{"id":30825,"date":"2026-10-20T19:04:25","date_gmt":"2026-10-20T16:04:25","guid":{"rendered":"https:\/\/iletim.istanbul.edu.tr\/?p=30825"},"modified":"2026-10-20T19:07:47","modified_gmt":"2026-10-20T16:07:47","slug":"kitaplarin-sessiz-muhafizi-ciltcilik","status":"publish","type":"post","link":"https:\/\/iletim.istanbul.edu.tr\/index.php\/2026\/10\/20\/kitaplarin-sessiz-muhafizi-ciltcilik\/","title":{"rendered":"Kitaplar\u0131n Sessiz Muhaf\u0131z\u0131: Cilt\u00e7ilik"},"content":{"rendered":"

Haber: Melek \u00d6zt\u00fcrk<\/h4>\n

\u0130stanbul, (\u0130\u00dc Haber Merkezi) \u2013 Baz\u0131 hik\u00e2yeler sayfalarda, baz\u0131lar\u0131ysa o sayfalar\u0131 bir arada tutan kapaklarda sakl\u0131d\u0131r. Bir kitab\u0131n cildi, yaln\u0131zca sayfalar\u0131n\u0131 korumakla kalmaz; \u00fczerindeki motiflerle eserin kimli\u011fini de ta\u015f\u0131r.<\/h3>\n

Geleneksel cilt sanat\u0131n\u0131n kitaplar\u0131n \u00f6mr\u00fcn\u00fc uzatmadaki rol\u00fcn\u00fc, mesle\u011fe uzanan yolculu\u011funu ve dijital \u00e7a\u011fda zanaat\u0131n yerini Fatih Sultan Mehmet Vak\u0131f \u00dcniversitesi (FSMV\u00dc) Geleneksel Sanatlar \u00f6\u011frencisi Bet\u00fcl Sare Y\u0131lmaz \u0130letim Gazetesi\u2019ne anlatt\u0131. Kitaplar\u0131n zamanla y\u0131pranan kapaklar\u0131 ve ayr\u0131lmaya ba\u015flayan sayfalar\u0131, cilt sanat\u0131n\u0131 koruma ve onar\u0131m alan\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. Geleneksel y\u00f6ntemlerle haz\u0131rlanan ciltler, kitaplar\u0131n fiziksel b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc korurken el i\u015f\u00e7ili\u011fiyle eserlere \u00f6zg\u00fcn bir g\u00f6r\u00fcn\u00fcm kazand\u0131r\u0131yor. Y\u0131lmaz, cilt sanat\u0131n\u0131n inceliklerini, bu alana y\u00f6nelme nedenlerini ve kitaplar\u0131n gelecek ku\u015faklara aktar\u0131lmas\u0131ndaki \u00f6nemini \u0130letim Gazetesi\u2019ne de\u011ferlendirdi.<\/p>\n

Babas\u0131n\u0131n k\u00fct\u00fcphanesinden ba\u015flayan yolculuk<\/h4>\n

\"\"<\/p>\n

Geleneksel sanatlara ilgisini, lise y\u0131llar\u0131nda Geleneksel ve \u00c7a\u011fda\u015f G\u00f6rsel Sanatlar s\u0131n\u0131f\u0131nda e\u011fitim ald\u0131\u011f\u0131 d\u00f6nemde ba\u015flad\u0131\u011f\u0131n\u0131n alt\u0131n\u0131 \u00e7izen Y\u0131lmaz, \u00dcniversitenin ilk y\u0131l\u0131nda alan se\u00e7imi yaparken yaln\u0131zca k\u00e2\u011f\u0131t \u00fczerinde \u00e7izim yapmakla yetinmek istemedi\u011fini, el eme\u011finin ve zanaat\u0131n i\u00e7inde bulundu\u011fu bir alanda geli\u015fmeyi tercih etti\u011fini belirtti. Y\u0131lmaz, cilt sanat\u0131na y\u00f6neli\u015fini \u015fu s\u00f6zlerle anlatt\u0131:
\n\u201cSadece k\u00e2\u011f\u0131t \u00fczerinde \u00e7izim yapmakla kalmak istemedi\u011fimi; i\u015fin i\u00e7inde el eme\u011finin, zanaat\u0131n ve dokunman\u0131n oldu\u011fu bir alanda uzmanla\u015fmak istedi\u011fimi fark ettim.\u201d
\nY\u0131lmaz, klasik cilt usul\u00fcyle haz\u0131rlad\u0131\u011f\u0131 ilk \u00e7al\u0131\u015fman\u0131n babas\u0131n\u0131n k\u00fct\u00fcphanesinden se\u00e7ti\u011fi bir Ticaret \u0130lmihali oldu\u011funu ifade etti.
\n\u201cKapak, do\u011frudan i\u00e7indeki metnin tesiriyle \u015fekillenir.\u201d<\/p>\n

