\u00fc\u015ft\u00fc. B\u00fcy\u00fck st\u00fcdyolara ba\u011fl\u0131 olmadan yarat\u0131c\u0131 denemeler yapmak uzun bir s\u00fcredir m\u00fcmk\u00fcn” ifadelerini kulland\u0131.<\/p>\n

Bir filmi \u00e7ekmekle o filmin izleyiciye ula\u015ft\u0131r\u0131lmas\u0131 aras\u0131ndaki farka de\u011finen Sar\u0131, \u201cDijitalle\u015fme kap\u0131lar a\u00e7\u0131yor ama e\u015fit f\u0131rsatlar ve adil gelir payla\u015f\u0131m\u0131 kendili\u011finden olu\u015fmuyor. Ba\u011f\u0131ms\u0131z da\u011f\u0131t\u0131m kanallar\u0131n\u0131n, festivallerin ve farkl\u0131 yay\u0131n modellerinin varl\u0131\u011f\u0131 \u00f6nemli” dedi.<\/p>\n

Beyaz perdede yapay zek\u00e2 devrimi<\/h4>\n

Sinema, teknolojik geli\u015fmelerden her zaman faydalanm\u0131\u015f bir sanat fakat sinemada yapay zek\u00e2 arac\u0131l\u0131\u011f\u0131yla filmler \u00fcretilmeye ba\u015flanmas\u0131 emek ve haklarla ilgili tart\u0131\u015fmalar\u0131 beraberinde getiriyor. Sar\u0131, yapay zek\u00e2 konusunda hem umutlu hem de temkinli oldu\u011funu dile getirdi.<\/p>\n

Yapay zek\u00e2n\u0131n \u00f6zellikle g\u00f6rselle\u015ftirme ve teknik i\u015flemler a\u00e7\u0131s\u0131ndan yeni olanaklar sundu\u011funu vurgulayan Sar\u0131, etkileyici g\u00f6r\u00fcnt\u00fc \u00fcretmek ile sinema yapman\u0131n ayn\u0131 \u015fey olmad\u0131\u011f\u0131n\u0131 belirtti. Sinemada insan\u0131n bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n, d\u00fcnyayla kurdu\u011fu ili\u015fkinin ve karakter yarat\u0131m\u0131n\u0131n \u00f6nemli oldu\u011funu s\u00f6yleyen Sar\u0131, \u201cYapay zek\u00e2n\u0131n sinemaya katk\u0131s\u0131n\u0131; insan\u0131n ifade imk\u00e2nlar\u0131n\u0131 ne kadar geni\u015fletti\u011fi ve sanatsal yarat\u0131c\u0131l\u0131\u011fa nerede alan a\u00e7t\u0131\u011f\u0131 \u00fczerinden de\u011ferlendirmek gerekiyor\u201d dedi.<\/p>\n

\"sinema\"
Do\u00e7. Dr. Mehmet Sar\u0131 ve \u0130letim Gazetesi Muhabiri S\u00fcmeyya Akta\u015f<\/figcaption><\/figure>\n<\/p>","protected":false},"excerpt":{"rendered":"

Haber: S\u00fcmeyya Akta\u015f Foto\u011fraf: Telli Demet Kirlibal...<\/p>\n","protected":false},"author":14,"featured_media":30624,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_pushai_skip_autoshare":false,"footnotes":""},"categories":[1],"tags":[4663,4665,4669,4661,4664,4672,3073,4670,267,4658,52,4656,4666,3218,4673,4671,4667,4662,4660,4668,4127,4423],"manset":[],"bilesen":[],"class_list":["post-30621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","tag-bagimsiz-sinema","tag-dijital-donusum","tag-dijital-kurgu","tag-dijital-platformlar","tag-film-dagitimi","tag-film-sektoru-calisma-kosullari","tag-film-yapimi","tag-gise-ve-platformlar","tag-iletim-gazetesi","tag-iu-haber-merkezi","tag-iu-iletisim-fakultesi","tag-kultur-sanat-haberleri","tag-mehmet-sari","tag-ozgur-recep-kocaoglu","tag-sinema-haberleri","tag-sinema-kulturu","tag-sinema-sektoru","tag-sinema-ve-yapay-zeka","tag-sinemada-dijitallesme","tag-streaming-platformlari","tag-sumeyya-aktas","tag-telli-demet-kirlibal"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=30621"}],"version-history":[{"count":5,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30621\/revisions"}],"predecessor-version":[{"id":30639,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30621\/revisions\/30639"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/30624"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=30621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=30621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=30621"},{"taxonomy":"manset","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/manset?post=30621"},{"taxonomy":"bilesen","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/bilesen?post=30621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}