\"\"<\/p>\n

Bir kitab\u0131n kapa\u011f\u0131, okurla eser aras\u0131ndaki ilk kar\u015f\u0131la\u015fman\u0131n \u00f6tesinde, kitab\u0131n kimli\u011fini ta\u015f\u0131yan bir anlat\u0131m bi\u00e7imi olarak \u00f6ne \u00e7\u0131k\u0131yor. Klasik T\u00fcrk cilt sanat\u0131nda kitaplar\u0131n kapaklar\u0131nda kullan\u0131lan motifler, s\u00fcslemeler ve cilt t\u00fcrleri, esere \u00f6zg\u00fc bir tasar\u0131m dili olu\u015fturuyor. Y\u0131lmaz, kapa\u011f\u0131n ta\u015f\u0131d\u0131\u011f\u0131 anlam\u0131 \u015fu s\u00f6zlerle ifade etti:
\n\u201cBir kitab\u0131n kapa\u011f\u0131n\u0131n da kendi anlat\u0131s\u0131 vard\u0131r. \u00c7\u00fcnk\u00fc kapak, do\u011frudan i\u00e7indeki metnin tesiriyle \u015fekillenir.\u201d<\/p>\n

Klasik T\u00fcrk cilt sanat\u0131nda kapaklar\u0131n \u00fczerinde genellikle kitap ad\u0131n\u0131n yer almad\u0131\u011f\u0131n\u0131 belirten Y\u0131lmaz, kullan\u0131lan motifler ve s\u00fcslemeler arac\u0131l\u0131\u011f\u0131yla eserin tan\u0131nabildi\u011fini aktard\u0131. Y\u0131lmaz, kapa\u011f\u0131n \u00fczerindeki tasar\u0131m\u0131n kitab\u0131 tan\u0131tan bir kimlik ta\u015f\u0131d\u0131\u011f\u0131n\u0131 ifade etti.<\/p>\n

Kitaplar\u0131n \u00f6mr\u00fcn\u00fc uzatmak<\/h4>\n

Cilt\u00e7ilik, kitaplar\u0131n yaln\u0131zca d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015f\u00fcn\u00fc g\u00fczelle\u015ftirmekle s\u0131n\u0131rl\u0131 kalm\u0131yor. Kullan\u0131lan deri, kapak formu, miklep, \u015firaze ve geleneksel dikim teknikleri, kitab\u0131n sayfalar\u0131n\u0131 bir arada tutmak ve d\u0131\u015f etkenlerden korumak amac\u0131yla kullan\u0131l\u0131yor. Y\u0131lmaz, yapt\u0131\u011f\u0131 i\u015fin temelinde kitaba duyulan de\u011ferin bulundu\u011funu belirterek \u015fu ifadeleri kulland\u0131:
\n\u201cBir kitab\u0131 sadece bir g\u00f6rsel nesne olsun diye de\u011fil, i\u00e7eri\u011fine de\u011fer verdi\u011fimiz ve onu ya\u015fatmak istedi\u011fimiz i\u00e7in ciltleriz.\u201d<\/p>\n

Cilt sanat\u0131n\u0131n koruyucu i\u015flevinin yan\u0131 s\u0131ra estetik bir de\u011fer de ta\u015f\u0131d\u0131\u011f\u0131n\u0131 belirten Y\u0131lmaz, bazen i\u00e7i hen\u00fcz doldurulmam\u0131\u015f bo\u015f bir defterin bile kendi ba\u015f\u0131na bir sanat eserine d\u00f6n\u00fc\u015febilece\u011fini aktard\u0131.<\/p>\n

\u015eirazesi kaym\u0131\u015f bir kitab\u0131n i\u015faretleri<\/h4>\n

\"\"<\/p>\n

Kitaplar\u0131n ciltlenmeye ihtiya\u00e7 duydu\u011funu g\u00f6steren i\u015faretler, eserin yap\u0131s\u0131nda meydana gelen de\u011fi\u015fimlerle ortaya \u00e7\u0131k\u0131yor. G\u00fcn\u00fcm\u00fczde seri \u00fcretimle haz\u0131rlanan kitaplar genellikle tutkalla birle\u015ftirilirken klasik ciltlerde sayfalar elle dikiliyor. Kitab\u0131n alt ve \u00fcst k\u0131s\u0131mlar\u0131nda bulunan \u015firazeler de sayfalar\u0131n bir arada durmas\u0131na yard\u0131mc\u0131 oluyor.<\/p>\n

\u015eirazelerin kitab\u0131n b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc korumadaki \u00f6nemine de\u011finen Y\u0131lmaz, g\u00fcnl\u00fck hayatta kullan\u0131lan \u201c\u015firazesi kaymak\u201d deyiminin de bu yap\u0131yla ili\u015fkili oldu\u011funu belirtti. \u015eirazelerin s\u00f6k\u00fclmeye ba\u015flamas\u0131n\u0131n kitab\u0131n formunu bozabilece\u011fini ve sayfalar\u0131n da\u011f\u0131lmas\u0131na yol a\u00e7abilece\u011fini ifade eden Y\u0131lmaz, bu durumun cildin yenilenmesi gerekti\u011fini g\u00f6steren i\u015faretlerden biri oldu\u011funu aktard\u0131.<\/p>\n

Cilt sanat\u0131n\u0131n \u00f6\u011fretti\u011fi koruma duygusu<\/h4>\n

Cilt sanat\u0131n\u0131n kendisine kazand\u0131rd\u0131\u011f\u0131 en \u00f6nemli d\u00fc\u015f\u00fcncenin, de\u011fer verilen \u015feyleri koruma iste\u011fi oldu\u011funu belirten Y\u0131lmaz, bu yakla\u015f\u0131m\u0131n tarihsel \u00f6rneklerinden birinin Kur\u2019an-\u0131 Kerim\u2019in muhafazas\u0131 oldu\u011funu ifade etti. Miklep, sertap ve muhafaza kutular\u0131 gibi cilt unsurlar\u0131n\u0131n esere g\u00f6sterilen \u00f6zenin bir par\u00e7as\u0131 oldu\u011funu belirten Y\u0131lmaz, mesle\u011finin kendisine kazand\u0131rd\u0131\u011f\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 \u015fu s\u00f6zlerle anlatt\u0131:
\n\u201cElime her bir kitap ald\u0131\u011f\u0131mda zihnime kaz\u0131nan ve hayat\u0131ma tesir eden as\u0131l d\u00fc\u015f\u00fcnce de bu oluyor: De\u011fer verdi\u011fimiz her \u015feyi; kendimizi, sevdiklerimizi, durumumuzu ve ruh halimizi ne kadar \u00f6zenle ve dikkatle korumam\u0131z gerekti\u011fi…\u201d<\/p>\n

Dijital \u00e7a\u011fda geleneksel cilt sanat\u0131<\/h4>\n

\"\"<\/p>\n

Dijital yay\u0131nlar\u0131n yayg\u0131nla\u015fmas\u0131 ve kitaplar\u0131n seri \u00fcretimle bas\u0131lmas\u0131, bilgiye ula\u015fma bi\u00e7imlerini de\u011fi\u015ftiriyor. Ancak kitaplar\u0131n dokunulabilir bir nesne olarak ta\u015f\u0131d\u0131\u011f\u0131 de\u011fer, geleneksel cilt sanat\u0131n\u0131n \u00f6nemini korumas\u0131n\u0131 sa\u011fl\u0131yor. Y\u0131lmaz, dijitalle\u015fmenin yan\u0131 s\u0131ra seri \u00fcretimin getirdi\u011fi tek tiple\u015fmenin de \u00f6zg\u00fcn eserlere duyulan ilgiyi etkiledi\u011fini belirtti.
\n\u201cDijitalle\u015fme artt\u0131k\u00e7a, seri \u00fcretimin getirdi\u011fi o tek tiple\u015fmeye kar\u015f\u0131 somut, nitelikli ve \u00f6zg\u00fcn olana duyulan \u00f6zlem de b\u00fcy\u00fcyor.\u201d<\/p>\n

Geleneksel cilt sanat\u0131n\u0131n kitaba ki\u015fisel bir dokunu\u015f kazand\u0131rmay\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc ifade eden Y\u0131lmaz, el eme\u011fiyle haz\u0131rlanan ciltlerin zamanla ba\u011f\u0131ms\u0131z bir sanat objesine d\u00f6n\u00fc\u015febildi\u011fini belirtti. Y\u0131lmaz, cilt\u00e7ili\u011fin ge\u00e7mi\u015f d\u00f6nemlerden g\u00fcn\u00fcm\u00fcze ula\u015fan tarih\u00ee eserlerin muhafazas\u0131, bak\u0131m\u0131 ve yenilenmesi a\u00e7\u0131s\u0131ndan da \u00f6nem ta\u015f\u0131d\u0131\u011f\u0131n\u0131 vurgulad\u0131.<\/p>\n

Kitaplarla kurulan ba\u011f de\u011fi\u015fiyor mu?<\/strong><\/p>\n

\"\"<\/p>\n

Kitaplar\u0131n insanlar i\u00e7in ta\u015f\u0131d\u0131\u011f\u0131 anlam, okurun eserle kurdu\u011fu ili\u015fkiye g\u00f6re de\u011fi\u015fiyor. Kimi kitaplar bilgi edinmek amac\u0131yla okunurken kimileri bir hediye, hat\u0131ra ya da ki\u015fisel eme\u011fin \u00fcr\u00fcn\u00fc olarak saklan\u0131yor. Y\u0131lmaz, her kitab\u0131n herkes i\u00e7in ayn\u0131 de\u011feri ta\u015f\u0131mad\u0131\u011f\u0131n\u0131 ancak baz\u0131 eserlerin nesiller boyunca korunmas\u0131 ve aktar\u0131lmas\u0131 gerekti\u011fini belirtti.<\/p>\n

Dijitalle\u015fmenin kitaplarla kurulan ili\u015fkiyi ve t\u00fcketim al\u0131\u015fkanl\u0131klar\u0131n\u0131 de\u011fi\u015ftirebildi\u011fini ifade eden Y\u0131lmaz, kitaba duyulan ihtiyac\u0131n bu de\u011fi\u015fimlerin \u00f6tesinde varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrece\u011fini \u015fu s\u00f6zlerle anlatt\u0131:
\n\u201cAncak kitaba verilen o k\u00f6kl\u00fc de\u011fer ve ona duyulan hakiki ihtiya\u00e7, d\u00f6nemsel de\u011fi\u015fkenlerin \u00f6tesinde her zaman var olmaya devam edecektir.\u201d<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Haber: Melek \u00d6zt\u00fcrk \u0130stanbul, (\u0130\u00dc Haber Merkezi)...<\/p>\n","protected":false},"author":14,"featured_media":30827,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_pushai_skip_autoshare":false,"footnotes":""},"categories":[30,1],"tags":[4763,4762,235,43,148,631,3349],"manset":[],"bilesen":[],"class_list":["post-30825","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","category-genel","tag-betul-sare-yilmaz","tag-cilt","tag-dijitallesme","tag-istanbul-universitesi","tag-istanbul-universitesi-iletisim-fakultesi","tag-kitap","tag-melek-ozturk"],"_links":{"self":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=30825"}],"version-history":[{"count":3,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30825\/revisions"}],"predecessor-version":[{"id":30838,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/30825\/revisions\/30838"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/30827"}],"wp:attachment":[{"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=30825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=30825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=30825"},{"taxonomy":"manset","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/manset?post=30825"},{"taxonomy":"bilesen","embeddable":true,"href":"https:\/\/iletim.istanbul.edu.tr\/index.php\/wp-json\/wp\/v2\/bilesen?post=30825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}